Oldřich Nový
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Oldřich Nový
Oldřich Nový (7 August 1899, in Prague – 15 March 1983, in Prague) was a Czech film and theatre actor, director, composer, dramaturg and singer. He is considered one of the greatest actors of the Czech cinema in the first half of the 20th century. Biography His father Antonín Nový, a member of the Prague Fire Brigade, wanted him to become a typographer, but Oldřich showed passion for theatre from a young age. He was supported by his uncle Miloš Nový, a well-known actor of the National Theatre in Prague. Fikejz (2007), p. 325-326 In 1916 Nový became involved with the amateur theatre group ''"Řemeslnická beseda"'' and he also appeared in the popular cabaret ''"U labutě"''. A year later he performed in the ''"Varieté"'' in Karlín. In 1918 he was engaged in Ostrava and in 1919 he moved to Brno where he became the director of the operetta ensemble of the National Theatre. Nový remained in Brno for more than fifteen years and came back to Prague in 1935. Fikejz (2007) ...
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Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived the ...
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Concentration Camp
Internment is the imprisonment of people, commonly in large groups, without charges or intent to file charges. The term is especially used for the confinement "of enemy citizens in wartime or of terrorism suspects". Thus, while it can simply mean imprisonment, it tends to refer to preventive confinement rather than confinement ''after'' having been convicted of some crime. Use of these terms is subject to debate and political sensitivities. The word ''internment'' is also occasionally used to describe a neutral country's practice of detaining belligerent armed forces and equipment on its territory during times of war, under the Hague Convention of 1907. Interned persons may be held in prisons or in facilities known as internment camps (also known as concentration camps). The term ''concentration camp'' originates from the Spanish–Cuban Ten Years' War when Spanish forces detained Cuban civilians in camps in order to more easily combat guerrilla forces. Over the following ...
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Velbloud Uchem Jehly
''Camel Through the Eye of a Needle'' ( cs, Velbloud uchem jehly) is a 1936 Czech comedy film directed by and starring Hugo Haas. The title is an allusion to the "eye of a needle" aphorism. It's a second movie adaptation of the play by František Langer after the 1926 film ''Never the Twain''. Plot Alík, son of a wealthy chocolate factory owner Adolf Vilím, is set to marry Nina Štěpánková from a wealthy family. But Alík is not interested in Nina. He gets to know the beggar Pešta and his falls in love with his step-daughter Zuzka. Cast *Hugo Haas as Beggar Josef Pešta * Antonie Nedošínská as Aloise Peštová *Jiřina Štěpničková as Zuzka Peštová * Rudolf Deyl Sr. as Adolf Vilím * Pavel Herbert as Alík Vilím *Oldřich Nový as Butler Alfons * Eduard Blažek as Secretary *Růžena Šlemrová as Mrs. Štěpánová *Adina Mandlová as Nina Štěpánová *Jindřich Plachta as Pavel Bezchyba *Jan Pivec as Fred Krupička * Božena Šustrová as Nina's frien ...
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Neznámá Kráska
'' The Mysterious Beauty '' ( cs, Neznámá kráska) is a 1922 Czechoslovak comedy film directed by Přemysl Pražský. The film was shot in Brno and had a premiere there a month later. Cast * Vladimír Marek as Jaroslav Smola * Věra Skalská as Milada Smolová *Oldřich Nový Oldřich Nový (7 August 1899, in Prague – 15 March 1983, in Prague) was a Czech film and theatre actor, director, composer, dramaturg and singer. He is considered one of the greatest actors of the Czech cinema in the first half of the 20th cent ... as Petr Stamati *Jan Purkrábek as Ferdinand Veselý * Katy Fibingerová as Ludmila Veselá * Heda Marková as Máňa Vacková *Josef Žídek as Theodor Straka *Vlasta Bubelová as Straka's Wife *Přemysl Pražský as Director at Lloydfilm References External links * 1922 films 1922 comedy films Czechoslovak black-and-white films Czech silent films Czech comedy films {{1920s-comedy-film-stub ...
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Evald Schorm
Evald Schorm (15 December 1931 – 14 December 1988) was a Czech film and stage director, screenwriter and actor. He directed 26 films between 1959 and 1988. Schorm was a notable exponent of the Czech Film New Wave. Biography Schorm was born into a farmer family, and spent his childhood at the family farm in Elbančice near Mladá Vožice. After communists confiscated the family property, he was expelled from school and moved to Zličín near Prague, together with his parents. Schorm had to become a construction worker, but in 1956 he was finally accepted at the Film and TV School of the Academy of Performing Arts in Prague. He graduated in Film direction in 1963, together with other future members of the Czech New Wave.Český film. Herci a herečky III. díl (S-Ž) (2008), p. 94 He began his career at the ''Studio dokumentárního filmu'' (Studio of the Documentary Film) together with cameraman Jan Špáta. Together they created many short films and documentaries of stron ...
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Pavel Landovský
Pavel Landovský (11 September 1936 – 10 October 2014), nicknamed Lanďák, was a Czech actor, playwright, and director. He was a prominent dissident under the communist regime of former Czechoslovakia. Biography Landovský was born in Havlíčkův Brod in 1936, and after finishing his studies at the secondary technical school of mechanical engineering, he tried four times to enter the Faculty of Theatre in Prague, without success. He started his acting career as a supernumerary actor in the regional theatre in Teplice and continued to perform in regional theatres in Šumperk, Klatovy, and Pardubice. The first play that he wrote, ''Hodinový hoteliér'', premiered at the Činoherní klub theatre in Prague on 11 May 1969. In 1971, the communist regime banned him from film and television. He continued acting at Činoherní klub and other theatres. Landovský was one of the initiators of the human rights petition Charter 77 and along with Václav Havel and Ludvík Vaculík, ...
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Rose-Marie
''Rose-Marie'' is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a French Canadian girl who loves miner Jim Kenyon. When Jim falls under suspicion for murder, her brother Emile plans for Rose-Marie to marry Edward Hawley, a city man. The work premiered on Broadway at the Imperial Theatre on September 2, 1924, running for 557 performances. It was the longest-running Broadway musical of the 1920s until it was surpassed by ''The Student Prince'' (1926). It was then produced at the Theatre Royal, Drury Lane in London in 1925, enjoying another extraordinary run of 581 performances. It was filmed in 1928, in 1936 and again in 1954. The best-known song from the musical is "Indian Love Call". It became Jeanette MacDonald and Nelson Eddy's "signature song". Several other numbers have also become standards, includi ...
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Mamzelle Nitouche
''Mam'zelle Nitouche'' is a vaudeville-opérette in three acts by Hervé. The libretto is by Henri Meilhac and Albert Millaud. This story of a respectable musician, transforming himself into a songwriter at night, is partly inspired by the life of the composer of the piece Hervé, who as Florimond Ronger, his real name, was the organist at the important church of Saint-Eustache, Paris by day and wrote the music for and starred in satirical, irreverent operettas under a stage name at night. Performance history It was first performed at the Théâtre des Variétés, Paris on 26 January 1883. The piece was a great success and the work remained in the repertoire of French theatres for many years. ''Mam'zelle Nitouche'' was presented by Palazzetto Bru Zane in a production by Olivier Py, who also appeared in the cast, on a nationwide tour of France from 2017 to 2019. Roles Synopsis Scene: Provincial France sometime in the 19th century. Act 1 ''Le couvent des Hirondelles (The ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ...
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Jan Werich
Jan Werich (; 6 February 1905 – 31 October 1980) was a Czech actor, playwright and writer. Early life Between 1916 and 1924, Werich attended "reálné gymnasium" (equivalent to high school) in Křemencova Street in Prague (where his future business partner, Jiří Voskovec, also studied). He studied law at the Charles University Law School from 1924 to 1927, from which he made an early departure to begin his artistic career and forge one of the most important partnerships of his life. Career Theater His collaboration with Jiří Voskovec and Jaroslav Ježek lasted for more than 10 years. Their partnership was a platform for their numerous left-wing political satires, most notably in the Osvobozené divadlo (Liberated Theatre). The trio's work took inspiration from Dada, with its love of the absurd, a reaction against bourgeois values and the horrors of World War I. In the years leading up to World War II and the closure of Czechoslovak theatres, Werich, Voskovec and Ježek ...
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Socialist Realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is characterized by the depiction of communist values, such as the emancipation of the proletariat. Despite its name, the figures in the style are very often highly idealized, especially in sculpture, where it often leans heavily on the conventions of classical sculpture. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern, or other forms of "realism" in the visual arts. Socialist realism was made with an extremely literal and obvious meaning, usually showing an idealized USSR. Socialist realism was usually devoid of complex artistic meaning or interpretation. Socialist realism was the predominant form of approved art in the Soviet Union from its development in t ...
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