One For All World Tour
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One For All World Tour
One for All World Tour was the ninth concert tour by the Bee Gees in support of their eighteenth studio album '' One''. The tour began on 10 April 1989 in Tokyo, Japan and ended on 7 December 1989 in Matsuyama, Japan. Background In early 1988, the Bee Gees began recording '' One'' as their studio album after '' E.S.P.'' They stopped recording due to the death of their younger brother Andy Gibb on 10 March 1988. They continued recording in Mayfair Studios from November to December 1988 and February to March 1989. Just after they released their album, the brothers began touring in Japan, Europe, North America, Oceania and back to Japan. The full concert at the National Tennis Centre in Melbourne, Australia in November 1989 was released as a concert video entitled ''One for All Tour'' on 10 April 1991. During the DVD era, it was re-released as ''The Very Best of The Bee Gees Live!'' in 1997. Set List #"Ordinary Lives" #"Giving up the Ghost" #" To Love Somebody" #"I've Gotta Get a ...
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Bee Gees
The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all of their own original material, as well as writing and producing several major hits for other artists and have been regarded as one of the most important and influential acts in pop music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music. Born on the Isle of Man to English parents, the Gibb brothers lived in Chorlton, Manchester, England, until the late 1950s. There, in 1955, they formed the ...
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New York Mining Disaster 1941
"New York Mining Disaster 1941" is the debut American single by the British-Australian pop group the Bee Gees, released on 14 April 1967. It was written by Barry and Robin Gibb. Aside from a moderately successful reissue of their Australian single " Spicks and Specks," it was the first single release of the group's international career and their first song to hit the charts in both the UK and the US. It was produced by Ossie Byrne with their manager Robert Stigwood as executive producer. The song was the first track of side two on the group's international debut album, ''Bee Gees' 1st.'' This was the first single with Australian drummer Colin Petersen as an official member of the band. Background and writing On 3 January 1967, the Gibb brothers, with their parents and Byrne, traveled from Australia to England on the ship '' Fairsky'', reaching Southampton on 6 February. The brothers performed on board in exchange for passage. Later, the Gibb brothers auditioned for Stigwood; the ...
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Massachusetts (Bee Gees Song)
"(The Lights Went Out In) Massachusetts" is a song by the Bee Gees, written by Barry, Robin & Maurice Gibb and released in 1967. Robin Gibb sang lead vocals on this song and it would become one of his staple songs to perform during both Bee Gees concerts and his solo appearances. It later appeared on their 1968 album, '' Horizontal''. The song became the first of the group's five No. 1 hits in the UK Singles Chart, reached No. 1 in twelve other countries, peaked at No. 11 on the Billboard Hot 100 and eventually sold over five million copies worldwide. When the brothers wrote the song, they had never been to Massachusetts. In a UK television special on ITV in December 2011, it was voted third (behind " How Deep Is Your Love" and " You Win Again") in "'' The Nation's Favourite Bee Gees Song''". Writing and inspiration The song was written in the Regis Hotel, New York City during a tour of the United States. The song was intended as an antithesis to flower power anthems of the tim ...
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I Started A Joke
"I Started a Joke" is a song by the Bee Gees from their 1968 album ''Idea'', which was released as a single in December of that year. It was not released as a single in the United Kingdom, where buyers who could not afford the album had to content themselves with a Polydor version by Heath Hampstead. This is the last Bee Gees single to feature Vince Melouney's guitar work, as he left the band in early December after this song was released as a single. The song's B-side was "Kilburn Towers", except in France, where "Swan Song" was used. "I Started a Joke" was written by Robin mainly, with help from Barry and Maurice Gibb on the bridge. It was produced by the Bee Gees with Robert Stigwood. Composition and recording Songs for the ''Idea'' album were completed on 20 June. "I Started A Joke" was the last to be recorded. According to Robin Gibb, the melancholic melody of the song was inspired by the sounds on board an aeroplane: "There was a lot of that in those days" Barry lau ...
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How Can You Mend A Broken Heart
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album ''Trafalgar''. It was their first US No. 1 single and also reached No. 1 in '' Cashbox'' magazine for two weeks. In the US Atco Records issued both mono and stereo versions of the song on each side as a promo single. The B-side was a Maurice Gibb composition "Country Woman". The song appears in the 2013 film ''American Hustle'' and on its soundtrack. It also provided the title to director Frank Marshall's 2020 documentary film '' The Bee Gees: How Can You Mend a Broken Heart''. Writing and recording Barry and Robin Gibb wrote the song in August 1970 with "Lonely Days" when the Gibb brothers had reconvened following a period of break-up and alienation. "Robin came to my place," says Barry, "and that afternoon we wrote 'How Can You Mend a Broken Heart' and that obviously was a link to us coming back together. We ...
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How Deep Is Your Love (Bee Gees Song)
How Deep Is Your Love or How Deep Is Your Love? may refer to: * "How Deep Is Your Love" (Bee Gees song), 1977 * "How Deep Is Your Love" (Dru Hill song), 1998 * "How Deep Is Your Love?" (The Rapture song), 2011 * "How Deep Is Your Love" (Sean Paul song), 2012 * "How Deep Is Your Love" (Calvin Harris and Disciples song), 2015 * "How Deep Is Your Love", a 1992 song by Thomas Anders * "How Deep Is Your Love", a 1996 song by Take That Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer ...
, a cover version of the Bee Gees song {{disambig ...
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Lonely Days
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album ''2 Years On'', and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the ''Billboard'' Hot 100 and reaching number one in the '' Cashbox'' and '' Record World'' charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album '' Greenfields''. Writing and recording The Bee Gees disintegrated throughout 1969 as brothers Robin and Maurice Gibb and drummer Colin Petersen quit the group in succession due to interpersonal conflicts, leaving Barry Gibb as the sole remaining member. Aside from overseeing a few single releases and finishing the television film and accompanying album '' Cucumber Castle'', the group were effectively disbanded for the first months of 1970. On Friday, 21 August 1970, the three Gibb brothers announced they would reunite and start recording together, nearly 16 months after Robin qu ...
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Spicks And Specks (song)
"Spicks and Specks" is a song by the Bee Gees, written by Barry Gibb. When the song was released in September 1966, the single reached No. 4 on the ''Go-Set'' Australian National Top 40 (No. 1 on other Australian charts), and when the song was released in other countries in February 1967, it reached No. 28 in Germany, No. 2 in the Netherlands and No. 1 in New Zealand. Recording "Spicks and Specks" is dated to early July by the memory of Geoff Grant (Geoffrey Streeter) who played the trumpet. Grant recalls working three nights in a row on four songs including this track, "I Am the World", "All by Myself", and "The Storm". There were no charts; Barry sang what he wanted live, and Grant copied it. Some of the artists whose disks came out in August recall hearing "Spicks and Specks" being worked on or completed, further confirming that early July is the approximate date of the song's recording. "Spicks and Specks" was a ballad around a strong piano beat. R ...
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World (Bee Gees Song)
"World" is a song by the Bee Gees, released in 1967 as a single in the United Kingdom and Europe and then included on their album '' Horizontal'' the following year. Though it was a big hit in Europe, Atco Records did not issue it as a single in the United States, having just issued a third single from ''Bee Gees' 1st'', " Holiday". Recording and composition The song's first recording session was on 3 October 1967 along with "With the Sun in My Eyes" and "Words". The song's last recording session was on 28 October 1967. "World" was originally planned as having no orchestra, so was recorded on four tracks, including some piano played by Maurice and organ played by Robin. When it was decided to add an orchestra, the four tracks containing the band were mixed to one track and the orchestra was added to the other track. The stereo mix suffered since the second tape had to play as mono until the end when the orchestra comes in on one side. Barry adds: "'World' is one of those things ...
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Melody Fair
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements an ...
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Run To Me (Bee Gees Song)
"Run to Me" is a song by the Bee Gees, the lead single and first track on the group's album ''To Whom It May Concern'' (1972). The song reached the UK Top 10 and the US Top 20. Written by Barry, Robin and Maurice Gibb. Lead vocals by Barry Gibb on the verses and Robin Gibb on the chorus. Barry re-recorded the song as a duet with Brandi Carlile for his 2021 album ''Greenfields''. Writing and recording Robin recalled, "We recorded 'Run to Me' and Andy Williams cut it on his LP. If Andy Williams came up to us and said write a song and we wrote 'Run to Me' for him, he probably wouldn't have recorded it. But we recorded it and then he recorded it." "Run to Me" was recorded on 12 April 1972 at London's IBC Studios, on the same day as "Bad Bad Dreams" and "Please Don't Turn Out The Lights". It was very much in the mold of the last two successful singles, "Don't Wanna Live Inside Myself" and " My World". The song has a straight verse-chorus number with vocal by both Barry and Robin. M ...
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Islands In The Stream (song)
"Islands in the Stream" is a song written by the Bee Gees and recorded by American country music artists Kenny Rogers and Dolly Parton. Named after an Ernest Hemingway novel, it was released in August 1983 as the first single from Rogers's album ''Eyes That See in the Dark''. The song was originally written for Diana Ross in an R&B style but later reworked for the duet by Rogers and Parton. The Bee Gees released a live version of the song in 1998 and a studio version in 2001. The song reached number one on the ''Billboard'' Hot 100 chart in the United States, giving both Rogers and Parton their second pop number-one hit (after Rogers's " Lady" in 1980 and Parton's " 9 to 5" in 1981). It also topped the Country and Adult Contemporary charts. It has been double certified Platinum and gold certified singles by the Recording Industry Association of America for 2 million and half a million digital sales in US. In 2005 the song topped CMT's poll of the best country duets of all ...
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