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Open Music
Open music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music. However, the non-commercial stipulation associated with Open Music is incompatible with the first section of the Open Source Definition as well as the first freedom put forth in The Free Software Definition (freedom 0).https://www.gnu.org/philosophy/free-sw.html Open Music is one of the general responses to the RIAA's and governmental actions against the music industry and its consumers. "Open music" can be considered a subset of "free music" (referring to freedom). The differences of philosophy between advocates of "open source software" and "free software" have not surfaced in the community of musicians contributing music to the copyleft commons. This may be due to the relatively recent emergence of copyleft music, as well as to the fact that software development gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OpenMusic
OpenMusic (OM) is an object-oriented visual programming environment for musical composition based on Common Lisp. It may also be used as an all-purpose visual interface to Lisp programming. At a more specialized level, a set of provided classes and libraries make it a very convenient environment for music composition. History OpenMusic is the last in a series of computer-assisted composition software designed at IRCAM. Versions of OpenMusic are currently available for Mac OS X (PowerPC and Intel), Windows and Linux. The source code has been released under the GNU Lesser General Public License (LGPL). Programming in OpenMusic Programs in OpenMusic are created by connecting together (a process known as 'patching') either pre-defined or user-defined modules, in a similar manner to graphical signal-processing environments such as Max/MSP or Pd. Unlike such environments, however, the result of an OpenMusic computation will typically be displayed in conventional music notation, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creative Commons
Creative Commons (CC) is an American non-profit organization and international network devoted to educational access and expanding the range of creative works available for others to build upon legally and to share. The organization has released several copyright licenses, known as Creative Commons licenses, free of charge to the public. These licenses allow authors of creative works to communicate which rights they reserve and which rights they waive for the benefit of recipients or other creators. An easy-to-understand one-page explanation of rights, with associated visual symbols, explains the specifics of each Creative Commons license. Content owners still maintain their copyright, but Creative Commons licenses give standard releases that replace the individual negotiations for specific rights between copyright owner (licensor) and licensee, that are necessary under an " all rights reserved" copyright management. The organization was founded in 2001 by Lawrence Lessig, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Splice (platform)
Splice is a cloud-based music creation and collaboration platform founded by Matt Aimonetti and Steve Martocci which includes a sample library, audio plug-ins on a subscription basis, integrates with several digital audio workstations (DAWs). Splice Studio sports automated online backup with version control, online and offline collaboration and visualization of the creation process. The company also offers Splice Sounds, an integrated sample market place. The program is available for MacOS, Windows, iOS and Android. History The site and the MacOS version of Studio was launched in private beta in October 2013. A Windows version was released a few months later and the offer became available to the public in September 2014. Splice Studio allows musicians to remotely collaborate through the cloud. The technology is compatible with several popular digital audio workstations (DAWs) programs including Ableton Live, Logic Pro X, FL Studio, Garageband, and Studio One. Its subscriptio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalty Free Music
Production music (also known as stock music or library music) is recorded music that can be licensed to customers for use in film, television, radio and other media. Often, the music is produced and owned by production music libraries. Background Unlike popular and classical music publishers, who typically own less than 50 percent of the copyright in a composition, production music libraries own all of the copyrights of their music. Thus, it can be licensed without the composer's permission, as is necessary in licensing music from normal publishers. This is because virtually all music created for music libraries is done on a work-for-hire basis. Production music is a convenient solution for media producers—they are able to license any piece of music in the library at a reasonable rate, whereas a specially commissioned work could be prohibitively expensive. Similarly, licensing a well-known piece of popular music could cost anywhere from tens to hundreds of thousands of dolla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Podsafe
Podsafe is a term created in the podcasting community to refer to any work which, through its licensing, specifically allows the use of the work in podcasting, regardless of restrictions the same work might have in other realms. For example, a song may be legal to use in podcasts, but may need to be purchased or have royalties paid for over-the-air radio use, television use, and possibly even personal use. Podsafe music gained modest popularity in the early days of podcasting, largely because of podcaster resources like the now-defunct Podsafe Music Network. Most podcasters were just hobbyists at that point. In the early 2010s, the podcast industry professionalized with the advent of podcast-oriented media companies such as Earwolf. Some traditional media organizations such as NPR started making podcasting a major part of their strategy. As more money started pouring into the industry, the content diversified and podsafe music faded into obscurity. Definition of "podsafe" The eff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutopia
The Mutopia Project is a volunteer-run effort to create a library of free content sheet music, in a way similar to Project Gutenberg's library of public domain books. It started in 2000.Portal page at thInternet ArchiveRetrieved January 24, 2001. The music is reproduced from old scores that are in the public domain. New scores are digitally typeset with GNU LilyPond and distributed in the following formats: * PDF format in both letter and A4 paper sizes for printing, * MIDI for aural reproduction, and * LilyPond source code format. Currently, there are more than 2,000 pieces of music available, more than half of which are pieces for piano. There are also many pieces for voice, and various other musical instruments. The Mutopia Project home page has a list of links to the most recently added pieces. See also * List of online music databases * Public domain resources * Open music * International Music Score Library Project, a similar music cataloging project, that colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Musical Works Released In A Stem Format
The following is a list of musical works that have been released legally in a stem format for public use. With the growing availability of amateur music-making software such as GarageBand, it has become possible for the general public to more easily make their own music. In 2005, as an experiment, Trent Reznor of Nine Inch Nails released the stems to the single "The Hand That Feeds". Since then, other artists have begun releasing the stems for some songs, the intention being that listeners can freely remix and reuse the music in any way desired. Myxstem is an artist first platform of stem-based music. Until now, there hasn’t been a way for artists and their fans to have one-to-one engagement through the music, or for aspiring musicians to effortlessly participate with the recorded music they love. Musicians need monetization options and solutions that add value for their fans. Myxstem was born in New Orleans and evolved out of an earlier incarnation (''FKA Tutti Player'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IMSLP
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project, which uses MediaWiki software, has uploaded more than 630,000 scores and 73,000 recordings of more than 195,000 works by 24,000 composers. IMSLP has both an iOS app and an Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. Besides J.S. Bach's complete public domain works, all public domain works of Ludwig van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Music
Free music or libre music is music that, like free software, can freely be copied, distributed and modified for any purpose. Thus free music is either in the public domain or licensed under a free license by the artist or copyright holder themselves, often as a method of promotion. It does ''not'' mean that there should be no fee involved. The word free refers to freedom (as in free software), not to price. The Free Music Philosophy generally encourages creators to free music using whatever language or methods they wish. A Free Music Public License (FMPL) is available for those who prefer a formal approach. Some free music is licensed under licenses that are intended for software (like the GPL) or other writings (the GFDL). But there are also licenses especially for music and other works of art, such as EFF's Open Audio License, LinuxTag's Open Music License, the Free Art license and some of the Creative Commons Licences. History Before the advent of copyright law in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyleft
Copyleft is the legal technique of granting certain freedoms over copies of copyrighted works with the requirement that the same rights be preserved in derivative works. In this sense, ''freedoms'' refers to the use of the work for any purpose, and the ability to modify, copy, share, and redistribute the work, with or without a fee. Licenses which implement copyleft can be used to maintain copyright conditions for works ranging from computer software, to documents, art, scientific discoveries and even certain patents. Copyleft software licenses are considered ''protective'' or ''reciprocal'' in contrast with permissive free software licenses, and require that information necessary for reproducing and modifying the work must be made available to recipients of the software program, which are often distributed as binary executables. This information is most commonly in the form of source code files, which usually contain a copy of the license terms and acknowledge the author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LISP
A lisp is a speech impairment in which a person misarticulates sibilants (, , , , , , , ). These misarticulations often result in unclear speech. Types * A frontal lisp occurs when the tongue is placed anterior to the target. Interdental lisping is produced when the tip of the tongue protrudes between the front teeth and dentalized lisping is produced when the tip of the tongue just touches the front teeth. The transcription in the International Phonetic Alphabet for interdental sibilants is and and for simple dental sibilants is and . When a fronted lisp does not have a sibilant quality, due to placing the lack of a grooved articulation, the IPA transcription would be or variants thereof. * A occurs when the and sounds are produced with air-flow over the sides of the tongue. It is also called "slushy ess" or a "slushy lisp" in part due to its wet, spitty sound. The symbols for these lateralised sounds in the extensions to the International Phonetic Alphabet for disorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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