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Orlando Furioso (play)
''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance '' Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French '' Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Maria Boiardo
Matteo Maria Boiardo (, ; 144019/20 December 1494) was an Italian Renaissance poet, best known for his epic poem ''Orlando innamorato''. Early life Boiardo was born in 1440, Letteratura.it at or near, (today's province of ); the son of Giovanni di Feltrino and Lucia Strozzi, he was of noble lineage, ranking as Count of Scandiano, with seignorial power over Arceto, |
House Of Este
The House of Este ( , , ) is a European dynasty of North Italian origin whose members ruled parts of Italy and Germany for many centuries. The original House of Este's elder branch, which is known as the House of Welf, included dukes of Bavaria and of Brunswick. This branch produced Britain's Hanoverian monarchs, as well as one Emperor of Russia (Ivan VI) and one Holy Roman Emperor (Otto IV). The original House of Este's younger branch, which is simply called the House of Este, included rulers of Ferrara (1240–1597), and of Modena (–1859) and Reggio (1288–1796). This branch's male line became extinct with the death of Ercole III in 1803. Origins According to Edward Gibbon, the family originated from the Roman Attii family, which migrated from Rome to EsteThe miscellaneous Works of Edward Gibbon Vol 3 page 172 to defend Italy against the Ostrogoths. However, there is little evidence to support this hypothesis. The names of the early members of the family indicate that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggiero (character)
Ruggiero (often translated Rogero in English) is a leading character in the Italian romantic epics ''Orlando Innamorato'' by Matteo Maria Boiardo and ''Orlando Furioso'' by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic '' Aspremont'', reworked by Andrea da Barberino as the chivalric romance ''Aspramonte''.''The Cambridge History of Italian Literature'', Peter Brand and Lino Pertile, eds. Cambridge: Cambridge University Press, 1996, p. 168. In Boiardo and Ariosto's works, he is supposed to be the ancestor of Boiardo and Ariosto's patrons, the Este family of Ferrara, and he plays a major role in the two poems. Story He is the son of a Christian knight (Ruggiero II of Reggio Calabria, a descendant of Astyanax, son of Hector) and a Saracen lady (Galaciella, daughter of Agolant, king of Africa). When Ruggiero's father is betrayed and murdered, his mother escapes to the sea by boat, lands on the shores of Libya and dies after giving birth to twins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bradamante
Bradamante (occasionally spelled Bradamant) is a fictional knight heroine in two epic poems of the Renaissance: ''Orlando Innamorato'' by Matteo Maria Boiardo and ''Orlando Furioso'' by Ludovico Ariosto. Since the poems exerted a wide influence on later culture, she became a recurring character in Western art. In ''Orlando Innamorato'' and ''Orlando Furioso'' Bradamante, a female Christian knight in the service of Charlemagne, is the sister of Rinaldo and the daughter of Duke Amon, the duke of Dordognes. She falls in love with a Saracen warrior named Ruggiero, but she refuses to marry him unless he converts from Islam. An expert in combat, she wields a magical lance that unhorses anyone it touches, and rescues Ruggiero from being imprisoned by the wizard Atlantes. She is described as wearing white, with a white shield and a crest of a pennon. She is one of the French warriors fighting during a Saracen invasion into France. She is in the middle of fighting a Saracen warrior, Rod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelica (character)
Angelica is a princess in the epic poem ''Orlando innamorato'' by Matteo Maria Boiardo. She reappears in the saga's continuation, ''Orlando furioso'' by Ludovico Ariosto, and in various later works based on the two original ''Orlando'' pieces. The narratives are part of the Matter of France, a cycle of legendary history stories based on the adventures of Charlemagne and his paladins. ''Orlando Innamorato'' In ''Orlando Innamorato'', Angelica is introduced as the daughter of Galafrone, the king of "Cathay", or "China". But this seeming inconsistency can be resolved. Boiardo considered Cathay to be a city, and "Cathay was a city in India inferior or Serica" according to the Mappamondo Borgiano. She comes to Charlemagne's court with her brother Argalia (who assumes the identity of a knight named Uberto dal Leòne). (tr.), ''Orlando in Love'', I.i. and p. 671. note to I.i.25. All the knights are smitten with her, especially the cousins Orlando (character), Orlando (Roland) and Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippogriff
The hippogriff, or sometimes spelled hippogryph ( el, Ἱππόγρυπας), is a legendary creature with the front half of an eagle and the hind half of a horse. It was invented by Ludovico Ariosto in his ''Orlando Furioso'', at the beginning of the 16th century. Within the poem, the hippogriff is a steed born of a mare and a griffin—something considered impossible. It is extremely fast and is presented as being able to fly around the world and to the Moon. It is ridden by magicians and the wandering knight Ruggiero, who, from the creature's back, frees the beautiful Angelica. Astolfo also borrows the hippogriff from Bradamante to go search for Roland's wits. Sometimes depicted on coats of arms, the hippogriff became a subject of visual art in the 19th century, when it was often drawn by Gustave Doré. Etymology The word ''hippogriff'', also spelled ''hippogryph'', is derived from the grc, ἵππος , meaning "horse", and the Italian ''grifo'' meaning "griffin" (from Lati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalry
Chivalry, or the chivalric code, is an informal and varying code of conduct developed in Europe between 1170 and 1220. It was associated with the medieval Christianity, Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's ''Historia Regum Britanniae'', written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century. The code of chivalry that developed in medieval Europe had its roots in earlier centuries. It arose in the Carolingian Empire from the idealisation of the cavalryman—involving mili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saracen
upright 1.5, Late 15th-century German woodcut depicting Saracens Saracen ( ) was a term used in the early centuries, both in Greek and Latin writings, to refer to the people who lived in and near what was designated by the Romans as Arabia Petraea and Arabia Deserta. The term's meaning evolved during its history of usage. During the Early Middle Ages, the term came to be associated with the tribes of Arabia. The oldest known source mentioning "Saracens" in relation to Islam dates back to the 7th century, in the Greek-language Christian tract ''Doctrina Jacobi''. Among other major events, the tract discusses the Muslim conquest of the Levant, which occurred after the rise of the Rashidun Caliphate following the death of the Islamic prophet Muhammad. The Roman-Catholic church and European Christian leaders used the term during the Middle Ages to refer to Muslims—usually Arabs, Turks, and Iranians. By the 12th century, "Saracen" had become synonymous with "Muslim" in Medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paladin
The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval (12th century) ''chanson de geste'' cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance."Paladin" From the ''''. Retrieved November 23, 2008. In these romantic portrayals, the |
Charlemagne
Charlemagne ( , ) or Charles the Great ( la, Carolus Magnus; german: Karl der Große; 2 April 747 – 28 January 814), a member of the Carolingian dynasty, was King of the Franks from 768, King of the Lombards from 774, and the first Holy Roman Emperor, Emperor of the Romans from 800. Charlemagne succeeded in uniting the majority of Western Europe, western and central Europe and was the first recognized emperor to rule from western Europe after the fall of the Western Roman Empire around three centuries earlier. The expanded Frankish state that Charlemagne founded was the Carolingian Empire. He was Canonization, canonized by Antipope Paschal III—an act later treated as invalid—and he is now regarded by some as Beatification, beatified (which is a step on the path to sainthood) in the Catholic Church. Charlemagne was the eldest son of Pepin the Short and Bertrada of Laon. He was born before their Marriage in the Catholic Church, canonical marriage. He became king of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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