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Oscar Fritz Schuh
Oscar Fritz Schuh (15 January 1904 – 22 October 1984) was a German-Austrian opera director, theatre director and opera manager. He is known for directing Mozart operas at the Vienna State Opera and the Salzburg Festival in productions that toured internationally. They focused on the psychology of the characters. Life and career Schuh was born in Munich, the son of a veterinarian. He attended the , achieving the Abitur in 1921. During his schooling, he already had a contract as a theatre critic for the Berlin magazine ''Der Fechter'', and also wrote essays about theatre history and reviews for other papers. He studied art history and philosophy at Munich University. In 1923, he was engaged at the Bayerische Landesbühne in Augsburg. His first theatre direction there was Hauptmann's '' Hanneles Himmelfahrt''. He moved on to Oldenburg, Osnabrück, Staatstheater Darmstadt, (with Walter Bruno Iltz), and Prague. In 1931, he was called by Albert Ruch to work as director and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanneles Himmelfahrt
''The Ascension of Little Hannele'' (german: Hanneles Himmelfahrt), also known simply as ''Hannele'', is an 1893 play by the German playwright Gerhart Hauptmann.Hartnoll (1983, 377). In contrast to Hauptmann's naturalistic dramas, ''The Assumption of Hannele'' adopts a more symbolist dramaturgy and includes a dream sequence. The play is the first in recorded world literature with a child as its heroine. The play tells the story of a neglected and abused peasant child, who, on her deathbed, experiences a vision of divine powers welcoming her into the afterlife. It was first published in 1894. Hauptmann was awarded the Grillparzer Prize in 1896 for the play. Production history The play received its première under the title ''Hannele'' at the Königliches Schauspielhaus in Berlin, opening on 14 December 1893. The production was directed by Max Grube, with music by Max Marschalk. The cast included Adalbert Matkowsky. The play was directed by the seminal Russian theatre prac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Städtische Bühnen Köln
The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company. History of the company From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house. The opera house The current opera house was designed by the German architect, Wilhelm Riphahn. It was inaugurated on 8 May 1957 in the presence of Konrad Adenauer, then the Chancellor of Germany and a former mayor of Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mistress Of The Inn
''The Mistress of the Inn'' ( it, La locandiera ), also translated as ''The Innkeeper Woman'' or ''Mirandolina'' (after the play's main character), is a 1753 three-act comedy by the Italian playwright Carlo Goldoni about a coquette. The play has been regarded as his masterpiece. Frederick Davies describes it as Goldoni's ''Much Ado About Nothing''. Characters * Mirandolina, the mistress of the inn * Ripafratta, a knight * Marquis of Forlipopoli * Count of Albafiorita * Fabrizio, a servant of the inn * the Baron's servant * Ortensia * Dejanira Plot Act 1 Mirandolina runs an inn in Florence and is constantly courted in marriage by all her clients, particularly the Marchese of Forlipopoli and the Conte of Albafiorita, who represent the two extremes of contemporary Venetian society, since the former is a born aristocrat who has fallen on hard times and sold his title whereas the latter is a young newly-rich merchant who has bought a title and become part of the new nobility. Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rundfunk Im Amerikanischen Sektor
RIAS (german: Rundfunk im amerikanischen Sektor; en, ''Radio in the American Sector'') was a radio and television station in the American Sector of Berlin during the Cold War. It was founded by the US occupational authorities after World War II in 1946 to provide the German population in and around Berlin with news and political reporting. History By the end of 1945 the US military administration in Allied-occupied Berlin decided to establish its own broadcasting system, after the Soviets had refused to provide air time on the ''Berliner Rundfunk'' radio station. Supervised by the US Information Control Division, broadcasting commenced on 7 February 1946. For the first months the programme could be distributed via telephone line only (as DIAS – '' Drahtfunk im amerikanischen Sektor''), until a first medium wave transmitter was installed in September. By its creative and innovative programming, the station quickly gained much popularity. Its importance was magnified during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Krips
Josef Alois Krips (8 April 1902 – 13 October 1974) was an Austrian conductor and violinist. Life and career Krips was born in Vienna. His father was Josef Jakob Krips, a medical doctor and amateur singer, and his mother was Aloisia, née Seitz. Krips was one of five sons. Krips went on to become a pupil of Felix Weingartner and Eusebius Mandyczewski. From 1921 to 1924, he served as Weingartner's assistant at the Vienna Volksoper, and also as répétiteur and chorus master. He then conducted several orchestras, including in Karlsruhe from 1926 to 1933. In 1933 he returned to Vienna as a resident conductor of the Volksoper and a regular conductor at the Wiener Staatsoper. He was appointed professor at the Vienna Academy of Fine Arts in 1935, and conducted regularly at the Salzburg Festival between 1935 and 1938. In 1938, the Nazi annexation of Austria (or Anschluss) forced Krips to leave the country. (He was raised a Roman Catholic, but would have been excluded from musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Böhm
Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss. Life and career Education Karl Böhm was born in Graz. The son of a lawyer, he studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. Munich, Darmstadt, Hamburg In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler's ''Der Trompeter von Säckingen'' in 1917. He became the assistant director of music in 1919, and the following year, the senior director. On the recommendation of Karl Muck, Bruno Walter engaged him at the Bavarian State Opera, Munich in 1921. An early assignment here was Mozart's ''Die Entführung aus dem Serail'', with a cast which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar Neher
Caspar Neher (born Rudolf Ludwig Caspar Neher; 11 April 1897 – 30 June 1962) was an Austrian-German scenographer and librettist, known principally for his career-long working relationship with Bertolt Brecht. Neher was born in Augsburg. He and Brecht were school friends who were separated for a time by the First World War, during which Neher was awarded the Iron Cross, Second Class (on 2 February 1918). In 1919, he studied under Angelo Jank at the Academy of Fine Arts, Munich. He was first engaged professionally by the Munich Kammerspiele in 1922, although his designs for its production of Brecht's ''Drums in the Night'' were rejected.Willett (1986, 119). On 18 August 1923, Neher married Erika Tornquist in Graz. Their son, Georg, was born on 14 October 1924.Willett (1986, 120). In autumn of 1926, Neher became the staff designer at the Berlin Staatstheater. A year later, he became head of design at the Grillo-Theater in Essen, Germany, where he designed 8 operas and 11 pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg State Opera
The Hamburg State Opera (in German: Staatsoper Hamburg) is a German opera company based in Hamburg. Its theatre is near the square of Gänsemarkt. Since 2015, the current ''Intendant'' of the company is Georges Delnon, and the current ''Generalmusikdirektor'' of the company is Kent Nagano. History Opera in Hamburg dates to 2 January 1678 when the Oper am Gänsemarkt was inaugurated with a performance of a biblical Singspiel by Johann Theile. It was not a court theatre but the first public opera house in Germany established by the art-loving citizens of Hamburg, a prosperous member of the Hanseatic League. The Hamburg ''Bürgeroper'' resisted the dominance of the Italianate style and rapidly became the leading musical center of the German Baroque. In 1703, George Friedrich Handel was engaged as violinist and harpsichordist and performances of his operas were not long in appearing. In 1705, Hamburg gave the world première of his opera ''Nero''. In 1721, Georg Philipp Telem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Bruno Iltz
Walter Bruno Iltz (17 November 1886 – 5 November 1965) was a German, stage actor, drama producer and theatre manager. Life Provenance and early years Walter Bruno Iltz was born at Praust (as Pruszcz was known) before 1945), a small manufacturing town just outside Danzig/Gdańsk. In 1907, as he set off the study Chemistry at Munich, he seemed to be destined to follow his father's example and make his way in life as a pharmacist but by 1908 he had become an actor. His first recorded stage appearance took place that year at Schweidnitz in Silesia. Stage roles at the City Theatre in Zittau followed in 1909: that was followed by a longer period as a member of the company at the Lobe Theatre in Breslau/Wrocław between 1910 and 1913. There were probably also stage appearances at Detmold during this time. Sources differ as to the precise chronology of his early years as a theatre actor, however. Dresden Iltz worked between 1913 and 1924 at Dresden's newly built ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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