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Oud Players
The oud ( ar, عود, translit=ʿūd, ; so, kaban or so, cuud, label=none) is a short-neck lute-type, pear-shaped, fretless String instrument, stringed instrument (a chordophone in the Hornbostel–Sachs, Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six Course (music), courses, but some models have five or seven courses, with 10 or 13 strings respectively. The oud is very similar to other types of lute, and to Western lutes. Similar instruments have been used in the Middle East, North Africa (particularly the Maghreb, Egypt and Somalia), and Central Asia for thousands of years, including Mesopotamia, Egypt, the Caucasus, the Levant, anatolian Greeks, Albania and Bulgaria; there may even be prehistoric antecedents of the lute. The oud, as a fundamental difference with the western lute, has no frets and a smaller neck (guitar), neck. It is the direct successor of the Persian Barbat (lute), Barbat lute. The oldest surviving oud is thought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instruments
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the String (music), strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domra
The ''domra'' (Cyrillic: до́мра, ) is a long-necked Belarusian, Russian, and Ukrainian folk string instrument of the lute family with a round body and three or four metal strings. History The first known mention of domra is in ''Admonitions of Metropolitan Daniel'' (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned «depiction of domras». Judging by those images, late medieval Russian domras can be divided into two types: lute-shaped, which had five to six strings, a large body and а pegbox angled back, and tanbur-shaped, which had three to four strings, a small body and a straight pegbox. After the pious Tsar Alexis of Russia issued an edict ordering the perse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Origins Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. Also an image on the rocks near Mosul that belong to about 1000 B shows tanbur players. Playing the tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setar
A setar ( fa, سهتار, ) is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by the mid 19th century. It is played with the index finger of the right hand. It has been speculated that the setar originated in Persia by the 9th century C.E. A more conservative estimate says "it originated in the 15th century, or even earlier." Although related to the tanbur, in recent centuries, the setar has evolved so that, musically, it more closely resembles the tar, both in tuning and playing style. Etymology According to Curt Sachs, Persians chose to name their lutes around the word ''tar'', meaning string, combined with a word for the number of strings. Du + tar is the 2-stringed dutār, se + tar is the 3-stringed setār, čartar (4 strings), pančtār ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandura
The pandura ( grc, πανδοῦρα, ''pandoura'') or pandore, an ancient string instrument, belonged in the broad class of the lute and guitar instruments. Akkadians played similar instruments from the 3rd millennium BC. Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Ancient Greece The ancient Greek ''pandoura'' was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the ''trichordon'' (three-stringed) (τρίχορδον, McKinnon 1984:10). Its descendants still survive as the Kartvelian panduri, the Greek tambouras and bouzouki, the North African kuitra, the Eastern Mediterranean saz and the Balkan tamburica and remained popular also in the near east and eastern Europe, too, usually acquiring a third string in the course of time, since the fourth century BC. Renato Meucci (1996) suggests that the some Italian Renaissance descendants of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolute
The Weymann Mandolute was one of the products sold under Weymann, the Philadelphia-based brand of Weymann and Sons, established 1864. The 'mandolutes' were actually mandolins with eight strings and tuned exactly the same. The scale length is also within the standard mandolin scale; between 13 inches (330 mm) and 13-7/8 inches (352 mm). They advertised using scientific principles to create vibrations, power and volume as well as sustained sweet and mellow tones, all in the same instrument. History Weymann and Son was a Philadelphia company, manufacturers of Weymann and Keystone State musical instruments. They manufactured the mandolute during the early 20th century. They also had a retail store on 1010 Chestnut Street. They advertised in the Philadelphia papers, with advertisements pushing culture. Young men and women, sitting around in a formal parlor setting, playing music together on Weymann Mandolins, dancing together around a Victrola record player. The Mandolute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued togethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandola
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola ( C3-G3-D4-A4), a fifth lower than a mandolin. The mandola, though now rarer, is an ancestor of the mandolin. (The word ''mandolin'' means ''little mandola''.) Overview The name ''mandola'' may originate with the ancient pandura, and is also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. Historically related instruments include the mandore, mandole, vandola (Joan Carles Amat, 1596), bandola, bandora, bandurina, pandurina and – in 16th-century Germany – the quinterne or chiterna. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandocello
The mandocello ( it, mandoloncello, Liuto cantabile, liuto moderno) is a plucked string instrument of the mandolin family. It is larger than the mandolin, and is the baritone instrument of the mandolin family. Its eight strings are in four paired courses, with the strings in each course tuned in unison. Overall tuning of the courses is in fifths like a mandolin, but beginning on bass C (C2). It can be described as being to the mandolin what the cello is to the violin.''The New Grove Dictionary of Music and Musicians, Second Edition'', edited by Stanley Sadie and others (2001) Construction Mandocello construction is similar to the mandolin: the mandocello body may be constructed with a bowl-shaped back according to designs of the 18th-century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation popularized in the United States in the early 20th century. The scale of the mandocello is longer than that of the mandolin. Gibson exampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuqin
The ''liuqin'' (Chinese: , pinyin: ) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the ''pipa'', and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the ''liuqin'' from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
