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Jazz Guitarist
Jazz guitarists are guitarists who play jazz using an approach to chords, melodies, and improvised solo lines which is called jazz guitar playing. The guitar has fulfilled the roles of accompanist ( rhythm guitar) and soloist in small and large ensembles and also as an unaccompanied solo instrument. Until the 1930s, jazz bands used banjo because the banjo's metallic twang was easier to hear than the acoustic guitar when competing with trumpets, trombones, and drums. The banjo could be heard more easily, too, on wax cylinders in the early days of audio recording. The invention of the archtop increased the guitar's volume, and in the hands of Eddie Lang guitar became a solo instrument for the first time. Following the lead of Lang, musicians dropped their banjos for guitars, and by the 1930s the banjo hardly existed as a jazz instrument. Amplification created possibilities for the guitar. Charlie Christian was the first to explore these possibilities. Although his career was brie ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Voicing (music)
In music theory, voicing refers to two closely related concepts: # How a musician or group distributes, or spaces, notes and chords on one or more instruments # The simultaneous vertical placement of notes in relation to each other; this relates to the concepts of spacing and doubling It includes the instrumentation and vertical spacing and ordering of the musical notes in a chord: which notes are on the top or in the middle, which ones are doubled, which octave each is in, and which instruments or voices perform each note. Vertical placement The following three chords are all C-major triads in root position with different voicings. The first is in close position (the most compact voicing), while the second and third are in open position (that is, with wider spacing). Notice also that the G is doubled at the octave in the third chord; that is, it appears in two different octaves. : Examples Many composers, as they developed and gained experience, became more enter ...
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Angelo Debarre
Angelo Debarre ( (born on August 19, 1962) is a French Romani gypsy jazz guitarist. Biography Debarre was born in Saint-Denis, Seine-Saint-Denis, Saint-Denis, Paris, and began playing at age eight. In 1984, he formed his first group, the Angelo Debarre Quintet. In 1985, the group was hired by Serge Camps to play at his Parisian café, La Roue Fleurie, where Debarre was discovered by producer and guitarist Jon Larsen. Debarre has performed in several Romani and jazz festivals, including Birdland (jazz club), Birdland's annual Django Reinhardt Festival. He recorded ''Mémoires: Memories of Django'' with Tchavolo Schmitt. Discography As leader * ''Gypsy Guitars'' with Frank Anastasio, Serge Camps (Hot Club Records, Hot Club, 1989) * ''Caprice'' (Hot Club, 1998) * ''Romano Baschepen'' (Al Sur, 1998) * ''Gipsy Swing of Paris'' with Florin Niculescu (Kosinus, 2001) * ''Swing Rencontre'' with Ludovic Beier (Marianne Melodie, 2002) * ''Come into My Swing'' with Ludovic Beier (Le ...
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Tchavolo Schmitt
Tchavolo Schmitt (born 1954 in Paris) is a gypsy jazz guitarist. Schmitt performed as a member of various ensembles in the 1970s. Then he settled in Strasbourg and left the professional circuit for a time, releasing solo albums in 2000. He played Miraldo in the Tony Gatlif film '' Swing.'' Biography Tchavolo Schmitt was introduced to the guitar at the age of 6 by his mother; his father played the violin. He developed a virtuosity in the manouche style (gypsy jazz) and his renown rapidly exceeded the limits of Alsace, his ancestral region. He became influential among his peers, in particular at Porte de Montreuil or Chope des Puces in Saint-Ouen, homes of tavolo-manouche swing. In 1979, he became a professional musician, and after leaving Paris to return to his Alsatian roots, he joined the band Hot Club da Sinti, which included violinist Wedeli Köhler, guitarist Schmeling Lehmann, and bassist Jani Lehmann. A single LP recording (now a collector's item) was released in 1981. W ...
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Boulou Ferré
Boulou Ferré (born Jean-Jacques Ferret, 24 April 1951) is a French virtuoso jazz guitarist, composer, arranger, and improviser. He is the brother of Elios Ferré, also a jazz musician, with whom he has recorded widely. His repertoire includes jazz and classical music. He is considered one of the greatest contemporary musicians of the ''manouche'' (gypsy jazz) tradition and has contributed to the genre through his knowledge of both jazz and classical music and his interest in the contrapuntal music of J. S. Bach. Music career Boulou Ferré was born in Paris and came from a family of musicians. His father, Matelo Ferret, and his uncle, Baro Ferret, played with Django Reinhardt in the Quintet of the Hot Club of France. His brother, Elios Ferré, is also a guitarist. By the age of seven, he was playing solos by saxophonist Charlie Parker on guitar. When he was eight, he gave his first concert, and when he was twelve he recorded his debut album. In 1962 Ferré enrolled at the Conse ...
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Quintet Of The Hot Club Of France
The Quintette du Hot Club de France ("The Quintet of the Hot Club of France"), often abbreviated "QdHCdF" or "QHCF", was a jazz group founded in France in 1934 by guitarist Django Reinhardt and violinist Stéphane Grappelli and active in one form or another until 1948. One of the earliest and most significant continental jazz groups in Europe, the Quintette was described by critic Thom Jurek as "one of the most original bands in the history of recorded jazz." Their most famous lineup featured Reinhardt, Grappelli, bassist Louis Vola, and rhythm guitarists Roger Chaput and Joseph Reinhardt (Django's brother) who filled out the ensemble's sound and added occasional percussion. History According to Grappelli, the group evolved from a series of backstage jams originated by Django Reinhardt, with Stephane Grappelli, at the Hotel Claridge in Paris, where the two were engaged as members of a band led by bassist Louis Vola. After a series of informal jam sessions at the Hotel Claridge, c ...
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Flamenco Guitar
A flamenco guitar is a guitar similar to a classical guitar but with thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. It is used in ''toque'', the guitar-playing part of the art of flamenco. History Traditionally, luthiers made guitars to sell at a wide range of prices, largely based on the materials used and the amount of decorations, to cater to the popularity of the instrument across all classes of people in Spain. The cheapest guitars were often simple, basic instruments made from the less expensive woods such as cypress. Antonio de Torres, one of the most renowned luthiers, did not differentiate between flamenco and classical guitars. Only after Andrés Avelar and others popularized classical guitar music, did this distinction emerge. Construction The traditional flamenco guitar is made of Spanish cypress, sycamore, or rosewood fo ...
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Gypsy Jazz
Gypsy jazz (also known as gypsy swing, jazz manouche or hot club-style jazz) is a style of small-group jazz originating from the Romani guitarist Jean "Django" Reinhardt (1910–53), in conjunction with the French swing violinist Stéphane Grappelli (1908–97), as expressed in their group the Quintette du Hot Club de France. Because its origins are in France, Reinhardt was from the Manouche (French Sinti) clan, and the style has remained popular amongst the Manouche, gypsy jazz is often called by the French name "jazz manouche", or alternatively, "manouche jazz" in English language sources. Some scholars have noted that the style was not named ''manouche'' until the late 1960s; the name "gypsy jazz" began to be used around the late 1990s. Reinhardt was foremost among a group of Romani guitarists working in Paris from the 1930s to the 1950s. The group included the brothers Baro, Sarane, and Matelo Ferret and Reinhardt's brother Joseph "Nin-Nin" Reinhardt. While his fellow g ...
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Django Reinhardt
Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani nickname Django ( or ), was a Romani-French jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents. With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington's orchestra in 1946. He died suddenly of a stroke in 1953 at the age of 43. Reinhardt's most popular compositions have become standards within gypsy jazz, including " Minor Swing", "Daphne", "Belleville", "Djangology", "Swing '42", and "Nuages". Jazz guitarist Frank Vignola says that nearly every major popular-music guitarist in the world has been influe ...
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Gibson L-5
The Gibson L-5 guitar was first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan, under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since. It was considered the premier guitar of the company during the big band era. It was originally offered as an acoustic instrument, with electric models not made available until the 1940s. Design and construction Worldwide, the L-5 was the first guitar to feature f-holes. Then as well as today, the construction of the L-5 is similar in construction, carving, bracing and tap-tuning, to building a cello. This guitar as well as the cello are similarly designed in order to amplify and project the acoustic vibration of strings throughout carved and tuned woods, using f-holes as the projection points. From 1922 to 1934 the L-5 was produced with a 16" lower bout width. In 1934 the lower bout was increased to 17"; this width is still used today. Also released in 1934 was ...
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Studio Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres and ...
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Paul Whiteman
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", " In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of ''Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including " Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", " Hot Lips (He's Got Hot Lips When He Plays Jazz)", " Mississippi Suite", " Grand Canyon Suite", and " Trav'lin' Light". He co-wrote the ...
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