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Orchestral Suite No. 4 Mozartiana (Tchaikovsky)
The Orchestral Suite No. 4, Op. 61, more commonly known as ''Mozartiana'', is an orchestral suite by Pyotr Ilyich Tchaikovsky, written in 1887 as a tribute to Wolfgang Amadeus Mozart on the 100th anniversary of that composer's opera '' Don Giovanni''. Because this suite consists of four orchestrations of piano pieces by (or in one case, based on) Mozart, Tchaikovsky did not number this suite with his previous three suites for orchestra. Instead, he considered it a separate work entitled ''Mozartiana''. Nevertheless, it is usually counted as No. 4 of his orchestral suites. Tchaikovsky conducted the premiere himself, in Moscow in November 1887. It was the only one of his suites he conducted, and only the second at whose premiere he was present. Orchestration This suite is scored for pairs of flutes, oboes, clarinets, bassoons and trumpets, four horns, timpani, cymbals, glockenspiel, harp and strings. Structure ''Mozartiana'' is in four movements and lasts approximate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eine Kleine Gigue In G For Keyboard, K
EINE and ZWEI are two discontinued Emacs-like text editors developed by Daniel Weinreb and Mike McMahon for Lisp machines in the 1970s and 1980s. History EINE was a text editor developed in the late 1970s. In terms of features, its goal was to "do what Stallman's PDP-10 (original) Emacs does". It was an early example of what would become many Emacs-like text editors. Unlike the original TECO-based Emacs, but like Multics Emacs, EINE was written in Lisp. It used Lisp Machine Lisp. Stallman later wrote GNU Emacs, which was written in C and Emacs Lisp and extensible in Emacs Lisp. EINE also made use of the window system of the Lisp machine and was the first Emacs to have a graphical user interface. In the 1980s, EINE was developed into ZWEI. Innovations included programmability in Lisp Machine Lisp, and a new and more flexible doubly linked list method of internally representing buffers. ZWEI would eventually become the editor library used for Symbolics' Zmacs (Emacs-lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century classical music, composers of the 20th century and a pivotal figure in modernism (music), modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka (ballet), Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as ''Renard (Stravinsky), Renar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariano Padilla Y Ramos
Francisco de Asís Mariano del Carmen Marco Padilla y Ramos; 18 July 1843 – 21 November 1906), known as Mariano Padilla y Ramos, was a Spanish operatic baritone who excelled in the title role of Mozart's ''Don Giovanni''. Biography Padilla was born in Murcia, the son of city attorney Antonio Marco Padilla and Manuela Ramos Alba from Beniel. He had five brothers. He studied under Teodulo Mabellini in Florence and appeared in many European countries, including England, where he sang in Giacomo Meyerbeer's ''Dinorah'' in 1881. He appeared at Covent Garden in 1887. He appeared in Prague that year in the centenary performance of ''Don Giovanni''. He is perhaps best remembered as the man whom the Belgian soprano Désirée Artôt married, to the great surprise of her unofficial fiancé, Pyotr Ilyich Tchaikovsky. Artôt had been performing in Russia in 1868, where she met and fell in love with Tchaikovsky. Her feelings were reciprocated, and they discussed marriage, although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Désirée Artôt
Désirée Artôt (; 21 July 1835 – 3 April 1907) was a Belgian soprano (initially a mezzo-soprano), who was famed in German and Italian opera and sang mainly in Germany. In 1868 she was engaged, briefly, to Pyotr Ilyich Tchaikovsky, who may have coded her name into works such as his First Piano Concerto and the ''Romeo and Juliet'' Fantasy-Overture. After her 1869 marriage to the Spanish baritone Mariano Padilla y Ramos, she was known as Désirée Artôt de Padilla or Désirée Artôt-Padilla. Biography Family background Marguerite-Joséphine-Désirée Montagney Artôt was the daughter of Jean Désiré Montagney Artôt, a horn player at La Monnaie in Brussels and professor at the Brussels Conservatory. Her uncle was the violinist Alexandre Artôt (1815–1845). He had been born Alexandre Joseph (or Joseph-Alexandre) Montagney, but adopted the surname Artôt professionally, and the rest of his family followed suit. Another uncle was the Belgian portrait painter Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Viardot
Pauline Viardot (; 18 July 1821 – 18 May 1910) was a nineteenth-century French mezzo-soprano, pedagogue and composer of Spanish descent. Born Michelle Ferdinande Pauline García, her name appears in various forms. When it is not simply "Pauline Viardot", it most commonly appears in association with her maiden name García or the unaccented form, Garcia. This name sometimes precedes Viardot and sometimes follows it. Sometimes the words are hyphenated; sometimes they are not. She achieved initial fame as "Pauline García"; the accent was dropped at some point, but exactly when is not clear. After her marriage, she referred to herself simply as "Mme Viardot". She came from a musical family and took up music at a young age. She began performing as a teenager and had a long and illustrious career as a star performer. Early life Michelle Ferdinande Pauline García Sitches was born in Paris. Her father, Manuel, a tenor, was a Spanish singing teacher, composer and impresario. Her m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Rencontre Imprévue
''La rencontre imprévue, ou Les pèlerins de la Mecque'' Wq. 32 (''The Unexpected Encounter, or The Pilgrims to Mecca'') is a three-act ''opéra comique'', composed in 1763 by Christoph Willibald Gluck to a libretto by Louis Dancourt after the 1726 '' comédie en vaudeville'' ''Les pèlerins de la Mecque'' by Alain-René Lesage and d'Orneval. The death of Isabella of Parma, the archduke's wife, occasioned a revision of the spoken text downplaying the feigned death by which princess Rezia tests her beloved. The work was first performed in this form as ''La rencontre imprévue'' at the Burgtheater, Vienna on 7 January 1764. Dancourt's original text, titled ''Les pèlerins de la Mecque'' and designated as a ''comédie mêlée d'ariettes'', was not premiered until 1990 (see Recordings). Performance history Gluck's longest ''opéra-comique'' and considered his finest, ''La rencontre imprévue'' was his most popular work in the genre in the 18th century. It was performed in Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miserere (Allegri)
''Miserere'' (full title: ''Miserere mei, Deus'', Latin for "Have mercy on me, O God") is a setting of Psalm 51 (Psalm 50 in Septuagint numbering) by Italian composer Gregorio Allegri. It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by unwritten performance traditions and ornamentation. It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in 9-part polyphony. History Composed around 1638, Allegri's setting of the ''Miserere'' was amongst the falsobordone settings used by the choir of the Sistine Chapel during Holy Week liturgy, a practice dating to at least 1514. At some point, several myths surrounding the piece came to the fore, stemming probably from the fact that the Renaissance tradition of ornamentation as practiced in the Sistine Chapel was virtually unknown ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorio Allegri
Gregorio Allegri (17 February 1652) was a Roman Catholic Church, Roman Catholic priest and Italy, Italian composer of the Roman School and brother of Domenico Allegri; he was also a singer. He was born"Allegri, Gregorio" in ''Chambers's Encyclopædia''. London: George Newnes Ltd, George Newnes, 1961, Vol. 1, p. 271. and died in Rome. He is chiefly known for his ''Miserere (Allegri), Miserere'' for two choirs. Life He studied music as a ''puer'' (boy chorister) at San Luigi dei Francesi, under the ''maestro di cappella'' Giovanni Bernardino Nanino, brother of Giovanni Maria Nanino. Being intended for the Church, he obtained a benefice in the cathedral of Fermo. Here he composed a large number of motets and other sacred music, which, being brought to the notice of Pope Urban VIII, obtained for him an appointment in the choir of the Sistine Chapel at Rome as a contralto. He held this from 6 December 1629 until his death. Allegri is said to have been a virtuous man, as well as good-n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ave Verum Corpus (Mozart)
''Ave verum corpus'' (Hail, true body), ( K. 618), is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is dated 17 June 1791. It is scored for SATB choir, string instruments and organ. History Mozart composed the motet in 1791 in the middle of writing his opera ''Die Zauberflöte''. He wrote it while visiting his wife Constanze, who was pregnant with their sixth child and staying in the spa Baden bei Wien. Mozart set the 14th century Eucharistic hymn in Latin "Ave verum corpus". He wrote the motet for Anton Stoll, a friend of his ."Ave Verum Corpus, K 618" '' |
