|
Oxygène 7–13
''Oxygène 7–13'' (known as "Oxygène 2" on the Oxygène Trilogy box set) is the twelfth studio album by French electronic musician and composer Jean-Michel Jarre, released by Disques Dreyfus on February 1997. It is the sequel to his 1976 album ''Oxygène'' released previously two decades, used the same synthesizers and is dedicated to Jarre's former mentor, experimental musician Pierre Schaeffer. The album cover art was created by long-time collaborator Michel Granger. Background ''Oxygène 7-13'' is dedicated to his mentor at the GRM, Pierre Schaeffer, who had died two years before. The album was recorded and mixed by Jarre together with Patrick Pelamourges and René Ameline respectively at Oxygene studio and Croissy studio. It was also the last album by Jarre featuring Michel Geiss as collaborator. It also had the collaboration of the keyboardist Francis Rimbert and the programmer Christian Sales. He combined the "spherical sounds" of the 1976 album with contemporary rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxygène
''Oxygène'' (, en, Oxygen) is the third studio album by French electronic musician and composer Jean-Michel Jarre. It was first released in France in December 1976 by Disques Motors, and distributed internationally in 1977 by Polydor Records. Jarre recorded the album in a makeshift studio that he set up in his apartment in Paris, using a variety of analog and digital synthesizers, and other electronic instruments and effects. French sound engineer, Michel Geiss helped Jarre in the purchase, recording and programming of some instruments used on the album. His musical style was influenced by the musique concrète, developed by Pierre Schaeffer, who mentored Jarre and taught him how to create music from pre-recorded sounds and not from notes. It was supported by two singles, "Oxygène (Part II)" and "Oxygène (Part IV)". Following the international success of the latter, the album became Jarre's breakthrough, reaching number one on the French Albums Charts. "Oxygène (Part IV)" wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digisequencer
Michel Geiss is a French sound engineer, instrument designer and musician who was a long-time collaborator of Jean Michel Jarre. He has also collaborated with other famous French artists such as Marc Lavoine, Patrick Bruel or Laurent Voulzy. In 1978 during the recording of ''Équinoxe ''Équinoxe'' (, en, Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution. The albu ...'' he designed the ''Matrisequencer 250'', an instrument that later was used in '' Rendez-Vous'' (1986). The instrument was succeeded by the ''Geiss Digisequencer''. Notes and references Year of birth missing (living people) Living people French musicians French audio engineers {{France-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quasimidi Raven
The Quasimidi Raven was a German made synthesizer aimed at the dance music market. It also featured an 8-track sequencer, arpeggiators, real-time control knobs and effects. The Raven can be upgraded with the RavenMAX card. This increases the sample wave memory from 6 to 14 MB Patches The unit features 512 patches. These include Basses, LeadSynths, SynthPads, Natural Sounds, Organs, FM-Percussion, Effects, Drumsets, Tuned Drums. References Polyphonic synthesizers Digital synthesizers Products introduced in 1996 {{electronic-musical-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha CS-80
The Yamaha CS-80 is an analog synthesizer released in 1977. It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital programmable presets the Prophet-5 would sport soon after). It has exceptionally complete performer expression features, such as a layered keyboard that was both velocity-sensitive (like a piano's) and pressure-sensitive (" after-touch") but unlike most modern keyboards the aftertouch could be applied to individual voices rather than in common, and a ribbon controller allowing for polyphonic pitch-bends and glissandos. Production of the instrument ceased in 1980. Vying with the Sequential Circuits Prophet-5 and Oberheim OB-X polysynths for the title, the CS-80 is often described as the pre-eminent polyphonic analog synthes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theremin
The theremin (; originally known as the ætherphone/etherphone, thereminophone or termenvox/thereminvox) is an electronic musical instrument controlled without physical contact by the performer (who is known as a thereminist). It is named after its inventor, Leon Theremin, who patented the device in 1928. The instrument's controlling section usually consists of two metal antenna (radio), antennas which sense the relative position of the thereminist's hands and control oscillation, oscillators for frequency with one hand, and amplitude (Loudness, volume) with the other. The electric signals from the theremin are amplifier, amplified and sent to a loudspeaker. The sound of the instrument is often associated with wikt:eerie, eerie situations. The theremin has been used in movie soundtracks such as Miklós Rózsa's ''Spellbound (1945 film), Spellbound'' and ''The Lost Weekend (film), The Lost Weekend'', Bernard Herrmann's ''The Day the Earth Stood Still (soundtrack), The Day the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eminent 310 Unique
The Eminent 310 Unique is a home electronic organ that was built and introduced in 1972 by the Dutch organ manufacturer Eminent, at the time based in Bodegraven, the Netherlands. It was the first organ to include a string section, making it the first commercial polyphonic string synthesizer on the market. It is prominently featured on Jean Michel Jarre's albums ''Oxygène'' (1977) and ''Équinoxe'' (1978). The technology for the string section was later released as a standalone instrument, the Solina String Ensemble (rebadged by ARP as the ARP String Ensemble The Solina String Ensemble, also marketed as the ARP String Ensemble, is a fully polyphonic multi-orchestral synthesizer with a 49-key keyboard, produced by Eminent BV (known for their ''Solina'' brand). It was distributed in the United States by ... for the US market), which saw wide use in popular music. References External links Eminent 310 Salvation Project {{electronic-musical-instrument-stub Electronic org ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. The Synthi A model debuted in May 1971, and then Sythni AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Sythi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. There was an optional three octave (37 note) DK1 monophonic keyboard available for it, later the DK2 (Dynamic Keyboard 2) was available, this allowed independent control of two Oscillators, thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was worth considerably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS VCS 3
The VCS 3 (or VCS3; an initialism for ''Voltage Controlled Studio, version #3'') is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969. EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). History The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first ''portable'' commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 dB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow
Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million residents within the city limits, over 17 million residents in the urban area, and over 21.5 million residents in the metropolitan area. The city covers an area of , while the urban area covers , and the metropolitan area covers over . Moscow is among the world's largest cities; being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent. First documented in 1147, Moscow grew to become a prosperous and powerful city that served as the capital of the Grand Duchy that bears its name. When the Grand Duchy of Moscow evolved into the Tsardom of Russia, Moscow remained the political and economic center for most of the Tsardom's history. When th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Remix")
