Opera Quotannis
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Opera Quotannis
Opera Quotannis (OQ) was a New York-based opera company which was founded in 1990, with conductor Bart Folse as music director and stage director Brian Morgan (formerly of The New Opera Theatre) serving as artistic director. It specialized in experimental productions of both ancient and contemporary opera. The ensemble's first production was in January 1991, Gluck's '' Orfeo ed Euridice'', with countertenor Derek Lee Ragin as Orpheus and soprano Tracey Mitchell as Euridice, with a period-instrument orchestra, at the Church of St Paul the Apostle in the Upper West Side. Later in 1991, they mounted Monteverdi's ''Il combattimento di Tancredi e Clorinda'', again with a period orchestra. In 1992, OQ produced the New York premiere of Louise LaBruyère's ''Everyman'', after the medieval morality play. Mitchell sang the title role, with Cyril and Libbye Hellier as Kindred and Cousin, respectively. The production then toured to New Orleans. In 1995, the company presented a staged vers ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Opéra-comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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1990 Establishments In New York (state)
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as the ...
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Musical Groups Established In 1990
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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New York City Opera Companies
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from ''Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefront Ai ...
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Jayne West
Jayne West is an American operatic soprano, who was born in White Plains, New York, and was raised in Framingham, Massachusetts. After graduation from Oberlin College, she moved to Boston, where she studied at the Boston Conservatory. West has appeared with the Austin Lyric Opera (Pamina in ''Die Zauberflöte''), Berkshire Opera Company (Donna Elvira in ''Don Giovanni'', and Anne Trulove in ''The Rake's Progress''), Boston Baroque ('' Acis and Galatea''), Boston Landmarks Orchestra (Beethoven's Ninth Symphony), Houston Grand Opera, Nashville Opera, Opera Festival of New Jersey, Opera/Omaha (world premiere of Weisgall's ''The Gardens of Adonis''), Opera Quotannis, and Théâtre Royal de la Monnaie. She was also in the 1985 world-premiere of the Glass/Moran '' The Juniper Tree''. West also sang in the Mark Morris Dance Group's productions of ''L'allegro, il penseroso ed il moderato'', ''Dido and Æneas'', and ''Four Saints in Three Acts''. The soprano has been heard with the or ...
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Thaïs St Julien
Thaïs St. Julien (June 11, 1945 – January 3, 2019) was a soprano from New Orleans. She studied under Charles Paddock, Virginia MacWatters and Norma Newton, and was Co-Director (with Milton G. Scheuermann, Jr) of the New Orleans Musica da Camera, which specialises in music of the Middle Ages and the Renaissance, and has toured throughout the Gulf South. She was also Foundress of Vox Feminæ, the female choral extension of the MdC. St. Julien also appeared with The New Opera Theatre (as Dido in ''Dido and Æneas'', her New York debut at Symphony Space, 1988), Pro Arte Chorale (Amor in a Concert Version of ''Orfeo ed Euridice'', opposite Derek Lee Ragin), Louisiana Philharmonic Orchestra (''Messiah''), Great Neck Choral Society, International Dvořák Festival, Lyric Opera of Dallas, New Orleans Opera Association, Southwest Chamber Orchestra, Jefferson Performing Arts Society (Bach's ''Magnificat''), etc. In 1997, the soprano was Dircé in the Opera Quotannis ''Médée'', op ...
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D'Anna Fortunato
D'Anna Fortunato (born in Pittsburgh, Pennsylvania, on February 21, 1945) is an American mezzo-soprano. She has long been an admired favorite on the American orchestral-concert scene, while establishing herself as a respected operatic artist as well. Of her New York City Opera debut in Handel's ''Alcina'', the New Yorker called her "a Handelian of crisp accomplishment". She was brought up in Charleston, S.C., and studied primarily at the New England Conservatory of Music, where she is now a professor of voice. Roles Fortunato has gone on to create major roles in local premiere performances of Handel's operas in such venues as Merkin Hall, Carnegie Hall, New York's Town Hall, Emmanuel Music, and Monadnock Music, while singing major roles in eight premiere Handel recordings on CD for Albany, Newport Classic, and Vox. Other major roles have been created with companies such as Glimmerglass (Beatrice in Berlioz' '' Beatrice and Benedict'')ʌ, Kentucky Opera (artist-in-residence, ...
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Phyllis Treigle
Phyllis Treigle (born May 6, 1960) is a native of New Orleans, Louisiana, and is a noted American soprano, and the daughter of the bass-baritone Norman Treigle. She graduated from Loyola University of the South's College of Music and made her professional debut with the New Orleans Opera Association as Flora Bervoix, in '' La traviata'', in 1980. Treigle subsequently appeared with the New York City Opera (as Miss Jessel in ''The Turn of the Screw'', conducted by Christopher Keene), Dublin Grand Opera Society, Houston Grand Opera (Bekhetaten in the American premiere of '' Akhnaten''), New Orleans Opera (''Der fliegende Holländer''), Pittsburgh Opera (in Tito Capobianco's production of ''Mefistofele'', originally mounted for her father), Sarasota Opera Association, The New Opera Theatre, Skylight Opera Theatre (Donna Elvira in '' Don Giovanni'', directed by Francesca Zambello), Wolf Trap Opera Company ('' Transformations'' and '' Postcard from Morocco''), Eugene Opera, New Yo ...
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Lincoln Center
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center"
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Alice Tully Hall
Alice Tully Hall is a concert hall at the Lincoln Center for the Performing Arts in the Upper West Side neighborhood of Manhattan in New York City. The hall is named for Alice Tully, a New York performer and philanthropist whose donations assisted in the construction of the hall. Tully Hall is located within the Juilliard Building, a Brutalist structure, which was designed by renowned architect Pietro Belluschi, and completed and opened in 1969. Since its opening, it has hosted numerous performances and events, including the New York Film Festival. Tully Hall seats 1,086 patrons. It is the home of the Chamber Music Society of Lincoln Center. As part of the Lincoln Center 65th Street Development Project, the Juilliard School and Tully Hall underwent a major renovation and expansion by architects Diller Scofidio + Renfro and FXFOWLE, which were completed in 2009. The building utilizes new interior materials, state-of-the-art technologies, and updated equipment for concerts, film, ...
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Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play ''Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were p ...
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