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Opening Remarks
''Opening Remarks'' is a 1978 studio album by jazz guitarist Ted Dunbar, recorded for Xanadu Records. Track listing #"Entrance" #"Two Areas" - 9:08 #"Hang In There" - 7:43 #"Lazy Lane" - 4:41 #"Never Again" - 5:23 #"Tonal Search" - 8:06 #"Grand Mal - Petit Mal" #"Exit" - 5:42 All music composed by Ted Dunbar. Personnel * Ted Dunbar - guitar * Tommy Flanagan - piano * Sam Jones - bass guitar * Leroy Williams - drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... {{Authority control 1978 albums Ted Dunbar albums Xanadu Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Dunbar
Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from ''Ebony'' and ''Down Beat''. He wrote a series of books on tonal convergence that are inspired and related to the '' Lydian chromatic concept''. The centerpiece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xanadu Records
Xanadu Records was a jazz record label founded in 1975 by Don Schlitten. It was most active during the 1970s and 1980s and stopped recording in the 1990s. The catalogue was bought by emusic in 1999, but no new music was produced. In 2007, the catalogue was bought by The Orchard, which entered an agreement in 2015 with Elemental Music to reissue some of the catalog as the Xanadu Master Edition Series. The partnership planned to include albums by Kenny Barron, Bob Berg, Al Cohn, Sonny Criss, Joe Farrell, Barry Harris, Dexter Gordon, Albert Heath, Jimmy Heath, Duke Jordan, Charles McPherson, and Cecil Payne Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gilles .... Discography References {{Authority control Defunct record labels of the United States Jazz record labels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Tandem
''In Tandem'' is a live album by American pianist Kenny Barron and guitarist Ted Dunbar which was recorded in 1975 and first released on the Muse label in 1980.Fitzgerald, MKenny Barron Discography accessed January 20, 2019 Reception In his review on Allmusic, Ken Dryden notes "This duo concert by pianist Kenny Barron and guitarist Ted Dunbar is excerpted from a 1975 concert at Rutgers University, where both of them were teaching at the time. Barron and Dunbar (who made a number of recordings, but very few as a leader or co-leader) mesh very well together ... The duo tracks are long but never run out of gas ... There are also solo features for each man." Track listing # " Summertime" (George Gershwin, Ira Gershwin, DuBose Heyward) – 14:55 # "Here's That Rainy Day' (Jimmy Van Heusen, Johnny Burke) – 10:07 # "Aruba" (Kenny Barron, Ted Dunbar) – 18:10 # "On the Trail" (Ferde Grofé) – 6:50 Personnel *Kenny Barron – piano (tracks 1–3) *Ted Dunbar – guitar Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitarist
Jazz guitarists are guitarists who play jazz using an approach to chords, melodies, and improvised solo lines which is called jazz guitar playing. The guitar has fulfilled the roles of accompanist ( rhythm guitar) and soloist in small and large ensembles and also as an unaccompanied solo instrument. Until the 1930s, jazz bands used banjo because the banjo's metallic twang was easier to hear than the acoustic guitar when competing with trumpets, trombones, and drums. The banjo could be heard more easily, too, on wax cylinders in the early days of audio recording. The invention of the archtop increased the guitar's volume, and in the hands of Eddie Lang guitar became a solo instrument for the first time. Following the lead of Lang, musicians dropped their banjos for guitars, and by the 1930s the banjo hardly existed as a jazz instrument. Amplification created possibilities for the guitar. Charlie Christian was the first to explore these possibilities. Although his career was brie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Jones (jazz Musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sasser" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Williams
Leroy Williams (February 3, 1941 – June 1, 2022) was an American drummer, mostly known for his work in jazz. Williams first began playing drums as a teenager in the 1950s. From 1959 to the middle of the 1960s he played with singer Judy Roberts, and following this he moved to New York City and played with Booker Ervin in 1967. In 1968 he played with Sonny Rollins, Archie Shepp, and Clifford Jordan; in 1969 he first began playing with Barry Harris, with whom he would collaborate often. 1970 saw him playing with Hank Mobley, Wilbur Ware, and Thelonious Monk, the latter of which he went with on a tour of Japan. Later in the 1970s he played with Yusef Lateef, Ray Bryant, Charles McPherson, Stan Getz, Andrew Hill, Sonny Stitt, Junior Cook, Al Cohn, Buddy Tate, and Bob Wilber. In the 1980s Williams played with Art Davis, Barry Harris, Tommy Flanagan, Steve Turre, and Bill Hardman. In the 1990s he performed with Anthony Braxton, Lee Konitz, Ralph Lalama, and Pete Malinverni. He was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
