Outrageous! (Alice In Videoland Album)
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Outrageous! (Alice In Videoland Album)
''Outrageous!'' is the second studio album by Swedish electronic band Alice in Videoland, released in Sweden on 5 October 2005 by National Records National Records was a record label that was started in New York City by Albert Green in 1945 and lasted until early 1951. Big Joe Turner was signed at the beginning and remained until 1947. Billy Eckstine was also a big seller for the label as w .... It features the single "Cut the Crap". Track listing #"Ladykiller" – 2:19 #"Cut the Crap" – 2:59 #"Emily" – 2:48 #"In Denial" – 4:46 #"Better Off" – 3:34 #"Radiosong" – 3:35 #"Falling" – 3:45 #"Bad Boy" – 3:21 #"Stuck on My Vision" – 2:49 #"Wrapped" – 3:04 Release history References 2005 albums Alice in Videoland albums {{2000s-electronic-album-stub ...
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Alice In Videoland
Alice in Videoland was an electroclash band from Sweden. They were compared to bands like Yeah Yeah Yeahs, Missing Persons and The Sounds, although they are more electronic. History Alice in Videoland describe themselves as a combination of minimal 80's synth pop music with an upbeat electronic body music (ebm) assault and a bitchy disco punk female singer. Alice in Videoland was formed in 2002 by singer Toril Lindqvist and former band member Carl Lundgren. The band gained a massive response on their very first demo with the original idea, which they still try to adhere to, of combining edgy synth-basses, ebm and electro with punk rock, and placing the edgy voice and melodies of Toril on top to create a unique style. After six months of being on the ‘demo market’ the band were signed to the National label and recruited Anders Alexander (drums and synths) and Johan Dahlbom (bass). The recording of their debut album ''Maiden Voyage'' (2003) began. At the same time the band too ...
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Electroclash
Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a genre of music that fuses 1980s electro, new wave and synth-pop Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s ... with 1990s techno, retro-style electropop and electronic dance music. It emerged in the later 1990s and is often thought of as reaching its peak circa 2002/2003. It was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner. Terminology and characteristics The term electroclash describes a musical movement that combined synthpop, techno, punk rock, punk and performance art. The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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National Records
National Records was a record label that was started in New York City by Albert Green in 1945 and lasted until early 1951. Big Joe Turner was signed at the beginning and remained until 1947. Billy Eckstine was also a big seller for the label as were The Ravens. Eileen Barton had a hit with "If I Knew You Were Comin' I'd've Baked a Cake", which was No. 1 for 10 weeks. Working as A&R men were Lee Magid, Bob Shad, Jesse Stone and Herb Abramson. Abramson went to Jubilee and then co-founded Atlantic with Ahmet Ertegun. From the beginning Dick Thomas was their foremost country and western artist, best remembered for his "Sioux City Sue" (1945). In 1953, National began distribution arrangements with Jubilee Records. National's masters were owned by Savoy, which later reissued many of them. References See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associat ...
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Maiden Voyage (Alice In Videoland Album)
''Maiden Voyage'' is the debut album by Swedish electronic band Alice in Videoland, released in Sweden on 19 November 2003 by National Records. In the United States and Canada, the album was released in 2007 by Artoffact Records under the title ''Maiden Voyage Plus'', containing remixes and B-sides as bonus tracks. Track listing All songs written and composed by Toril Lindqvist and Calle Lundgren. #"Lay Me Down" – 3:03 #"Got to Go" – 3:27 #"Going Down" – 3:18 #"Red" – 3:03 #"Dance with Me" – 2:29 #"Video Girl" – 2:55 #"Panic" – 4:54 #"Addicted" – 2:35 #"Naked" – 2:27 #"Sweet Thing" – 3:46 ;''Maiden Voyage Plus'' bonus tracks #"Going Down" (Gabi Delgado RMX) – 5:21 #"Player" – 2:33 #"The Bomb" – 2:26 #"The Bomb" (Body Version) – 3:29 #"Lay Me Down" (Remix) – 3:57 Personnel * Anders Alexander – producer, mixing * Henrik Jonsson – mastering * Toril Lindqvist – music * Calle Lundgren – producer, music, artwork * Michael Lohse – guitar, or ...
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