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Oxygène
''Oxygène'' (, en, Oxygen) is the third studio album by French electronic musician and composer Jean-Michel Jarre. It was first released in France in December 1976 by Disques Motors, and distributed internationally in 1977 by Polydor Records. Jarre recorded the album in a makeshift studio that he set up in his apartment in Paris, using a variety of analog and digital synthesizers, and other electronic instruments and effects. French sound engineer, Michel Geiss helped Jarre in the purchase, recording and programming of some instruments used on the album. His musical style was influenced by the musique concrète, developed by Pierre Schaeffer, who mentored Jarre and taught him how to create music from pre-recorded sounds and not from notes. It was supported by two singles, "Oxygène (Part II)" and " Oxygène (Part IV)". Following the international success of the latter, the album became Jarre's breakthrough, reaching number one on the French Albums Charts. "Oxygène (Part IV)" ...
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Jean-Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. But his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by '' Équinoxe'', and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place d ...
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Oxygène (Part IV)
"Oxygène (Part IV)" (released in some countries under the title "Oxygène IV") is a 1977 single composed by the French electronic musician and composer Jean-Michel Jarre, from his third studio album ''Oxygène'' (1976). It is Jarre's most successful single, reaching number four on the UK Singles Chart and peaking in the top ten in the charts of several European countries. It also was used in the 2008 video game ''Grand Theft Auto IV'', and in the BBC drama '' Micro Men''. Background In 1972, the American synth-pop band Hot Butter released a successful version of Gershon Kingsley's " Popcorn". That same year he recorded on French label, Disques Motors and released his respective version under the pseudonyms Pop Corn Orchestra and Jammie Jeferson. It although was not successful, the track served as inspiration for the creation of "Oxygène (Part IV)". In 1974, he composed the opening jingle for the A4 autoroute—also known as ''autoroute de l'Est''—in Paris, some media such as ...
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Équinoxe
''Équinoxe'' (, en, Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution. The album featured two singles: "Équinoxe Part 4" and "Équinoxe Part 5", the latter having more success reaching No. 45 on the UK Singles Chart. It reached number 11 on the UK Album Chart and number 126 on the US ''Billboard'' 200 chart. Composition and recording The album was recorded from January to August 1978 in the makeshift recording studio set up in his apartment in Paris. The making of the album was done with a 16-track MCI tape. Jarre stated that although his previous album ''Oxygène'' was created without a concept in mind, ''Équinoxe'' was intended to represent a day in the life of a person, from waking up in the morning to sleeping at night. The aquatic, rain, storm and thunder sounds that play on various tracks were designed by ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ...
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Popcorn (instrumental)
"Popcorn" (first version "Pop Corn") is an instrumental composed by Gershon Kingsley in 1969 for the album ''Music to Moog By'' on Audio Fidelity Records label. The Moog synthesizer instrumental became a worldwide hit, first in 1972 when a version by Hot Butter was released. Since then, multiple versions of the piece have been produced and released, including those by Vyacheslav Mescherin, Anarchic System, Popcorn Makers, the Boomtang Boys, M & H Band, Crazy Frog and The Muppets. Hot Butter version In 1972, a rearranged version of the instrumental was recorded by Kingsley's First Moog Quartet. This was intended for the namesake album (''First Moog Quartet'') which had otherwise been a re-release of the 1970 First Moog Quartet album with the same name. The 1972 version of the instrumental had the now current title "Popcorn". In that same year, Stan Free, a fellow member of the First Moog Quartet, re-recorded another instrumental, based on the 1972 version, with his own ba ...
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New-age Music
New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism. It is used by listeners for yoga, massage, meditation, and reading as a method of stress management to bring about a state of ecstasy rather than trance, or to create a peaceful atmosphere in homes or other environments. It is sometimes associated with environmentalism and New Age spirituality; however, most of its artists have nothing to do with "New age spirituality", and some even reject the term. New-age music includes both acoustic forms, featuring instruments such as flutes, piano, acoustic guitar and a wide variety of non-Western acoustic instruments, and electronic forms, frequently relying on sustained synth pads or long sequencer-based runs. Vocal arrangements were initially rare in the genre, but as it has evolved, vocals have become more common, especially those featuring Native American-, Sanskrit-, or Tibetan-influenced chants, or lyrics based on mythology such as ...
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Tangerine Dream
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese having been the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning (Froese's chosen successor and the current longest-serving band member, having joined in 2005). He was joined by violinist Hoshiko Yamane in 2011, Ulrich Schnauss in 2014 and Paul Frick in 2020. Tangerine Dream are considered a pioneering act in electronica. Their work with the electronic music Ohr label produced albums that had a pivotal role in the development of the German musical scene known as kosmische Musik ("cosmic music"). Their "Virgin Years", so called because of their association with Virgin Recor ...
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Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counter ...
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Musique Concrete
Musique is the French word for music. Musique may also refer to: Music *Musique (disco band), a 1970s studio band produced by Patrick Adams *Musique, a British dance act consisting of Moussa Clarke and Nick Hanson best known for their 2001 song "New Year's Dub", which samples the U2 song "New Year's Day". Albums * ''Musique'' (album), a 2000 album of Theatre of Tragedy *'' Musique Vol. 1 1993–2005'', an anthology of Daft Punk tracks *La Musique ( fr), album by Dominique A 2009 Songs *"Musique", a single by France Gall, written Michel Berger 1977 *"Musique", a song by Herb Alpert from Just You and Me 1976 *"Musique", a song by Daft Punk from '' Musique Vol. 1 1993–2005'' * ''La Musique'' (Angelica), a 1967 song of Star Academy France See also *Musique concrète *Musique-Cordiale The Musique Cordiale International Festival & Academy is an annual festival of classical music, song, oratorio and opera, founded in 2005. It usually* takes place in hill towns (village perché) o ...
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Tape Loop
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound. Description In a tape loop, a section of magnetic tape is cut and spliced end-to-end, creating a circle or loop which can be played continuously, usually on a reel-to-reel tape recorder, making the sound repeat endlessly. Simultaneous playing ...
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Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ...
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EMS VCS 3
The VCS 3 (or VCS3; an initialism for ''Voltage Controlled Studio, version #3'') is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969. EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). History The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first ''portable'' commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take up ...
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