Open On All Sides In The Middle
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Open On All Sides In The Middle
''Open on All Sides in the Middle'' is an album by pianist Geri Allen recorded in late 1986 and released on the German Minor Music label.Geri Allen catalog
accessed June 30, 2014


Reception

reviewer Scott Yanow stated: "the material is comparatively lightweight for a Geri Allen recording, often only bordering on jazz".Yanow, S.
Allmusic Review
accessed July 3, 2014.
''

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Geri Allen
Geri Antoinette Allen (June 12, 1957 – June 27, 2017) was an American jazz pianist, composer, and educator. In addition to her career as a performer and bandleader, Allen was also an associate professor of music at the University of Pittsburgh and the director of the university's Jazz Studies program. Early life and education Allen was born in Pontiac, Michigan, on June 12, 1957, and grew up in Detroit. "Her father, Mount Allen Jr, was a school principal, her mother, Barbara, a government administrator in the defence industry." Allen was educated in Detroit Public Schools. She started playing the piano at the age of seven, and settled on becoming a jazz pianist in her early teens. Allen graduated from Howard University's jazz studies program in 1979. She then continued her studies: with pianist Kenny Barron in New York; and at the University of Pittsburgh, where she completed a master's degree in ethnomusicology in 1982. After this, she returned to New York. Later life and ca ...
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Steve Coleman
Steve Coleman (born September 20, 1956) is an American saxophonist, composer, bandleader and music theorist. In 2014, he was named a MacArthur Fellow. Early life Steve Coleman was born and grew up in South Side, Chicago. He started playing alto saxophone at the age of 14. Coleman attended Illinois Wesleyan University for two years,. followed by a transfer to Roosevelt University (Chicago Musical College). Coleman moved to New York in 1978 and worked in big bands such as the Thad Jones/Mel Lewis Orchestra, Slide Hampton's big band, Sam Rivers' Studio Rivbea Orchestra, and briefly in Cecil Taylor's big band.Steve Coleman in: Fred JungMy Conversation with Steve Coleman July, 1999, M-base.com Shortly thereafter, Coleman began working as a sideman with David Murray, Doug Hammond, Dave Holland, Michael Brecker and Abbey Lincoln. For the first four years in New York Coleman spent a good deal of time playing in the streets and in tiny clubs with a band that he put together with trum ...
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Electronic Drum
Electronic drums is a modern electronic musical instrument, primarily designed to serve as an alternative to an acoustic drum kit. Electronic drums consist of an electronic sound module which produces the synthesized or sampled percussion sounds and a set of 'pads', usually constructed in a shape to resemble drums and cymbals, which are equipped with electronic sensors (or triggers) to send an electronic signal to the sound module which outputs a sound to the player. Like regular drums, the pads are struck by drum sticks and they are played in a similar manner to an acoustic drum kit, albeit some differences in the drumming experience. The electronic drum (pad/triggering device) is usually sold as part of an electronic drum kit, consisting of a set of drum pads mounted on a stand or rack in a configuration similar to that of an acoustic drum kit layout, with rubberized (Roland corporation, Roland, Yamaha Corporation, Yamaha, Alesis, for example) or specialized acoustic/electronic ...
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ...
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Bell (instrument)
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and instal ...
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