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Japanoise
, a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. Nick Cain of ''The Wire'' identifies the "primacy of Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants as one of the major developments in noise music since 1990. Certain Japanese noise artists themselves feel uncomfortable being categorized under the umbrella of "Japanese noise", arguing that use of the term is a way of ignoring the differences between musicians who don't necessarily follow the same approach or even know each other at all. On May 8, 1960, six young Japanese musicians, including Takehisa Kosugi and Yasunao Tone, formed the Group Ongaku with two tape recordings of noise music: Automatism and Object. These recordings made use of a mixture of traditional musical instruments along with a vacuum cleaner, a radio, an oil drum, a doll, and a set of dishes. Moreover, the speed of the tape recording was manipulated, further distorting the sounds being recorded. In the late 1970s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harsh Noise
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacopho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-industrial Music
Industrial music is a form of experimental music which emerged in the 1970s. In the 1980s, industrial splintered into a range of offshoots, sometimes collectively named post-industrial music. This list details some of these offshoots, including fusions with other experimental and electronic music genres as well as rock, folk, heavy metal and hip hop. Industrial genres have spread worldwide and are particularly well represented in North America, Europe, and Japan. Industrial music Industrial music comprises many styles of experimental music, including many forms of electronic music. The term was coined in the mid-1970s for Industrial Records artists. The first industrial artists experimented with noise and controversial topics. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include Throbbing Gristle, Cabaret Voltaire, Boyd Rice, SPK, and Z'EV. Test Dept, Clock DVA, Noct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Japanoise Artists
This is an alphabetical list of Japanese noise, or "Japanoise" (ジャパノイズ) bands and solo projects that have articles on Wikipedia. See also *Improvised Music from Japan *Japanoise *List of experimental musicians *List of musicians by genre *List of noise musicians *Noise music Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical ... Notes {{DEFAULTSORT:Japanoise Lists of Japanese musicians Lists of musicians by genre Noise music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Noise
Power noise (also known as rhythmic noise and occasionally as distorted beat music) is a form of industrial music and a fusion of noise music and various styles of electronic dance music. It should not be confused with "power electronics", which is not influenced by electronic dance music and is closer to harsh noise. Its origins are predominantly European. History 1990s Power noise takes inspiration from Spanish industrial act Esplendor Geometrico, active since 1980, and other artists such as Le Syndicat, active since 1982.Hymen Records, Converter, Coma record description. Access date: August 8, 2008. The Belgian group Dive (Belgian band), Dive also anticipated the style in the early '90s along with a number of releases on the harder or harsher end of the techno spectrum such as several early vinyl EP releases by Aphex Twin. The term "power noise" was coined by Raoul Roucka of Noisex in 1997, with the track "United (Power Noise Movement)". The genre was exposed to the U.S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onkyokei
The Onkyo music movement or (translation: "reverberation of sound"Cox, Christoph and Warner, Daniel, eds. (2004). ''Audio Culture: Readings in Modern Music'', p.413. .) is a form of free improvisation, emerging from Japan in the late 1990s. Onkyō can be translated as "sound, noise, echo". Some artists commonly associated with Onkyō include Toshimaru Nakamura, Tetuzi Akiyama, Sachiko M, and Taku Sugimoto, among others. The Off Site, a venue in Tokyo, is home to the Onkyo music movement, which is characterized by improvisation, minimalism, and "quiet noise". Onkyo improvisation, "explores the fine-grained textural details of acoustic and electronic sound". It influenced the development of electroacoustic improvisation, or EAI, a genre with which it is strongly intertwined. The transnational circulation of onkyo also influenced its representation as a form of "Japanese new music," despite claims by its authors that onkyo had little to do with Japanese cultural identity.Novak, Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boredoms
Boredoms () (later known as V∞redoms) is a rock band from Osaka, Japan formed in 1986. The band's sound is often referred to as noise rock, or sometimes Japanoise (Japan’s noise music scene), though their more recent records have moved toward repetitive psychedelic rock, ambient soundscapes, and tribal drumming. The band has a vast and sometimes confusing discography. Many band members have rotated through the group over the years, often using a number of various stage names. Singer Yamantaka Eye is the closest the band has to a frontman; his style includes a range of baffling screams, babbling, electronic effects, and very heavy post-production. Drummer/keyboard player/vocalist Yoshimi P-We is featured on most Boredoms recordings. History Formation and early years Boredoms were formed in early 1986 by Yamantaka Eye, who at the time acted as front man for the infamous and highly controversial noise/performance art act Hanatarash, locally notorious for its extremely danger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incapacitants
are a Japanese noise music group formed in 1981. Initially a solo project of Toshiji Mikawa, Fumio Kosakai joined upon the project's relocation to Tokyo. The duo's stated aim is to produce "pure" noise, uninfluenced by musical ideas or even human intention, using primarily feedback, vocals, and various electronics. Kosakai calls this sound "hard noise", as a nod to the jazz subgenre hard bop. History In 1981, Toshiji Mikawa formed Incapacitants in Osaka as a solo project from his other creative endeavours with improv noise group Hijokaidan. As a solo project, Mikawa collaborated with Japanese vocalist and visual artist Yamantaka Eye, among others. After relocating to Tokyo, Kosakai, of Japanese noise band C.C.C.C., joined Incapacitants to form the current duo. Kosakai would later join Mikawa and become a regular member of Hijokaidan. Incapacitants, alongside Hijokaidan, Merzbow, C.C.C.C., Solmania, Hanatarash, the Gerogerigegege, and Masonna, are counted among the more well-kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gerogerigegege
() is a Japanese experimental music project, founded in 1985 by . Though they are often categorized with Japanese harsh noise acts such as Merzbow and Masonna, The Gerogerigegege has also released albums of more straightforward punk rock (''Sexual Behavior in the Human Male''), noise (''45 RPM Performance''), and ambient music (''None Friendly'', ''Endless Humiliation''), in addition to several seven inch records mixing these styles with found recordings. The group is best known for their 1990 album ''Tokyo Anal Dynamite'', a 75-track live album drawing from grindcore, noise and hardcore punk. Despite limited coverage during their initial run, due in part to the material's extreme sound and vulgar subject matter, their music has since garnered a cult following. Juntaro Yamanouchi also ran the Vis a Vis record label. History Over the years, The Gerogerigegege has included many members, the most notable and consistent other than Yamanouchi being Gero 30 (aka Gero 56, real ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merzbow
is a Japanese noise project started in 1979 by , best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 400 recordings and has collaborated with various artists. The name Merzbow comes from the German dada artist Kurt Schwitters' artwork ''Merzbau'', in which Schwitters transformed the interior of his house using found objects. The name was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from progressive rock, heavy metal, free jazz, and early electronic music to non-musical influences like dadaism, surrealism and fetish culture. Since the early 2000s, he has been inspired by animal rights and environmentalism, and began to follow a vegan, straight edge lifestyle. In addition to being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own. He has written about a variety o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamazaki Maso
, better known by his stage name Masonna, is a Japanese noise musician. He was born on November 16, 1966, in Miyazu, Kyoto, Japan. was started in 1987 in Osaka as Maso Yamazaki's noise project. The name is a combination of the Japanese words and . It is also a pun on the name of the pop singer Madonna. The name is sometimes rendered as an acronym for or Mystic Another Selection Of Nurses Naked Anthology. Maso also performs as Space Machine using vintage analog synthesizers. He has performed with the psychedelic rock group Christine 23 Onna (with Fusao Toda of Angel'in Heavy Syrup), which then became Acid Eater with the addition of two members, as well as the noise supergroup Bustmonster and the noise trio Flying Testicle. In 2018, Maso began performing and releasing under the name Controlled Death. History Maso has said that he became interested in making noise music when he heard the sounds of destruction on television as a child, but that his first exposure to the Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
