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Orfeo Boselli
Orfeo Boselli, or ''Bosselli'', (1597–1667) was an Italian sculptor working in Rome. As with most Roman sculptors of the sixteenth through the eighteenth centuries, a great part of his commissioned work was in restoring and completing fragmentary ancient Roman sculptures. Biography He was a pupil of François Duquesnoy, whose classicising "Greek" manner was the antithesis to Gian Lorenzo Bernini's. Boselli was a member of the prestigious Accademia di San Luca in Rome, in which he served as its ''Principe'' for the year 1667 until his death on September 23. Boselli's ''Osservationi della Scoltura antica'' Theories of proportions as exhibited in sculpture and dialogues on the relative merits of painting and sculpture were common enough in Renaissance and Baroque Italy, but they remained theoretical and rarely descended to the artisanal level. The treatise by Pomponius Gauricus, ''De sculptura'' offers a passage on bronze-casting by the lost-wax method. The ''Proemio'' of Giorgio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Sculpture
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his '' Natural History'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Albacini
Carlo Albacini (1734 — 1813) was an Italian sculptor and restorer of Ancient Roman sculpture. He was a pupil of Bartolomeo Cavaceppi, an eminent sculptor and restorer of Rome. Albacini was notable for his copies after classical originals such as the Farnese Hercules; his version of the ''Castor and Pollux'' at the Prado is now in the Hermitage Museum) or the Capitoline ''Flora'' from Hadrian's Villa, for the Grand Tourist market. Like Cavaceppi, he also restored classical sculptures, notably the Farnese marbles, which Albacini worked on in 1786-89, in preparation for their transfer to Naples under the direction of the German painter Hackert and Domenico Venuti. Some of his restorations were free, by modern standards: in the famous Farnese '' Aphrodite Kallipygos'' at Naples, the head, the exposed right breast, left arm and right leg below the knee are restorations by Albacini. Not restored in Rome before shipment to Naples, however, were the Farnese paired ''Tyrannicides'' re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1667 Deaths
Events January–March * January 11 – Aurangzeb, monarch of the Mughal Empire, orders the removal of Rao Karan Singh as Maharaja of the Bikaner State (part of the modern-day Rajasthan state of India) because of Karan's dereliction of duty in battle. * January 19 – The town of Anzonico in Switzerland is destroyed by an avalanche. * January 27 – The 2,000 seat Opernhaus am Taschenberg, a theater in Dresden (capital of the Electorate of Saxony) opens with its first production, Pietro Ziani's opera ''Il teseo''. * February 5 – In the Second Anglo-Dutch War, the English Royal Navy warship HMS ''Saint Patrick'' is captured less than nine months after being launched, when it fights a battle off the coast of England and North Foreland, Kent. Captain Robert Saunders and 8 of his crew are killed while fighting the Dutch ships ''Delft'' and ''Shakerlo''. The Dutch Navy renames the ship the ''Zwanenburg''. * February 6 (January 27 O.S.) – The T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1597 Births
Events January–June * January 24 – Battle of Turnhout: Maurice of Nassau defeats a Spanish force under Jean de Rie of Varas, in the Netherlands. * February – Bali is discovered, by Dutch explorer Cornelis Houtman. * February 5 – In Nagasaki, Japan, 26 people are martyred by crucifixion. They practiced Catholicism, and were taken captive after all forms of Christianity were outlawed the previous year. * February 8 – Sir Anthony Shirley, England's "best-educated pirate", raids Jamaica. * February 24 – The last battle of the Cudgel War was fought on the Santavuori Hill in Ilmajoki, Ostrobothnia. * March 11 – Amiens is taken by Spanish forces. * After April 10 – The Serb uprising of 1596–97 ends in defeat for the rebels, at the field of Gacko (Gatačko Polje). * April 23 – Probable first performance of William Shakespeare's ''The Merry Wives of Windsor''. * April 27 – Johannes Kepler marries Barbara Muhleck. July–December * c. July – Thomas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Cavaceppi
Bartolomeo Cavaceppi (c. 1716 – December 9, 1799) was an Italian sculptor who worked in Rome, where he trained in the studio of the acclimatized Frenchman, Pierre-Étienne Monnot, and then in the workshop of Carlo Antonio Napolioni, a restorer of sculptures for Cardinal Alessandro Albani, who was to become a major patron of Cavaceppi, and a purveyer of antiquities and copies on his own account. The two sculptors shared a studio. Much of his work was in restoring antique Roman sculptures, making casts, copies, and fakes of antiques, fields in which he was pre-eminent and which brought him into contact with all the ''virtuosi'': he was a close friend of and informant for Johann Joachim Winckelmann. Winckelmann's influence and Cardinal Albani's own evolving taste may have contributed to Cavaceppi's increased self-consciousness of the appropriateness of restorations — a field in which earlier sculptors had improvised broadly — evinced in his introductory essay to his ''Raccolt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Fontana
Francesco Fontana (, Naples – July 1656, Naples) was an Italian lawyer and an astronomer. Biography Francesco Fontana studied law at the University of Naples and then he became a lawyer in the court at the Castel Capuano. But failing to always find truth in the Court, he began to study mathematics and astronomy. He created woodcuts lease add reference as there is no evidence that Fontana was an engravershowing the Moon and the planets as he saw them through a self-constructed telescope. Fontana traced, in 1636, the first drawing of Mars and discovered its rotation. In February 1646 he published the book ''Novae coelestium terrestriumq ererum observationes, et fortasse hactenus non-vulgatae'', where he presented all the observations of the Moon made from 1629 until 1645, the drawings of the bands seen on Jupiter's disc, the strange appearances of Saturn, as well as of the stars of the Milky Way. With a Fontana's telescope, the Jesuit Giovanni Battista Zupi observed for the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Nocchieri
Francesco Maria Nocchieri, born in Ancona, was a seventeenth-century Italian sculptor of minor reputation active in Rome, where he spent time in the large studio of Bernini. He worked largely as a restorer of antiquities. He was among the many Roman sculptors patronised by Christina, Queen of Sweden in her retirement in Rome; for Christina he executed an ''Apollo'' (1680) to complement a set of Roman sculptures of Muses that had been found at Hadrian's Villa, which were doubtless restored by Nocchieri; the ''Apollo'' is now at La Granja de San Ildefonso. The largest collection of Nocchieri's sculptures today are in the Gardens of Aranjuez, Madrid. A terracotta '' bozzetto'' at the Ashmolean Museum represents ''Apollo holding his lyre, attentive to the Muses''.acc. no.WA.OA291. Nicholas Penny, ''Catalogue of European Sculpture in the Ashmolean Museum: 1540 to the Present Day'', 3 vols., Oxford 1992:68Cultural Property, purchased ca. 1950/ref> Some other sculptors in Rome renowned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Ferrata
Ercole Ferrata ( 1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque. Biography A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When his mentor died, Ferrata and another pupil, Domenico Guidi, completed Algardi's unfinished ''Vision of Saint Nicholas'' at San Nicola da Tolentino; ultimately, the innovative arrangement of two independent but interactive groups derives from the original design by Algardi. While Ferrata's initial work still owes much to Algardi, Ferrata distanced himself from the classical serenity found in the work of his mentor and Francois Duquesnoy, and moved towards the expressive emotionalism of Gian Lorenzo Bernini. He is best known for two works in Sant'Agnese in Agone in Rome, the Bernini-inspired ''The Death of St. Agnes'' (1660–64) as well as the marble relief ''Stoning of St Emerenziana'' (1660). The latter has a restraint influenced by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovantonio Dosio
Giovanni Antonio Dosio (1533–1611) was an Italian architect and sculptor. Biography Dosio was born in San Gimignano. A student of Ammanati, with whom he realized the Villa dell'Ambrogiana, Dosio worked primarily in Rome (1548–75) and Florence (1575–89), with some commissions that took him to Naples. During his early years in Rome, where he arrived at the age of fifteen, Dosio produced numerous drawings of the ancient and modern city, and developed a reputation as an antiquary while he was still a young man. He worked in the atelier of Raffaello da Montelupo until 1551. His first important Roman commission was the tomb for his friend, the humanist poet Annibale Caro, in 1567; in the interim, he scratched out a miserable living doing restorations of fragments of Roman sculpture. In 1562 he was carrying out an excavation on behalf of the papal '' condottiere'' Torquato Conti, who had extensive contacts among humanist and antiquarian circles in Rome and knew Dosio's good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valerio Cioli
Valerio Cioli (or Cigoli or Giogoli) (1529–1599) was an Italian Renaissance sculptor. Works His most famous work is the '' Fontana del Bacchino'' (1560) in the Giardino di Boboli, near the entrance to piazza Pitti in Florence. It depicts the famed dwarf buffoon at the court of Cosimo I, ironically nicknamed ''Morgante'' (after the giant of the poem ''Morgante'' by Luigi Pulci), portrayed nuded and sitting on a tortoise like a drunken Bacchus.https://www.frilligallery.com/goto/popup/catalogue-detail/show/268,5/morgante-dwarf-from-boboli-garden Two more of Cioli's works (collaborations with Giovanni Simone Cioli) are to be found in the giardino di Boboli - the ''Uomo che vanga'' (digging man) and the ''Uomo che scarica il secchio in un tino'' (man emptying a bucket into a vat). Other works of his include a ''Satyr with a flask'' in the Museo del Bargello and sculptures of personifications of Painting, Sculpture, and Architecture on the tomb of Michelangelo Buonarroti in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ippolito Buzzi
Ippolito Buzzi (or Buzio) (1562–1634) was an Italian sculptor from Viggiù, near Varese, in northernmost Lombardy, a member of a long-established dynasty of painters, sculptors and architects from the town, who passed his mature career in Rome. His personality as a sculptor is somewhat overshadowed by the two kinds of work he is known for: restorations to ancient Roman sculptures, some of them highly improvisatory by modern standards, and sculpture contributed to architectural projects and funeral monuments, where he was one among a team of craftsmen working under the general direction of an architect, like Giacomo della Porta - in projects for Pope Clement VIII, or Flaminio Ponzio - in projects for Pope Paul V - who would provide the designs from which the work was executed, always in consultation with the patron. Buzzi also turned his hand to garden sculpture of a high order, such as caryatids for the ''Teatro delle Acque'' in the Villa Aldobrandini, Frascati, works that wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrid
Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and its monocentric metropolitan area is the third-largest in the EU.United Nations Department of Economic and Social AffairWorld Urbanization Prospects (2007 revision), (United Nations, 2008), Table A.12. Data for 2007. The municipality covers geographical area. Madrid lies on the River Manzanares in the central part of the Iberian Peninsula. Capital city of both Spain (almost without interruption since 1561) and the surrounding autonomous community of Madrid (since 1983), it is also the political, economic and cultural centre of the country. The city is situated on an elevated plain about from the closest seaside location. The climate of Madrid features hot summers and cool winters. The Madrid urban agglomeration has the second-large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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