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Pagan Folk
Neopagan music is music created for or influenced by modern Paganism. Music produced in the interwar period include efforts from the Latvian Dievturība movement and the Norwegian composer Geirr Tveitt. The counterculture of the 1960s established British folk revival and world music as influences for American neopagan music. Second-wave feminism created women's music which includes influences from feminist versions of neopaganism. The United States also produced Moondog, a Norse neopagan street musician and composer. The postwar neopagan organisations Ásatrúarfélagið in Iceland and Romuva in Lithuania have been led by musicians. Several subgenres of rock music have been combined with neopaganism. Neofolk bands have featured pagan revivalists since the genre's inception, pagan rock emerged in the 1980s as a distinct genre or subgenre of gothic rock, and several heavy metal bands have associated themselves with paganism since the early 1990s. Festivals like Wave-Gotik-T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are Maximal evenness, maximally separated from each other (i.e. separated by at least two whole steps). The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valdemārs Ozoliņš
Valdemārs Ozoliņš (5 November 1896 Vestiena parish – 15 February 1973, Pueblo, Colorado, USA) was a Latvian composer and conductor. Valdemārs Ozoliņš songs have been treasured by choirs ever since his triumphant debut during the VI Latvian Song Festival in Riga, Latvia in 1926. The author of about 500 songs and several cantatas, Valdemārs Ozoliņš was chief conductor at several Latvian Song Festivals. Biography Valdemārs Ozoliņš was born November 5, 1896 in Vestiena, in the Governorate of Livonia (present-day Latvia). His parents were farmers. He attended school in Vestiena, enrolled the conservatory of St Petersburg 1914, later in Moscow, and in 1921 the composition and conducting classes of the conservatory in Riga, Latvia, which he graduated in 1931. In Riga he was the substitute of the conductor Teodors Reiters. Valdemārs Ozoliņš song “Papardes zieds” – "The fern flower" (text by K. Krūza) was received very well at the VI Latvian Song Festival in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernests Brastiņš
Ernests Brastiņš (19 March 1892 – 28 January 1942) was a Latvian artist, amateur historian, folklorist and archaeologist. He is known as the founder and driving force behind the neopagan religion Dievturība, which he started in the 1920s and which was re-established after the fall of the Soviet Union. Biography Ernests Brastiņš was educated at the Stieglitz Art Academy in Saint Petersburg from 1911 to 1915. After military service in World War I and the Latvian War of Independence he became the director of the Latvian War Museum. During his time at the museum he studied Latvian history, Latvian ethnography, folk art and symbols, and investigated around 300 Latvian hill forts and the folklore connected to them. In 1925, Brastiņš co-wrote a neopagan manifesto with Kārlis Marovskis-Bregžis, titled ''Latviešu dievturības atjaunojums'' (). This marked the beginning of Dievturība, a Baltic neopagan religion based on pre-Christian Baltic religion, Latvian folk culture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trīdeksnis
Trīdeksnis (also known as trīdēkslis, trīdēksnis, strīdēkslis etc.) is a Latvian percussion instrument. It consists of a short wooden handle running through three increasing width tiers of flat horizontal discs, with small triangular metal rattles hanging off the edges of the disks. The trīdeksnis is used by shaking it like a rattle or hitting the handle against the palm, causing metal discs to jingle. In NBC series ''Community'', the trīdeksnis is played during a Latvian independence day parade inside a blanket fort in the episode "Conspiracy Theories and Interior Design "Conspiracy Theories and Interior Design" (alternate title "Conspiracy Theories and Soft Defenses") is the ninth episode of the second season of the American comedy television series ''Community'', and the 34th episode of the series overall. It a ...". References Latvian musical instruments Idiophones {{Rattle-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokle
Kokle (; ltg, kūkle) or historically kokles (''kūkles'') is a Latvian plucked string instrument (chordophone) belonging to the Baltic box zither family known as the Baltic psaltery along with Lithuanian kanklės, Estonian kannel, Finnish kantele, and Russian krylovidnye gusli. The first possible kokles related archaeological findings in the territory of modern Latvia are from the 13th century, while the first reliable written information about kokles playing comes from the beginning of the 17th century. The first known kokles tune was notated in 1891, but the first kokles recordings into gramophone records and movies were made in 1930s. Both kokles and kokles playing are included in the Latvian Culture Canon. Etymology According to Finnish linguist Eino Nieminen, the name of the instrument, along with the names of most of its neighbouring counterparts (Lithuanian ''kanklės'', Finnish ''kantele'', Estonian ''kannel'' and Livonian ''kāndla''), possibly comes from the proto- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baltic Neopaganism
Baltic neopaganism is a category of autochthonous religious movements which have revitalised within the Baltic people (primarily Lithuanians and Latvians).Wiench 1995 These movements trace their origins back to the 19th century and they were suppressed under the Soviet Union; after its fall they have witnessed a blossoming alongside the national and cultural identity reawakening of the Baltic peoples, both in their homelands and among expatriate Baltic communities, with close ties to conservation movements. One of the first ideologues of the revival was the Prussian Lithuanian poet and philosopher Vydūnas. During the Pope Francis's visit to the Baltic states in 2018 the Dievturi and Romuva movements sent a joint letter to Pope Francis calling him to urge fellow Christians "to respect our own religious choice and cease impeding our efforts to achieve national recognition of the ancient Baltic faith". The movements have said that they dislike the usage of the term "pagan" as it i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underground Music
Underground music is music with practices perceived as outside, or somehow opposed to, mainstream popular music culture. Underground music is intimately tied to popular music culture as a whole, so there are important tensions within underground music because it appears to both assimilate and resist the forms and processes of popular music culture. Underground music may be perceived as expressing sincerity, intimacy, freedom of creative expression in opposition to those practices deemed formulaic or commercially driven. Notions of individuality non-conformity are also commonly deployed in extolling the virtue of underground music. There are examples of underground music that are particularly difficult to encounter, such as the underground rock scenes in the pre- Mikhail Gorbachev Soviet Union, in which has amassed a devoted following over the years (most notably for bands such as Kino). However, most underground music is readily accessible, although performances and recordings ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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