Os Mulheres Negras
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Os Mulheres Negras
Os Mulheres Negras (Portuguese language, Portuguese for "The Black Women") are a Brazilian experimental rock duo formed in São Paulo in 1985, by musicians André Abujamra (vocals, electric guitar, synthesizer, drum machine) and Maurício Pereira (vocals, saxophone). Self-described as "the world's third smallest big band", they are known for their Eclecticism in music, eclectic musical style characterized by humorous, "cartoonish" lyrics and elaborate theatrical performances which attained them a passionate cult following. History Maurício Pereira and André Abujamra (son of the late Antônio Abujamra) met in 1984, at a lecture about African percussion instruments and Music of Africa, music (what inspired them to choose the name "Os Mulheres Negras" later on). United by their similar musical tastes and convictions, they began to write material together the following year, and perform in bars around São Paulo, usually wearing stylized, colored overcoats and straw bowler hats. The ...
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Música E Ciência
''Música e Ciência'' (Portuguese language, Portuguese for "''Music and Science''") is the debut album by Brazilian experimental rock duo Os Mulheres Negras, released in 1988 by Warner Music Group, WEA (present-day Warner Music Group). Produced by Pena Schmidt and with art direction by Liminha (musician), Liminha, the album was lauded for its experimentation and eclecticism, flirting with distinct stylistic influences such as The Beatles, Henry Mancini, George Gershwin and Antônio Carlos Jobim, Tom Jobim, and garnered a strong cult following; nevertheless, it was a commercial failure, leading Schmidt to remark that "Brazil isn't ready for Os Mulheres Negras". "Sub" is a Portuguese-language version of The Beatles' "Yellow Submarine (song), Yellow Submarine". Also covered on the album are George Gershwin's "Summertime (George Gershwin song), Summertime", Henry Mancini's "Peter Gunn (song), Peter Gunn" and Tom Jobim's "Samba do Avião". A music video was made for the track "Eu Vi". ...
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São Paulo
São Paulo (, ; Portuguese for 'Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the GaWC as an alpha global city, São Paulo is the most populous city proper in the Americas, the Western Hemisphere and the Southern Hemisphere, as well as the world's 4th largest city proper by population. Additionally, São Paulo is the largest Portuguese-speaking city in the world. It exerts strong international influences in commerce, finance, arts and entertainment. The city's name honors the Apostle, Saint Paul of Tarsus. The city's metropolitan area, the Greater São Paulo, ranks as the most populous in Brazil and the 12th most populous on Earth. The process of conurbation between the metropolitan areas around the Greater São Paulo (Campinas, Santos, Jundiaí, Sorocaba and São José dos Campos) created the São Paulo Macrometr ...
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Cult Following
A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a small but very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful. Many cult fans express their devotion with a level of irony when describing entertainment that falls under this realm, in that something ...
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Música Sertaneja
Música sertaneja () or sertanejo () is a music style that had its origins in the countryside of Brazil in the 1920s.Música Sertaneja
– Dicionário Cravo Albin da Música Popular Brasileira
Its contemporary developments made it the most popular music style in 2000s and 2010s Brazil, particularly throughout the southern/southeastern and center-western countryside Brazil. Subgenres include ''sertanejo raiz'', ''sertanejo romântico'', and ''''. Sertanejo songs have been, since the 1990s, the most played music genre on Brazilian radio, constantly topping the Brazilian music charts. Additionally, from 2000 to 2003 and sinc ...
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Lambada
Lambada () is a dance from State of Pará, Brazil. The dance became internationally popular in the 1980s, especially in the Philippines, Latin America and Caribbean countries. It has adopted aspects of dances such as forró, salsa, merengue, maxixe, carimbó and Bolivian saya. Lambada is generally a partner dance. The dancers generally dance with arched legs, with the steps being from side to side, turning or even swaying, and in its original form never front to back, with a pronounced movement of the hips. At the time when the dance became popular, short skirts for women were in fashion and men wore long trousers, and the dance has become associated with such clothing, especially for women wearing short skirts that swirl up when the woman spins around, typically revealing 90s-style thong underwear. Origins ''Carimbó'' Also known as the forbidden dance, from the time that Brazil was a Portuguese colony, Carimbó was a common dance in the northern part of the country. Carim ...
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Baião (music)
Baião () is a Northeastern Brazilian music genre and dance style based on a syncopated duple meter rhythm, based around the pulse of the zabumba, a flat, double-headed bass drum played with a mallet in one hand and a stick in the other, each striking the opposite head of the drum for alternating high and low notes, frequently accompanied by an accordion and a triangle pattern. The baião rhythm is integral to the genres of forró, repente and coco (or embolada). It is mostly associated with the state of Pernambuco. Baião was popularized via radio in the 1940s, reaching peak popularity in the 1950s. Description Amerindian elements include the use of flutes, later replaced by the accordion, and wooden shakers; African-influenced baião might be accompanied by atabaque drums and include overlapping call and response singing; and European influences include the use of the triangle, Western harmony, and dance music such as the quadrille, polka, mazurka, and schottische, heavy influ ...
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Pena Schmidt
Pena may refer to: *Pena (footballer), Brazilian soccer player *Pena (musical instrument), an Indian musical instrument *Pena (surname) *Pena National Palace, Sintra, Portugal *"Pena", a song by Captain Beefheart on the album ''Trout Mask Replica'' See also *Peña (other) *Penha (other) *Pina (other) *Piña (other) Piña is a fiber made from the leaves of a pineapple. Piña is also a Spanish word for: * pineapple * pinecone Piña may also refer to: People * Aarón Piña Mora (1914–2009), Mexican painter * Dulce Piña (born 1966), Dominican Republic jud ...
{{disambiguation ...
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Bowler Hat
The bowler hat, also known as a billycock, bob hat, bombín (Spanish) or derby (United States), is a hard felt hat with a rounded crown, originally created by the London hat-makers Thomas and William Bowler in 1849. It has traditionally been worn with semi-formal and informal attire. The bowler, a protective and durable hat style, was popular with the British, Irish, and American working classes during the second half of the 19th century, and later with the middle and upper classes in the United Kingdom, Ireland, and the east coast of the United States. Origins The bowler hat was designed in 1849 by the London hat-makers Thomas and William Bowler to fulfill an order placed by the company of hatters James Lock & Co. of St James's, which had been commissioned by a customer to design a close-fitting, low-crowned hat to protect gamekeepers from low-hanging branches while on horseback at Holkham Hall, the estate of Thomas Coke, 1st Earl of Leicester in Norfolk. The keepers had previ ...
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Overcoat
An overcoat is a type of long coat (clothing), coat intended to be worn as the outermost garment, which usually extends below the knee. Overcoats are most commonly used in winter when warmth is more important. They are sometimes confused with or referred to as topcoats, which are shorter and end at or above the knees. Topcoats and overcoats together are known as outercoats. Unlike overcoats, topcoats are usually made from lighter weight cloth such as gabardine or covert, while overcoats are made from heavier cloth or fur. History In many countries, coats and gowns reaching below the knee have been worn for centuries, often for formal wear, formal uses, establishing either social status or as part of a professional or military uniform. In the 17th century, the overcoat became widely stylized and available to the different classes. In the Western world, the general profile of overcoats has remained largely unchanged for a long time. During the Regency era, Regency, the fashion w ...
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Music Of Africa
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African mus ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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