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Origins Of Opera
The art form known as ''opera'' originated in Italy in the sixteenth and seventeenth centuries, though it drew upon older traditions of medieval and Renaissance courtly entertainment. The word ''opera'', meaning "work" in Italian, was first used in the modern musical and theatrical sense in 1639 and soon spread to the other European languages. The earliest operas were modest productions compared to other Renaissance forms of sung drama, but they soon became more lavish and took on the spectacular stagings of the earlier genre known as intermedio. '' Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today, although with only five instrumental parts it was much more like a chamber opera than either the preceding intermedi or the operas of Claudio Monteverdi a few years later. It was written around 1597, largely under the inspiration of an elite circle of literate Florentine humanists who gathered as the " Camerata". Significantly, ''Dafne'' wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Pellegrina 1589 - Intermedio 3 - Il Combattimento Pitico D’Apollo
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early ..., High Middle Ages, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio De' Cavalieri
Emilio de' Cavalieri (c. 155011 March 1602), or Emilio dei Cavalieri, the spellings "del" and "Cavaliere" are contemporary typographical errors, was an Italian composer, producer, organist, diplomat, choreographer and dancer at the end of the Renaissance era. His work, along with that of other composers active in Rome, Florence and Venice, was critical in defining the beginning of the musical Baroque era. A member of the Roman School of composers, he was an influential early composer of monody, and wrote what is usually considered to be the first oratorio. Life Cavalieri was born in Rome of an aristocratic and musical family. He was the son of Tommaso de' Cavalieri (c. 1509–1587), a close friend of Michelangelo. He probably received his early training there, and was working as an organist and music director in the period from 1578 to 1584. He spent much of his time in Rome as an organiser of Lenten oratorios. While in Rome he became associated with Cardinal Fer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal Comedy
Madrigal comedy is a term for a kind of entertainment music of the late 16th century in Italy, in which groups of related, generally '' a cappella'' madrigals were sung consecutively, generally telling a story, and sometimes having a loose dramatic plot. It is an important element in the origins of opera. The term is of 20th-century origin, popularised by Alfred Einstein. The first collection of madrigals, sung as a set and telling a coherent (and highly comic) story, was ''Il cicalamento delle donne al bucato'' (the gossip of wives in the laundry), by Alessandro Striggio, which was written in 1567. Later madrigal comedies are sometimes divided into acts, including a prologue, and while not "acted" in the sense of an opera, they may have been performed on stage with elaborate painted backdrops (for example, the woodcut showing the prologue of Orazio Vecchi's '' L'Amfiparnaso'' (1597): a singer is evidently in costume in a backdrop showing a city street). Vecchi's direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Peri 1
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo. * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Comin (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal * Jacopo M. (1989), Italian Communicator, upholder of the European Commission Fictional characters: * Jacopo, a key character in the 2002 film version of ''The Count of Monte Cristo'' (and a minor character in the book). * Jacopo Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trecento
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giotto di Bondone, as well as painters of the Sienese School, which became the most important in Italy during the century, including Duccio di Buoninsegna, Simone Martini, Lippo Memmi, Ambrogio Lorenzetti and his brother Pietro. Important sculptors included two pupils of Giovanni Pisano: Arnolfo di Cambio and Tino di Camaino, and Bonino da Campione. Vernacular writing The Trecento was also famous as a time of heightened literary activity, with writers working in the vernacular instead of Latin. Dante, Petrarch and Boccaccio were the leading writers of the age. Dante produced his famous ''La divina commedia'' (The ''Divine Comedy''), now seen as a summation of the medieval worldview, and Petrarch wrote verse in a lyrical style influenced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villanella
In music, a villanella (; plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also influenced the madrigal. The subject matter is generally rustic, comic, and often satirical; frequently the mannerisms of art music, such as the madrigal, are a subject of parody. The rhyme scheme of the verse in the earlier Neapolitan forms of the villanelle is usually abR abR abR ccR. The villanelle became one of the most popular forms of song in Italy around mid-century. The music of the early villanella (known as the canzone villanesca) is invariably for three unaccompanied voices. The first composers of villanelle were the Neapolitans Giovanni Domenico da Nola and Giovan Tomaso di Maio; later composers, no longer from Naples, included Adrian Willaert, Luca Marenzio, Adriano Banchieri, Orlande de Lassus, and others. Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frottola
The frottola (; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal. While "frottola" is a generic term, several subcategories can be recognized, as would be expected of a musical form which was used for approximately a hundred years, maintaining immense popularity for more than half of that time. Most typically, a frottola is a composition for three or four voices (more towards the end of the period), with the uppermost voice containing the melody: instrumental accompaniments may have been used. The poem usually has a rhyme scheme of ''abba'' for a ''ripresa'' (reprise), and a stanza of ''cdcdda'' or ''cdcddeea'', though there is much variation between subtypes of frottola. Most likely the poetic fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture (music), texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chord (music), chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Medieval music, Middle Ages and Renaissance music, Renaissance. Baroque music, Baroque forms such as fugue, which might be called polyphonic, are usually described instead as counterpoint, contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
