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Onkyokei
The Onkyo music movement or (translation: "reverberation of sound"Cox, Christoph and Warner, Daniel, eds. (2004). ''Audio Culture: Readings in Modern Music'', p.413. .) is a form of free improvisation, emerging from Japan in the late 1990s. Onkyō can be translated as "sound, noise, echo". Some artists commonly associated with Onkyō include Toshimaru Nakamura, Tetuzi Akiyama, Sachiko M, and Taku Sugimoto, among others. The Off Site, a venue in Tokyo, is home to the Onkyo music movement, which is characterized by improvisation, minimalism, and "quiet noise". Onkyo improvisation, "explores the fine-grained textural details of acoustic and electronic sound". It influenced the development of electroacoustic improvisation, or EAI, a genre with which it is strongly intertwined. The transnational circulation of onkyo also influenced its representation as a form of "Japanese new music," despite claims by its authors that onkyo had little to do with Japanese cultural identity.Novak, Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanoise
, a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. Nick Cain of ''The Wire'' identifies the "primacy of Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants as one of the major developments in noise music since 1990. Certain Japanese noise artists themselves feel uncomfortable being categorized under the umbrella of "Japanese noise", arguing that use of the term is a way of ignoring the differences between musicians who don't necessarily follow the same approach or even know each other at all. On May 8, 1960, six young Japanese musicians, including Takehisa Kosugi and Yasunao Tone, formed the Group Ongaku with two tape recordings of noise music: Automatism and Object. These recordings made use of a mixture of traditional musical instruments along with a vacuum cleaner, a radio, an oil drum, a doll, and a set of dishes. Moreover, the speed of the tape recording was manipulated, further distorting the sounds being recorded. In the late 1970s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lowercase (music)
Lowercase is an extreme form of ambient minimalism where very quiet, usually unheard sounds are amplified to extreme levels. Minimal artist Steve Roden popularized the movement with an album entitled '' Forms of Paper'', in which he made recordings of himself handling paper in various ways. These recordings were commissioned by the Hollywood branch of the Los Angeles Public Library. Definition Steve Roden stated this about the lowercase tendencies in which he began to develop in his later works: “It bears a certain sense of quiet and humility; it doesn't demand attention, it must be discovered... It’s the opposite of capital letters—loud things which draw attention to themselves.” Examples Artists that have contributed to the lowercase movement include Richard Chartier, Jeremy Leafey, and Carsten Nicolai, a.k.a. Alva Noto. See also *John Cage *Microsound *Musique concrète *Postminimalism *Tape music References External links''Whisper the Songs of Silence''(article ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshimaru Nakamura
Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo. He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar, and started working on circuit bending. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the ' no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback." Todd S. Jenkins (2004). ''Free jazz and free improvisation'', p.250. . "His principal tool is his 'no-input' mixing board used to create feedback and tiny electronic sounds that are amplified tremendously." Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns." Nakamura founded the ensemble A Paragon of Beauty in 1992. He has recorded solo albums, worked as a session musician, and collaborated with artists including Sachiko M ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taku Sugimoto
Taku Sugimoto, born December 20, 1965, in Tokyo, is a Japanese guitarist. He initially gained attention in the late 1990s for his restrained, melodic playing, unusual in the world of free improvisation. Critic Bruce Russell describes this era of Sugimoto's music by writing: "Sugimoto is perhaps the pre-eminent stylist on the guitar ... He brings a golden glow to every session he partakes in, having abandoned amped up noise in favour of a much more introspective and calligraphic style of play." Around 2002 his music became increasingly abstract, all but eliminating melody and featuring extended periods of silence. He has collaborated with other Japanese musicians involved in the Onkyo movement, such as Sachiko M, Toshimaru Nakamura and Otomo Yoshihide. He has also collaborated with musicians from European free improvisation scenes, notably trombonist Radu Malfatti and guitarist Keith Rowe Keith may refer to: People and fictional characters * Keith (given name), includes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Improvisation
Live electronic music (also known as live electronics) is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace. History 1800s–1940s Early electronic instruments Early electronic instruments intended for live performance, such as Thaddeus Cahill's Telharmonium (1897) and instruments developed between the two world wars, such as the Theremin (1919), Spharophon (1924), ondes Martenot (1928), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetuzi Akiyama
Tetuzi Akiyama (Akiyama Tetsuji) (born 13 April 1964) is a Japanese guitarist, violinist, and instrument-maker. Akiyama formed the improvisation group Madhar in 1987, and the classical ensemble Hikyo String Quintet in 1994 (which also included Taku Sugimoto on cello). In 1995, Akiyama and Sugimoto formed a guitar duo, and played at venues in New York City, Chicago, and Detroit. During this time, Akiyama was also a member of Keiji Haino's Nijiumu outfit. Akiyama also formed Sutekina Tea Time (a duo with Takashi Matsuoka) and Mongoose (a trio with Taku Sugimoto and Utah Kawasaki). In 1998 Akiyama began organising a monthly concert series, The Improvisation Meeting, with Toshimaru Nakamura. In December 2006 he began a regular duo with Hervé Boghossian (France), they toured in Europe (France, Portugal, Switzerland, England) several times in 2007 (in May, October and December) and also played in Tokyo during Hervé Boghossian Japanese tour in August/September 2008. In 2009 he worke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sachiko M
Sachiko Matsubara (Japanese: 松原 幸子; born 1973), better known by her stage name Sachiko M, is a Japanese musician. Her first solo album, ''Sine Wave Solo'', was released in 1999. Working in collaboration with Ami Yoshida under the name Cosmos in 2002, Sachiko released the two disc album Astro Twin/Cosmos (2) which was awarded the Golden Nica prize in Ars Electronica, 2003. She released ''Good Morning Good Night'', a collaborative album with Otomo Yoshihide and Toshimaru Nakamura, in 2004. Selected Discography * ''Filament 1'' (1998) with Otomo Yoshihide * ''Un'' (1998) with Toshimaru Nakamura * ''Four Focuses'' (1999) with Martin Tétreault, Yasuhiro Otani, and Otomo Yoshihide * ''Filament 2 (Secret Recordings 2)'' (1999) with Günter Müller and Otomo Yoshihide * ''Sine Wave Solo'' (1999) * ''Do'' (2001) with Toshimaru Nakamura * ''Tears'' with Ami Yoshida as Cosmos (2002) * ''Les Hautes Solitudes - A Philippe Garrel Film: Imaginary Soundtrack'' (2002) with Otomo Yoshihi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalist Music
In visual arts, Minimal music, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris (artist), Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary Postminimalism, postminimal art practices, which extend or reflect on minimalism's original objectives. Minimal music, Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams (composer), John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the Play (theatre) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise (music)
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (music)
In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts are an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
