Orchestral Manoeuvres In The Dark (album)
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Orchestral Manoeuvres In The Dark (album)
''Orchestral Manoeuvres in the Dark'' is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and " Red Frame/White Light" were released as singles; a re-recorded version of " Messages" provided OMD with their first hit in the UK, reaching number 13. Much of the album's content centres around war themes, with OMD exploring "the lengths to which people would go in a situation beyond the norm". A sleeper hit, ''Orchestral Manoeuvres in the Dark'' met with favourable reviews and became a seminal record of its era. The band expressed dissatisfaction with their production efforts on the album, although frontman Andy McCluskey later came to appreciate its "naivety". It was remastered and re-released in 2003 with six bonus tracks, including the single version of "M ...
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Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music, electronic band formed in Wirral Peninsula, Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (musician), Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an Experimental music, experimental, Minimal music, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group The Id (band), the Id from 1977–1978, and re-recorded their track "Electricity (Orchestral Manoeuvres in the Dark song), Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of host ...
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Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ...
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Neu!
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—''Neu!'' (1972), ''Neu! 2'' (1973), and ''Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Though Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the "motorik" beat, a minimalist 4/4 rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock band, ...
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
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Virgin Records
Virgin Records is a record label owned by Universal Music Group. It originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. It grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records. Virgin Records was sold to EMI in 1992. EMI was in turn taken over by Universal Music Group (UMG) in 2012 with UMG creating the Virgin EMI Records division. The Virgin Records name continues to be used by UMG in certain markets such as Germany and Japan. Virgin Records America Virgin Records America, Inc. was the company's North American ...
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Malcolm Holmes
Malcolm Holmes (born 28 July 1960 in Birkenhead, England) is a British drummer. He is best known for being the original drummer with Orchestral Manoeuvres in the Dark. Biography Holmes’ first drumming sessions were for the Id, who included future members of OMD. He also played on sessions for the Pale Fountains, Dalek I Love You, the Lightning Seeds and Margi Clarke, a.k.a. Margox in the late 1970s. He joined OMD in 1980. He played on over 130 of the band's songs as well contributing live performances at hundreds of OMD concerts. On his first ''Top of the Pops'' TV performance in 1980, he performed standing up, playing an electronic drum kit. He used a home made electronic drum kit for live performances before they became available to the mass market. He rejoined OMD when they reformed in 2006. In July 2013, while touring with OMD in Toronto, in reported stage temperatures of above 45 degrees Celsius, he collapsed during a show. They subsequently left the stage, where Hol ...
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Martin Cooper (musician)
Martin Cooper (born 1 October 1958) is an English painter and a musician. He is the secondary keyboardist and occasional saxophonist for the band Orchestral Manoeuvres in the Dark, whom he first joined in 1980. Musical career Cooper was born in Liverpool. From 1980 until 1989, he was a member of the new wave group Orchestral Manoeuvres in the Dark.Erlewine, Stephen Thomas "Orchestral Manoevres in the Dark" in Bogdanov, Vladimir etal (eds.) (2001) ''All Music Guide to Electronica'', Backbeat UK, , p. 375 Prior to joining OMD, Cooper played the saxophone at some of their concerts, or they used his pre-recorded work. He also played with Dalek I Love You. In 1981, he briefly left OMD to join Dave Hughes for a project called Godot. Cooper also made some writing contributions to their songs. His biggest success was "Souvenir", co-written with Paul Humphreys, which reached number 3 in the UK Singles Chart. Besides playing in OMD, Cooper and Hughes wrote film scores for ''C.H.U.D.'' ...
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Winston Smith (Nineteen Eighty-Four)
Winston Smith is a fictional character and the main protagonist of George Orwell's dystopian 1949 novel ''Nineteen Eighty-Four''. The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... he readercan readily identify with." Character overview Winston Smith works in the Records Department of the Ministry of Truth, where his job is to rewrite historical documents so they match the constantly changing current party line. This involves revising newspaper articles and doctoring photographs—mostly to remove " unpersons", people who have fallen afoul of the party. Because of his proximity to the mechanics of rewriting history, Winston Smith nurses doubts about the Party and its monopoly on truth. Whenever Winston appears in front of a telescreen, he is referred to as "6079 Smith W". Winston meets a mysterious woman named Julia, a fellow member of the Outer Party who also bears resentment toward the party's ways; the two become lovers. W ...
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TEAC Corporation
() is a Japanese electronics manufacturer. TEAC was created by the merger of the Tokyo Television Acoustic Company, founded in 1953, and the Tokyo Electro-Acoustic Company, founded in 1956. Overview TEAC has four divisions: * TASCAM - consumer to professional audio products, mostly recording *ESOTERIC - High-end consumer audio products *TEAC Consumer Electronics - Mass market audio products *Data Storage and Disk Publishing Products - Floppy drives, DVD and CD recorders and drives, MP3 players & NAS storage TEAC is known for its audio equipment, and was a primary manufacturer of high-end audio equipment in the 1970s and 1980s. During that time, TEAC produced reel-to-reel machines, cassette decks, CD players, turntables and amplifiers. TEAC produced an audio cassette with tape hubs that resembled reel-to-reel tape reels in appearance. Many manufacturers at the time used these TEAC cassettes in advertisements of their tape decks because the TEAC cassettes looked more profe ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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The Id (band)
The Id were a new wave/synthpop band from the Wirral, Merseyside, England formed in 1977. They are best recalled as the precursor to the band Orchestral Manoeuvres in the Dark (OMD), in which Id members Andy McCluskey (bass, vocals), Paul Humphreys (keyboards) and Malcolm Holmes (drums) would reunite; Gary Hodgson (guitar) would also reappear as a technician for the new group. A number of the Id's songs, including "Electricity", were re-recorded by OMD. Formation The Id formed in September 1977. McCluskey and Humphreys had met each other at school, sharing interests in early electronic artists like Brian Eno and Kraftwerk and played together since 1975. Humphreys went to study electronics at Riversdale College, in Liverpool, where he met Gary Hodgson and Steve Hollas (bass). The group also included Julia Kneale (vocals), Neill Shenton (guitar) and John Floyd (vocals), all of whom had short-lived tenures. The band gigged regularly in the Merseyside area, performing original m ...
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Kraftwerk By Ueli Frey (1976)
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
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