Our Man In Havana (opera)
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Our Man In Havana (opera)
''Our Man in Havana'' is an opera in three acts composed by Malcolm Williamson to a libretto by Sidney Gilliat based on Graham Greene's 1958 novel '' Our Man in Havana''. Williamson's first full-scale opera, it was premiered on 2 July 1963 at Sadler's Wells Theatre in London. Its first performance in East Germany was in Karl-Marx-Stadt (today Chemnitz) in May 1966, with Renate Härtel, Eva Lehoczky, Elisabeth Fuchs, Peter Slawow, Konrad Rupf, Egon Schulz, Gerhard Scherfling, Manfred Drescher, conducted by Gerhard Rolf Bauer. The opera was presented at the Csokonai Theatre in Debrecen, Hungary, in May 1967, with Jozsef Csongor, Gyorgy Trefas, Magda Marsay, Janos Gazso, Gyorgy Siklos, Zsuzsa Marczaly, Kriszta Tibay, Miklos Albert, Jozsef Toth, Mihaly Viragos, conducted by . After years of neglect it was revived in 2016 by Lyric Opera of Melbourne at the Melbourne Athenaeum The Athenaeum or Melbourne Athenaeum is an art and cultural hub in the central business district of ...
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Malcolm Williamson
Malcolm Benjamin Graham Christopher Williamson, (21 November 19312 March 2003) was an Australian composer. He was the Master of the Queen's Music from 1975 until his death. Biography Williamson was born in Sydney in 1931; his father was an Anglican priest, Rev. George Williamson. He studied composition and horn at the Sydney Conservatorium of Music. His teachers included Eugene Goossens. In 1950 he moved to London where he worked as an organist, a proofreader, and a nightclub pianist. In 1952 he converted to Roman Catholicism. From 1953 he studied with Elisabeth Lutyens and Erwin Stein. His first major success was with his Piano Concerto No. 1, premiered by Clive Lythgoe at the 1958 Cheltenham Festival to a standing ovation. Williamson was a prolific composer at this time, receiving many commissions and often performing his own works, both on organ and piano. In 1975, the death of Arthur Bliss left the title of Master of the Queen's Music vacant. The selection of Williamson ...
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Arthur Jacobs
Arthur David Jacobs (14 June 1922 – 13 December 1996) was an English musicologist, music critic, teacher, librettist and translator. Among his many books, two of the best known are his ''Penguin Dictionary of Music'', which was reprinted in several editions between 1958 and 1996, and his biography of Arthur Sullivan, which was praised by critics in Britain and America. He was a music critic at newspapers from 1947 to 1975, an editor at ''Opera'' magazine from 1961 to 1971, and served on ''Opera's'' editorial board from 1971 until his death. He was also a frequent contributor to ''The Musical Times'' for five decades. Jacobs taught at the Royal Academy of Music, at Huddersfield Polytechnic, and at universities in the US, Canada, and Australia from 1964 to 1985 and translated more than 20 operas into English. Life and career Jacobs was born in Manchester, England, to Jewish parents, Alexander Susman Jacobs and his wife Estelle (''née'' Isaacs). He was educated at Manchester Gramm ...
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Operas Based On Novels
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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1963 Operas
Events January * January 1 – Bogle–Chandler case: Commonwealth Scientific and Industrial Research Organisation scientist Dr. Gilbert Bogle and Mrs. Margaret Chandler are found dead (presumed poisoned), in bushland near the Lane Cove River, Sydney, Australia. * January 2 – Vietnam War – Battle of Ap Bac: The Viet Cong win their first major victory. * January 9 – A total penumbral lunar eclipse is visible in the Americas, Europe, Africa, and Asia, and is the 56th lunar eclipse of Lunar Saros 114. Gamma has a value of −1.01282. It occurs on the night between Wednesday, January 9 and Thursday, January 10, 1963. * January 13 – 1963 Togolese coup d'état: A military coup in Togo results in the installation of coup leader Emmanuel Bodjollé as president. * January 17 – A last quarter moon occurs between the penumbral lunar eclipse and the annular solar eclipse, only 12 hours, 29 minutes after apogee. * January 19 – Soviet spy Gheorghe ...
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Operas By Malcolm Williamson
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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April Cantelo
April Rosemary Cantelo (born 2 April 1928) is an English soprano. Life and career Cantelo was born in Purbrook, Hampshire in 1928. She attended Chelmsford County High School for Girls. She studied in London under Vilém Tauský, Joan Cross, Imogen Holst and others. She sang in the Glyndebourne Chorus and then made her debut in Edinburgh in 1950 as Barbarina and Echo. Blyth, A. April Cantelo. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. She played Rosetta in '' Love in a Village'', the pasticcio by Arne, at Aldeburgh in June 1952. In the first half of the 1950s she sang Barbarina, Countess Ceprano and Poussette at Covent Garden. Cantelo sang in the British premieres of Hans Werner Henze's ''Boulevard Solitude'' (Manon Lescaut) and Kurt Weill's ''Rise and Fall of the City of Mahagonny'' (Jenny). She appeared in the world premiere of Malcolm Williamson's '' English Eccentrics''. Among the roles she created are: * Lady in ''The Grace of Todd'' ...
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Eric Shilling
Eric Shilling (12 October 192015 February 2006) was an English opera singer and producer, long associated with English National Opera.Goodwin N. Eric Shilling. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. He was married to the soprano Erica Johns, and they have two sons the oldest is George Shilling. He was born and died in London. Life and career Shilling learnt about singing from his father, who sang music-hall songs at home. He was educated at Leyton Sixth Form College. He began work in the oil business, but then decided that he wanted a singing career, and entered the Guildhall School of Music and Drama, studying with Walter Hyde, and then at the Royal College of Music under Clive Carey.Blyth A. Obituary – Eric Shilling. ''Opera'', April 2006, 416-7. During the Second World War, Shilling was a conscientious objector and worked for the rescue services, assisting victims at bomb sites. Shilling made his debut as Marullo in ''Rigoletto'' at S ...
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Raimund Herincx
Raimund Frederick Herincx (23 August 1927 in LondonGrove, ''Herincx, Raimund'' – 10 February 2018), was a British operatic bass-baritone. Through a varied international career, Herincx performed in most of the world's great opera houses and with many of the world's leading symphony orchestras, having been in demand in international opera and in the choral and orchestral field. He is also featured in many recordings, some of which are creator's recordings and others, first recordings. Career During the first ten years of his career he sang, as principal baritone, with both the Welsh National Opera and Sadler's Wells Opera companies, singing in over 400 performances and 40 major roles with the latter. A parallel international career developed as he was engaged for guest appearances in the opera houses of Paris, Brussels, Hamburg, Frankfurt and Stuttgart. Concert appearances in Rome, Madrid, Athens, Lisbon and Stockholm were also part of his itinerary. His BBC Promenade Concert de ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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