One Plus One Equals Three
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One Plus One Equals Three
''One Plus One Equals Three'' (german: 1=Eins + Eins = Drei) is a 1927 German silent film directed by Felix Basch and starring Veit Harlan, Georg Alexander, and Claire Rommer. Lamprecht, Gerhard. ''Deutsche Stummfilme: 1927–1931''. p. 45. The film's art direction was by Heinrich Richter. Cast *Veit Harlan as Paul *Georg Alexander as Peter *Claire Rommer as Anni *Gyula Szőreghy as Annis Vater *Margarete Kupfer as Annis Mutter *Sig Arno as Doktor Planer *Karl Platen as Diener *Lissy Arna Lissy Arna (born Elisabeth Arndt, 20 December 1900 – 22 January 1964) was a German film actress. She appeared in 63 films between 1918 and 1962. She starred in the 1931 film '' The Squeaker'', which was directed by Martin Frič and Karel ... References External links * Films of the Weimar Republic Films directed by Felix Basch German silent feature films German black-and-white films {{Germany-silent-film-stub ...
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Felix Basch
Felix Basch (1885–1944) was an American-Austrian actor, screenwriter and film director. He first acted in Vienna, and he was a producer and director for the German film production company UFA GmbH, U. F. A. Following the Nazi takeover of power in Germany in 1933, the Jewish Basch was forced out of films and went into exile, moving to the United States where he appeared in a large number of films acting in character actor, character roles. He was married to the actress and singer Grete Freund and was the father of Peter Basch. Richard Tauber was a second cousin of his . According to U.S. immigration entry records, he gained his American citizenship through his father. Basch died May 18, 1944, at Cedars-Sinai Medical Center, Cedars of Lebanon Hospital in Hollywood, California, after several major operations. Selected filmography Actor Director * ''The Rose of Stamboul (1919 film), The Rose of Stamboul'' (1919) * ''Patience (film), Patience'' (1920) * ''Mascotte (film), Masco ...
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagin ...
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Films Directed By Felix Basch
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Lissy Arna
Lissy Arna (born Elisabeth Arndt, 20 December 1900 – 22 January 1964) was a German film actress. She appeared in 63 films between 1918 and 1962. She starred in the 1931 film '' The Squeaker'', which was directed by Martin Frič and Karel Lamač. She entered U.S. films in 1930 under the direction of William Dieterle, appearing in German-language versions of American films. Partial filmography * ''Aus dem Schwarzbuch eines Polizeikommissars, 2. Teil: Verbrechen aus Leidenschaft'' (1921) * '' A Night's Adventure'' (1923) * '' The Elegant Bunch'' (1925) - Erna Kallweit * '' The Woman without Money'' (1925) * '' Adventure on the Night Express'' (1925) - Gräfin Sonja Waranow * ''Die Tugendprobe. Eine lustige Begebenheit von der Waterkant'' (1926) * '' Darling, Count the Cash'' (1926) - Boxerbraut * '' The Queen of the Baths'' (1926) - Mannequin * '' I Liked Kissing Women'' (1926) - Sybill Malva, Kokotte * ''Wenn Menschen irren. Frauen auf Irrwegen'' (1926) * ''The Villa in Tier ...
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Karl Platen
Karl Platen (6 March 1877 – 4 July 1952) was a German actor and cinematographer known for '' Girl in the Moon'' (1929) and '' M'' (1931). Biography Karl Platen was born as Carl Platen on March 6, 1877 in Halle an der Saale, Germany. He died on July 4, 1952 in Weimar, German Democratic Republic at the age of 75. Selected filmography * ''Ein Ausgestoßener'' (1913, part 1) * ''Der Katzensteg'' (1915) - Pfarrer * ''Die Erben des Geizhalses'' (1915) - Pflegesohn von Riedel Hermann * '' The Japanese Woman'' (1919) * ''Hängezöpfchen'' (1919) - Prof. Hahnensporn * ''Das rosa Strumpfbändchen'' (1919) * '' The Boy in Blue'' (1919) - Alter Diener / Old servant * '' The Foolish Heart'' (1919, Short) * '' The Bodega of Los Cuerros'' (1919) * '' Madame Du Barry'' (1919) - Guillaume Dubarry * ''Der rote Sarafan'' (1919) * ''Seine Beichte (Bekenntnisse eines Lebemannes)'' (1919) - Diener Franz * '' Irrlicht'' (1919) * '' The Golden Lie'' (1919) * ''Die fremde Frau'' (1919) * ''Der Mi ...
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Sig Arno
Sig Arno (born Siegfried Aron, 27 December 1895 – 17 August 1975) was a German-Jewish film actor who appeared in such films as '' Pardon My Sarong'' and '' The Mummy's Hand''. He may be best remembered from '' The Palm Beach Story'' (1942) as Toto, the nonsense-talking, mustachioed man who hopelessly pursues Mary Astor's Princess Centimillia. Biography Arno was born in Hamburg, Germany. Before beginning to make films in 1920, he was well-known in Germany as a stage comedian.Erickson, HaBiography (Allmovie) He acted in 90 films in Germany – including G.W. Pabst's ''Pandora's Box'' with Louise Brooks – playing primarily comic roles, then he left Germany in 1933 due to the rise of Adolf Hitler. He worked in Europe until 1939 when he moved to Hollywood. During the next 20 years. he appeared in over 50 films, often playing waiters, maitre d's and "funny Europeans". Arno appeared three times on Broadway, notably in the musical '' Song of Norway'' and the play ''Time Rem ...
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Margarete Kupfer
Margarete Kupfer (born Margarete Kupferschmid; 10 April 1881 – 11 May 1953) was a German actress. Partial filmography * '' The Canned Bride'' (1915) * '' Frau Eva'' (1916) * '' The Queen's Secretary'' (1916) * '' When Four Do the Same'' (1917) * '' The Ballet Girl'' (1918) * '' I Don't Want to Be a Man'' (1918) * '' The Foreign Prince'' (1918) * '' The Rosentopf Case'' (1918) * ''The Seeds of Life'' (1918) * '' Carmen'' (1918) * '' Prince Cuckoo'' (1919) * '' The Loves of Käthe Keller'' (1919) * '' The Dancer'' (1919) * '' Sumurun'' (1920) * '' Wibbel the Tailor'' (1920) * ''The Head of Janus'' (1920) * '' Countess Walewska'' (1920) * '' Judith Trachtenberg'' (1920) * '' Waves of Life and Love'' (1921) * '' A Woman's Revenge'' (1921) * '' The Devil and Circe'' (1921) * '' The Hunt for the Truth'' (1921) * '' The Story of a Maid'' (1921) * '' Children of Darkness'' (1921) * '' The Devil's Chains'' (1921) * ''Nathan the Wise'' (1922) * ''Bigamy'' (1922) * '' Only One Night'' (19 ...
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Gyula Szőreghy
Gyula Szőreghy (30 November 1887 – 22 December 1942) was a Hungarian film actor. Szőreghy was born in Algyo, Austria-Hungary (now, Hungary) and died in 1942 in Budapest. He was also credited as Julius von Szöreghy. Selected filmography * '' Mary Ann'' (1918) * ''White Rose'' (1919) * '' Oliver Twist'' (1919) * '' Serge Panine'' (1922) * '' Sodom and Gomorrah'' (1922) * '' Masters of the Sea'' (1922) * '' A Vanished World'' (1922) * '' Gypsy Love'' (1922) * '' Young Medardus'' (1923) * '' Gulliver's Travels'' (1924) * '' The Alternative Bride'' (1925) * '' Ship in Distress'' (1925) * '' Women You Rarely Greet'' (1925) * '' Cock of the Roost'' (1925) * '' The Wooing of Eve'' (1926) * '' Darling, Count the Cash'' (1926) * '' The Third Squadron'' (1926) * '' Maytime'' (1926) * ''Unmarried Daughters'' (1926) * '' German Hearts on the German Rhine'' (1926) * '' Two and a Lady'' (1926) * '' Her Highness Dances the Waltz'' (1926) * '' Dancing Vienna'' (1927) * '' The Most Beautifu ...
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Heinrich Richter
Heinrich Richter (1884–1981) was a German painter and art director.Soister p.122 He designed the sets for more than a hundred films during his career. Selected filmography * ''The Confessions of the Green Mask'' (1916) * ''The Sensational Trial'' (1923) * ''Upstairs and Downstairs'' (1925) * '' Semi-Silk'' (1925) * '' Should We Be Silent?'' (1926) * '' A Crazy Night'' (1927) * ''One Plus One Equals Three'' (1927) * ''Children's Souls Accuse You'' (1927) * ''The Trousers'' (1927) * ''The Girl with the Five Zeros'' (1927) * ''When the Guard Marches'' (1928) * ''The Prince of Rogues'' (1928) * '' The House Without Men'' (1928) * '' Master and Mistress'' (1928) * ''Villa Falconieri'' (1928) * ''Sinful and Sweet'' (1929) * '' The Man Without Love '' (1929) * '' The Call of the North'' (1929) * '' Daughter of the Regiment'' (1929) * ''Come Back, All Is Forgiven'' (1929) * '' Mischievous Miss'' (1930) * '' Morals at Midnight'' (1930) * ''The Man Who Murdered'' (1931) * '' The Murdere ...
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Gerhard Lamprecht
Gerhard Lamprecht (6 October 1897 – 4 May 1974) was a German film director, screenwriter and film historian. He directed 63 films between 1920 and 1958. He also wrote for 26 films between 1918 and 1958. Life and career Lamprecht was fascinated by cinema since his childhood and started to work as a film projectionist at age twelve. He studied theatre and art history in Berlin. He also took drama lessons with Paul Bildt and appeared as a stage actor under the name of "Gerhard Otto" in some minor productions.Gerhard Lamprecht
at the Deutsches Filmportal
Lamprecht got drafted by the German army in 1917 and was wounded in 1918. Lamprecht had sold his first film manuscript as early as 1914. With the end of

Béla Balázs
Béla Balázs (; 4 August 1884 in Szeged – 17 May 1949 in Budapest), born Herbert Béla Bauer, was a Hungarian film critic, aesthetician, writer and poet of Jewish heritage. He was a proponent of formalist film theory. Career Balázs was the son of Simon Bauer and Eugénia Léwy, adopting his ''nom de plume'' in newspaper articles written before his 1902 move to Budapest, where he studied Hungarian and German at the Eötvös Collegium. Balázs was a moving force in the Sonntagskreis or Sunday Circle, the intellectual discussion group which he founded in the autumn of 1915 together with Lajos Fülep, Arnold Hauser, György Lukács and Károly (Karl) Mannheim. Meetings were held at his flat on Sunday afternoons; already in December 1915 Balázs wrote in his diary of the success of the group.Mary Gluck (1985''Georg Lukács and His Generation, 1900–1918'' Cambridge, Massachusetts: Harvard University Press. . pp. 14–16 He is perhaps best remembered as the librettist of '' ...
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