|
Oudola
The Oudola is a stringed musical instrument. It is said to have been custom-built for Agapios Tomboulis, according to his own specifications. He combined the words oud and mandola, and named it oudola. See also * Bouzouki * Pandura * Tambouras * Cretan lyra * Tzouras The ''tzouras'' ( el, τζουράς), is a Greek stringed musical instrument related to the bouzouki. Its name comes from the Turkish cura. It is made in six-string and eight-string varieties. The six-string model has the same arrangement of st ... References {{Greek musical instruments Greek music Greek musical instruments Armenian music Armenian musical instruments Necked bowl lutes Greek inventions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Musical Instruments
Greek musical instruments were grouped under the general term of "all developments from the original construction of a tortoise shell with two branching horns, having also a cross piece to which the stringser from an original three to ten or even more in the later period, like the Byzantine era". Greek musical instruments can be classified into the following categories: Ancient *Aulos *Barbiton *Chelys *Cithara (or Kithara) *Crotalum *Epigonion *Harp *Kanonaki *Lyre *Pan flute (Syrinx) *Pandura *Phorminx *Rhoptron *Sambuca *Salpinx *Sistrum *Psaltery *Tambourine *Trigonon *Water organ (Hydraulis) File:Mildenhall treasure great dish british museum, detail-- dancer with cymbals.jpg, Roman art, 4th century A.D. Dancer with cymbals. File:Mildenhall treasure great dish british museum, detail-- satyr with pan pipes.jpg, Mildenhall treasure, great dish, British Museum, detail-- satyr with pan pipes File:Mildenhall treasure, great dish, British Museum, detail-- aulos and tambourine.jpg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smyrna Trio
Smyrna Trio were a Rebetiko trio consisting of Roza Eskenazi (vocals, percussion), Agapios Tomboulis (Oud) and Lambros Leondaridis (Classical kemençe). The trio would briefly become a Quartet in 1932 when violinist Dimitrios Semsis joined soon after the quartet would return to a trio when Lambros Leondaridis left the group some time in 1932. Background Roza Eskenazi started her career sometime in the 1920s as a solo performer where she would sing for patrons of the clubs in Greek, Turkish, and Armenian. It was in the club scene where she was first "discovered" by well-known composer and impresario Panagiotis Toundas in the late 1920s. Toundas immediately recognized her talent and introduced her to Vassilis Toumbakaris of Columbia Records. Roza, in 1929, cut four sides for Columbia, three of which were amanedes (Tzivaeri, Minore, and Matzore) and one demotic (Emorfi Pou Ein I Leivadia). It was around 1929 when Rosa first met Oudist; Agapios Tomboulis. Tomboulis began playing f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandola
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola ( C3-G3-D4-A4), a fifth lower than a mandolin. The mandola, though now rarer, is an ancestor of the mandolin. (The word ''mandolin'' means ''little mandola''.) Overview The name ''mandola'' may originate with the ancient pandura, and is also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. Historically related instruments include the mandore, mandole, vandola (Joan Carles Amat, 1596), bandola, bandora, bandurina, pandurina and – in 16th-century Germany – the quinterne or chiterna. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenian Music
The music of Armenia ( hy, հայկական երաժշտություն ''haykakan yerazhshtut’yun'') has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music (such as the ''sharakan'' Armenian chant and '' taghs'', along with the indigenous '' khaz'' musical notation). Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and musicologist, in the late nineteenth and early twentieth centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by traditional performers such as duduk player Djivan Gasparyan. Melodic basis Traditional Armenian folk music as well as Armenian church mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Music
The music of Greece is as diverse and celebrated as its History of Greece, history. Greek music separates into two parts: Greek folk music, Greek traditional music and Byzantine music. These compositions have existed for millennia: they originated in the Byzantine empire, Byzantine period and ancient Greek music, Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Greek culture, Hellenic culture, both within Greece and in the Greek diaspora, diaspora. Greek musical history Greek musical history extends far back into ancient Greece, since music was a major part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form and style of Greek music. In the 19th century, opera composers, like Nikolaos Mantzaros (1795–1872), Spyridon Xyndas (1812–1896) and Spyridon Samaras (1861–1917) and symphonists, like Dimitris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzouras
The ''tzouras'' ( el, τζουράς), is a Greek stringed musical instrument related to the bouzouki. Its name comes from the Turkish cura. It is made in six-string and eight-string varieties. The six-string model has the same arrangement of strings tuned to the same pitches as the six-string (''trichordo'') bouzouki. There are three pairs of strings, tuned to D3D4–A3A3–D4D4 or D4D3–A3A3–D4D4. The strings are made of steel. The tzouras is about the same length as the bouzouki, with a similar neck and head, but with a much smaller body, giving it a distinctive tone. Notable players *Saro Tribastone *Mikal Cronin See also *Baglamas *Greek musical instruments *Greek music *Pandura *Cretan lyra ) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos Kalou ... References {{Authority con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Lyra
) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos Kaloudis * Thanassis Skordalos * Georgia Dagaki The Cretan lyra ( el, Κρητική λύρα) is a Greek pear-shaped, three-stringed bowed musical instrument, central to the traditional music of Crete and other islands in the Dodecanese and the Aegean Archipelago, in Greece. The Cretan lyra is considered to be the most popular surviving form of the medieval Byzantine lyra, an ancestor of most European bowed instruments. Playing style The lyra is held vertically on the player's lap, in the same way as a small viol, rather than being placed under the chin of the player like a violin. For normal right-handed playing, the player's right hand holds the bow. The strings are stopped by pressing the fingernails of the player's left hand against th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambouras
The tambouras ( el, ταμπουράς ) is a Greek traditional string instrument of Byzantine origin. It has existed since at least the 10th century, when it was known in Assyria and Egypt. At that time, it might have between two and six strings, but Arabs adopted it, and called it a Tanbur. The characteristic long neck bears two strings, tuned five notes apart. It also similar to the Turkish ''tambur'' and each of them have same origin. Tanbur, a Persian word, according to some scholars taken from Sumerian ‘Pan Tur, meaning “Little bow”. History Origins It is considered that the ''tambouras ancestor is the ancient Greek ''pandouris'', also known as ''pandoura'', ''pandouros'' or ''pandourida'' (πανδουρίς, πανδούρα, πάνδουρος), from which the word is derived. The ''tambouras'' is mentioned in the Byzantine epic of Digenis Akritas, when the hero plays his θαμπούριν, ''thambourin'' (medieval form of ''tambouras''): Name The name rese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandura
The pandura ( grc, πανδοῦρα, ''pandoura'') or pandore, an ancient string instrument, belonged in the broad class of the lute and guitar instruments. Akkadians played similar instruments from the 3rd millennium BC. Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Ancient Greece The ancient Greek ''pandoura'' was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the ''trichordon'' (three-stringed) (τρίχορδον, McKinnon 1984:10). Its descendants still survive as the Kartvelian panduri, the Greek tambouras and bouzouki, the North African kuitra, the Eastern Mediterranean saz and the Balkan tamburica and remained popular also in the near east and eastern Europe, too, usually acquiring a third string in the course of time, since the fourth century BC. Renato Meucci (1996) suggests that the some Italian Renaissance descendants of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuning ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Tambur
The ''tambur'' (spelled in keeping with TDK conventions) is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. Like the ney, the armudi (lit. pear-shaped) kemençe and the kudüm, it constitutes one of the four instruments of the basic quartet of Turkish classical music. Of the two variants, one is played with a plectrum (''mızraplı tambur'') and the other with a bow ('' yaylı tambur''). The player is called a ''tamburî''.Tambur Republic of Turkey - Ministry of Culture and Tourism History and development There are several hypotheses as to the origin of the instrument. One suggests that it descended from the , a string instrument still in use among the Turkic peoples of Central Asi ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimitrios Semsis
Dimitrios Semsis, also known as Dimitrios Salonikios ( el, Δημήτρης Σέμσης; 1883 – 13 January 1950), was a Greek violinist born Dimitrios Koukoudeas (Δημήτριος Κουκουδέας) in Strumica, in the Salonica Vilayet of the Ottoman Empire (present-day North Macedonia). At the end of the 19th century, he joined the band of a circus, which was traveling all over the Balkans. In 1908 married his first wife Sonhoula Bochor Hanne and become his daughter Enriquette, cousin of Eskenazi Rosa, in the year about 1910. Later, he joined other traveling bands and played in several places such as Turkey, Syria, Egypt, Sudan and elsewhere. After the end of the World War I, as Strumica remained in the kingdom of Serbia, Dimitrios Semsis' family moved to Thessaloniki (1919). In 1923, he married Dimitra Kanoula and had four children. At the beginning of 1927 he moved to Athens Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
