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Orthoscopy
Orthoscopy used in optics and vision for the condition of normal, distortion-free view, from ''"ortho",'' straight, right, correct, and ''"scope"'', seeing. Abbe in 1880 designed an ''orthoscopic'' eyepiece for stereoscopic microscopes which minimized distortion. The term was also used in stereoscopy by Heine for the condition when the perceived depth in a stereogram is the same as that in the actual view of the scene. Such a perceptual report by an observer must be distinguished from what Moritz von Rohr called ''homeomorphic view,'' in which the depth in a stereoscopic 3D reconstruction is merely geometrically true, see Stereoscopic Depth Rendition. The difference between '' homeomorphic'' and ''orthoscopic'' is typical of the divide in psychophysics between the world of physical stimuli and the world of subjects' percepts, see Gustav Fechner Gustav Theodor Fechner (; ; 19 April 1801 – 18 November 1887) was a German physicist, philosopher, and experimental psychologist. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Abbe
Ernst Karl Abbe HonFRMS (23 January 1840 – 14 January 1905) was a German physicist, optical scientist, entrepreneur, and social reformer. Together with Otto Schott and Carl Zeiss, he developed numerous optical instruments. He was also a co-owner of Carl Zeiss AG, a German manufacturer of scientific microscopes, astronomical telescopes, planetariums, and other advanced optical systems. Personal life Abbe was born 23 January 1840 in Eisenach, Saxe-Weimar-Eisenach, to Georg Adam Abbe and Elisabeth Christina Barchfeldt. He came from a humble home – his father was a foreman in a spinnery. Supported by his father's employer, Abbe was able to attend secondary school and to obtain the general qualification for university entrance with fairly good grades, at the Eisenach Gymnasium, which he graduated from in 1857. By the time he left school, his scientific talent and his strong will had already become obvious. Thus, in spite of the family's strained financial situation, his father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyepiece
An eyepiece, or ocular lens, is a type of lens that is attached to a variety of optical devices such as telescopes and microscopes. It is named because it is usually the lens that is closest to the eye when someone looks through the device. The objective lens or mirror collects light and brings it to focus creating an image. The eyepiece is placed near the focal point of the objective to magnify this image. The amount of magnification depends on the focal length of the eyepiece. An eyepiece consists of several "lens elements" in a housing, with a "barrel" on one end. The barrel is shaped to fit in a special opening of the instrument to which it is attached. The image can be focused by moving the eyepiece nearer and further from the objective. Most instruments have a focusing mechanism to allow movement of the shaft in which the eyepiece is mounted, without needing to manipulate the eyepiece directly. The eyepieces of binoculars are usually permanently mounted in the binocula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoscopy
Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope. Most stereoscopic methods present a pair of two-dimensional images to the viewer. The left image is presented to the left eye and the right image is presented to the right eye. When viewed, the human brain perceives the images as a single 3D view, giving the viewer the perception of 3D depth. However, the 3D effect lacks proper focal depth, which gives rise to the Vergence-Accommodation Conflict. Stereoscopy is distinguished from other types of 3D displays that display an image in three full dimensions, allowing the observer to increase information about the 3-dimensional objects being displayed by head and eye mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Von Rohr
Moritz von Rohr (4 April 1868 – 20 June 1940) was an optical scientist at Carl Zeiss in Jena, Germany. A street in Jena is named after him: Moritz-von-Rohr-Straße, near Carl-Zeiss-Promenade and Otto-Schott-Straße. Life Moritz von Rohr was born in Lonzyn near Hohensalza, then part of the Prussian Grand Duchy of Posen, but now in Poland and known as Łążyn, near Inowrocław. He obtained a doctorate of philosophy at the University of Berlin in 1892. Inventions Von Rohr is usually credited with the design of the first aspheric lenses for eyeglasses. He invented the eyeglass lens designs that became the Zeiss Punktal lenses. He also developed a method of computing depth of field from a camera's entrance pupil location and diameter, without reference to focal length and f-number In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture").Smith, Warren ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoscopic Depth Rendition
Stereoscopic depth rendition specifies how the depth of a three-dimensional object is encoded in a stereoscopic reconstruction. It needs attention to ensure a realistic depiction of the three-dimensionality of viewed scenes and is a specific instance of the more general task of 3D rendering of objects in two-dimensional displays. Depth in stereograms A stereogram consists of a pair of two-dimensional frames, one for each eye. Common to both are the widths and heights of objects; their depth is encoded in the differences between right and left eye views. The geometric relationship between an object's third dimension and these position differences is presented below and depends on the location of the stereo-camera lenses and the observer's eyes. Other factors, however, contribute to the depth seen in a stereoscopic view and whether it corresponds to that in the actual object; the act of viewing a stereoscopic display often alters observers' three-dimensional perception. Stereoscopi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychophysics
Psychophysics quantitatively investigates the relationship between physical stimuli and the sensations and perceptions they produce. Psychophysics has been described as "the scientific study of the relation between stimulus and sensation" or, more completely, as "the analysis of perceptual processes by studying the effect on a subject's experience or behaviour of systematically varying the properties of a stimulus along one or more physical dimensions". ''Psychophysics'' also refers to a general class of methods that can be applied to study a perceptual system. Modern applications rely heavily on threshold measurement, ideal observer analysis, and signal detection theory. Psychophysics has widespread and important practical applications. For example, in the study of digital signal processing, psychophysics has informed the development of models and methods of lossy compression. These models explain why humans perceive very little loss of signal quality when audio and video sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Fechner
Gustav Theodor Fechner (; ; 19 April 1801 – 18 November 1887) was a German physicist, philosopher, and experimental psychologist. A pioneer in experimental psychology and founder of psychophysics (techniques for measuring the mind), he inspired many 20th-century scientists and philosophers. He is also credited with demonstrating the non-linear relationship between psychological sensation and the physical intensity of a stimulus via the formula: S = K \ln I, which became known as the Weber–Fechner law. Early life and scientific career Fechner was born at Groß Särchen, near Muskau, in Lower Lusatia, where his father, a maternal uncle, and his paternal grandfather were pastors. His mother, Johanna Dorothea Fechner (b. 1774), née Fischer, also came from a religious family. Despite these religious influences, Fechner became an atheist in later life. Fechner's father, Samuel Traugott Fischer Fechner (1765-1806) was free-thinking in many ways, for example by having his childre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
