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PROLET•KULT
''PROLET•KULT'' is the debut release of OK•ZTEIN•OK, a solo project of Sascha Konietzko (of KMFDM). Both the project and the release were announced on KMFDM's website on March 23, 2011. ''PROLET•KULT'' was released April 26 in a limited release of 1,000 copies.Transmission 4.901
KMFDM web site. Retrieved on 2011-04-04.
The EP makes references to ''
proletkult Proletkult ( rus, Пролетку́льт, p=prəlʲɪtˈkulʲt), a portmanteau of the Russian words "proletarskaya kultura" (proletarian culture), was an experimental Soviet artistic institution that arose in conjunction with the Russian Revolut ...
'', a portmanteau of ''proletarsk ...
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Sascha Konietzko
Sascha Kegel Konietzko (born 21 June 1961), also known as Sascha K and Käpt'n K, is a German musician and record producer. He is the founder, frontman and "anchor" of the industrial band KMFDM. Konietzko jokingly purports himself to be the father of industrial rock. ''Keyboard Magazine'' wrote of him, "You won't find a more imaginative or effective keyboardist on the hard-core scene." KMFDM Konietzko is best known for his role as frontman of KMFDM. Having founded the group as a performance art project in 1984, he is the only member of KMFDM to appear on every release, and the only founding member still in the band. His main instruments are keyboards and drums, although he is also proficient at playing guitar and bass guitar. Side projects Konietzko has formed a number of side-projects: *Excessive Force in 1990 with Buzz McCoy from My Life With The Thrill Kill Kult *MDFMK in 1999 with Lucia Cifarelli and Tim Skold *Schwein in 2000 with members of the Japanese band Buck-Tick a ...
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Proletkult
Proletkult ( rus, Пролетку́льт, p=prəlʲɪtˈkulʲt), a portmanteau of the Russian words "proletarskaya kultura" (proletarian culture), was an experimental Soviet artistic institution that arose in conjunction with the Russian Revolution of 1917. This organization, a federation of local cultural societies and avant-garde artists, was most prominent in the visual, literary, and dramatic fields. Proletkult aspired to radically modify existing artistic forms by creating a new, revolutionary working-class aesthetic, which drew its inspiration from the construction of modern industrial society in backward, agrarian Russia. Although funded by the People's Commissariat for Education of Soviet Russia, the Proletkult organization sought autonomy from state control, a demand which brought it into conflict with the Communist Party hierarchy and the Soviet state bureaucracy. Some top party leaders, such as Lenin, sought to concentrate state funding and retain it from such artistic ...
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Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 follow up ...
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KMFDM
KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on Metropolis Records, and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British ...
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