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Owen Swiny
Owen Swiny (Also spelled McSwiny, Swiney, MacSwiny or MacSwinny) (1676, near Enniscorthy, Ireland – 2 October 1754) was an Irish theatre impresario and art dealer active in London known for his work in popularising Italian opera in London and his agency in Venice. Life Having attended Trinity College, Dublin from 1694, he was working at the Drury Lane Theatre by spring 1703 with Christopher Rich. He also adapted Molière's '' L'amour médecin'' as ''The Quacks'', putting it on at the Drury Lane Theatre on 29 March 1705. In 1706, and in 1708 he spearheaded the London debut of Nicolini, whose performance of ''Pyrrhus and Demetrius'' Swiny had translated himself. With the rest of Rich's party, he was evicted from Drury Lane in 1709 by William Collier. In this time he had also quarrelled with Rich and poached Colley Cibber from him. After initial success with plays and opera there, Collier's court intrigues against Swiny led to his bankruptcy by January 1713. He then went ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enniscorthy
Enniscorthy () is the second-largest town in County Wexford, Republic of Ireland, Ireland. At the 2016 census, the population of the town and environs was 11,381. The town is located on the picturesque River Slaney and in close proximity to the Blackstairs Mountains and Ireland's longest beach, Curracloe. The town is twinned with Gimont, France. The Placenames Database of Ireland sheds no light on the origins of the town's name. It may refer either to the "Island of Corthaidh" or the "Island of Rocks". The cathedral of the Roman Catholic Diocese of Ferns is located in the town as well as an array of other historical sites such as Enniscorthy Castle and the key battle site of the 1798 Rebellion. History Enniscorthy Castle Enniscorthy Castle is an imposing Norman stronghold, which dates from 1205 and was a private dwelling until 1951. The castle was built by the DePrendergasts. In the early 1580s, the poet Edmund Spenser leased the property that included the castle. The castle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Monnet (director)
Jean Monnet (Condrieu, Rhône 7 September 1703 - Paris, 1785) was a French theatre impresario and writer. Life A baker's son, he was orphaned at age 8 and taken in by his uncle before moving into the service of the duchesse de Berry at age 15. He was the director of the Opéra-Comique at the Foire Saint-Laurent from 1743 to 1745 and from 1751 to 1757. Works *''Supplément au Roman comique, ou Mémoires pour servir à la vie de Jean Monnet, ci-devant Directeur de l'Opéra-Comique à Paris, de l'Opéra de Lyon, & d'une Comédie Françoise à Londres'', London, 1772, 2 vol. These were his memoirs, which are very instructive on 18th century theatre life. It was republished by Henri d'Alméras with an introduction and notes in 1908. * ''Les Soupers de Daphné et les dortoirs de Lacédémone'', novel, Oxford (Paris), 1740 * ''Le Chirurgien anglais'', 'comédie-parade', with Charles Collé, 1748 * ''Anthologie françoise, ou Chansons choisies, depuis le 13e siècle jusqu'à présent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rich (producer)
John Rich (1692–1761) was an important director and theatre manager in 18th-century London. He opened The New Theatre at Lincoln's Inn Fields (1714), which he managed until he opened the Theatre Royal, Covent Garden (1732). He managed Covent Garden until 1761, putting on ever more lavish productions. He introduced pantomime to the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, disheveled, loud, and crude character, to a colorfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. The British idea of the Harlequin character was heavily inspired by Rich's idea of a silent character. Rich's choice of being a silent character was influenced by his unappealing voice, which he was well aware of. Biography Rich's theatre specialized in what contemporaries called "sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Soldi
Andrea Soldi (1703–1771) was an Italian portraitist active in Britain. Life The only remaining source for this painter's early years is George Vertue, who in 1738 stated he was "about thirty-five or rather more", had been born in Florence and had come to England in about 1736 on the advice of British merchants belonging to the Levant Company, who had commissioned their portraits from him during his travels in the Middle East. From 1738 to 1744 he won much success in London's art market and among Italophile noblemen back from their Grand Tour, being preferred to both English portrait practice (fluctuating between Rococo and Kneller-like styles) and to other Italian portraitists in England at the time, such as the Cavaliere Rusca (worked in London 1738–39), and Andrea Casali (worked in London 1741–66). Beginning "above thirty portraits" from April to August 1738 alone (according to Vertue), Soldi's only serious rival was Jean-Baptiste van Loo (in London 1737–42). Part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Baptiste Van Loo
Jean-Baptiste van Loo (14 January 1684 – 19 December 1745) was a French subject and portrait painter. Life and career He was born in Aix-en-Provence, and was instructed in art by his father Louis-Abraham van Loo, son of Jacob van Loo. Having at an early age executed several pictures for the decoration of the church and public buildings at Aix, he was employed on similar work at Toulon, which he was obliged to leave during the siege of 1707. He was patronized by the prince of Carignan, who sent him to Rome, where he studied under Benedetto Luti. He was much employed painting for churches in Rome, and in particular executed a greatly praised ''Scourging of Christ'' for the church of Santa Maria in Monticelli. At Turin he painted Charles Emmanuel II, Duke of Savoy and several members of his court. Then, moving to Paris, where he was elected a member of the ''Académie Royale de Peinture et de Sculpture'', he executed various altar-pieces and restored the works of Francesco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Van Bleeck
Petrus Johannes (Pieter) van Bleeck (baptized 25 June 1697 in The Hague – 20 July 1764 in London) was a Dutch portrait painter and mezzotint engraver active in London, where he moved in 1723. Van Bleeck is especially known for theatrical subjects such as Owen Swiny, Kitty Clive Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English ... and Margaret Woffington, but he also worked on other subjects such as James Foster. His paintings were frequently engraved, particularly by John Faber the Younger. Peter engraved a portrait of Ellen "Nell" Gwynne by Sir Peter Lely. He was the son of Richard van Bleeck, also a portrait painter. Personal life Van Bleeck married Alice Cony in 1745 at St Pauls Cathedral London, in the Parish of St Benets near Pauls Wharf St Andrew. His Marriage Bond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Of The Nobility
The Opera of the Nobility (or Nobility Opera ) was an opera company set up and funded in 1733 by a group of nobles (under Frederick, Prince of Wales) opposed to George II of Great Britain, in order to rival the (Second) Royal Academy of Music company under Handel (backed by George II and his queen). Nicola Porpora was invited to be its musical director and Owen Swiny considered as its talent scout. The company had Senesino (who had fallen out with Handel) as its lead singer and was based at a theatre at Lincoln's Inn Fields under John Rich which had become available on Rich's opening of the Theatre Royal, Covent Garden. The company's first opera was '' Arianna in Nasso'' by Porpora, a direct challenge to Handel's '' Arianna in Creta''. The company was not a success in its initial 1733-34 season. Though Farinelli joined it late in the season and thus made it financially solvent, he was unable to prevent its eventual bankruptcy. At the end of its initial season it took over the King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Churchill, 1st Duke Of Marlborough
General John Churchill, 1st Duke of Marlborough, 1st Prince of Mindelheim, 1st Count of Nellenburg, Prince of the Holy Roman Empire, (26 May 1650 – 16 June 1722 O.S.) was an English soldier and statesman whose career spanned the reigns of five monarchs. From a gentry family, he served first as a page at the court of the House of Stuart under James, Duke of York, through the 1670s and early 1680s, earning military and political advancement through his courage and diplomatic skill. Churchill's role in defeating the Monmouth Rebellion in 1685 helped secure James on the throne, but he was a key player in the military conspiracy that led to James being deposed during the Glorious Revolution. Rewarded by William III with the title Earl of Marlborough, persistent charges of Jacobitism led to his fall from office and temporary imprisonment in the Tower of London. William recognised his abilities by appointing him as his deputy in Southern Netherlands (modern-day Belgium) be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glorious Revolution
The Glorious Revolution; gd, Rèabhlaid Ghlòrmhor; cy, Chwyldro Gogoneddus , also known as the ''Glorieuze Overtocht'' or ''Glorious Crossing'' in the Netherlands, is the sequence of events leading to the deposition of King James II and VII of England and Scotland in November 1688, and his replacement by his daughter Mary II and her husband and James's nephew William III of Orange, de facto ruler of the Dutch Republic. A term first used by John Hampden (1653–1696), John Hampden in late 1689, it has been notable in the years since for having been described as the last successful invasion of England as well as an internal coup, with differing interpretations from the Dutch and English perspectives respectively. Despite his personal Catholicism, a religion opposed by the Protestant majority in England and Scotland, James became king in February 1685 with widespread support in both countries, since many feared that his exclusion would lead to a repetition of the 16391651 Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Monti (Bologna)
Francesco Monti (1685 – 14 April 1768) was an Italian painter of the late Baroque. ''Death of St Anne'', originally in church of San Zeno al Foro, Brescia. Biography Born in Bologna, he studied art for three years with Sigismondo Caula in Modena, and then starting in 1701 with Giovanni Gioseffo dal Sole in Bologna. His neo-Mannerist style was influenced by Donato Creti, Giuseppe Maria Crespi, and Parmigianino. A prolific painter, he worked in oil and in fresco. His first known work, dating from 1713, is a ''Pentecost'' for the Basilica of San Prospero in Reggio Emilia. Other early works include a ''Rape of the Sabines'' for Count Ranuzzi and a ''Triumph of Mordecai'' for the court at Turin. Around this time, he was commissioned, along with other painters, to provide decorations for the Duke of Richmond's Goodwood Palace. He also executed commissions for a number of churches in Bolognia. Within a few years, he was admitted to the prestigious Accademia Clementina. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donato Creti
Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni. Astronomical canvases One memorable conceit in Creti's output is a series of small canvases depicting celestial bodies, disproportionately sized and illuminated, above nocturnal landscapes. The paintings, commissioned in 1711 by the Bolognese count Luigi Marsili and intended as a gift to Pope Clement XI, were meant to accentuate the need fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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