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Oldmasters Museum
The Oldmasters Museum (french: Musée Oldmasters, nl, Oldmasters Museum) is an art museum in Brussels, Belgium, dedicated to European painters from the 15th to the 18th centuries. It is one of the constituent museums of the Royal Museums of Fine Arts of Belgium. The museum was founded in 1801 by Napoleon. It was originally named the Musée royal d'art ancien ("Royal Museum of Ancient Art"). Collection The museum's collection includes works by several Early Netherlandish painters, including Robert Campin, Rogier van der Weyden, Petrus Christus, Dirk Bouts, Hans Memling, Hieronymus Bosch, Gerard David, and Lucas Cranach the Elder. Other painters represented in the collection include Pieter Bruegel the Elder, Joos de Momper, Frans Snyders, Philippe de Champaigne, Peter Paul Rubens, Simon Vouet, Jusepe de Ribera, Jacques Jordaens, Anthony van Dyck, and Giovanni Battista Tiepolo. File:Volets du triptyque de Zierikzee.JPG, ''Philip the Fair and Joan the Mad in the gardens of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Museums Of Fine Arts Of Belgium
The Royal Museums of Fine Arts of Belgium (french: Musées royaux des Beaux-Arts de Belgique, nl, Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum. The Royal Museums contains over 20,000 drawings, sculptures, and paintings, covering a period extending from the early 15th century to the present, such as those of Flemish old masters like Bruegel, Rogier van der Weyden, Robert Campin, Anthony van Dyck, Jacob Jordaens, and Peter Paul Rubens, making it the most popular art institution and most visited museum complex in Belgium. The Magritte Museum houses the world's largest collection of the works of the surrealist René Magritte. History Early history The museum was founded in 1801 by Napoleon and opened in 1803 as the Museum of Fine Arts of Bruss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and dipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egide Charles Gustave Wappers
Egide Charles Gustave, Baron Wappers (23 August 18036 December 1874) was a Belgian painter. His work is generally considered to be Flemish and he signed his work with the Dutch form of his name, Gustaaf Wappers.Note: The painter is known by one or by several forenames, in English mainly in their French language versions: ''Gustave'' or less frequently in full ''Egide Charles Gustave'' – though born in the Flemish city of Antwerp as ''Egidius Karel Gustaaf Wappers'', and internationally also known as such though more often a''Gustaaf Wappers'' Biography He studied at the Royal Academy of Fine Arts in Antwerp, and during 1826 in Paris. The Romantic movement with its new ideas about art and politics was astir in France. Wappers was the first Belgian artist to take advantage of this state of affairs, and his first exhibited painting, "The Devotion of the Burgomaster of Leiden," appeared at the appropriate moment and had great success in the in 1830, the year of the Belgian Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgian Revolution
The Belgian Revolution (, ) was the conflict which led to the secession of the southern provinces (mainly the former Southern Netherlands) from the United Kingdom of the Netherlands and the establishment of an independent Kingdom of Belgium. The people of the south were mainly Flemings and Walloons. Both peoples were traditionally Roman Catholic as contrasted with Protestant-dominated ( Dutch Reformed) people of the north. Many outspoken liberals regarded King William I's rule as despotic. There were high levels of unemployment and industrial unrest among the working classes. On 25 August 1830, riots erupted in Brussels and shops were looted. Theatregoers who had just watched the nationalistic opera '' La muette de Portici'' joined the mob. Uprisings followed elsewhere in the country. Factories were occupied and machinery destroyed. Order was restored briefly after William committed troops to the Southern Provinces but rioting continued and leadership was taken up by radicals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Marat
''The Death of Marat'' (french: La Mort de Marat or ''Marat Assassiné'') is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, David painted it when he was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his murder by Charlotte Corday on 13 July 1793. Art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it". The painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre. The assassination of Marat Jean-Paul Marat (24 May 1743 – 13 July 1793) was one of the leaders of the Monta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Census At Bethlehem
''The Census at Bethlehem'' (also known as ''The Numbering at Bethlehem'') is an oil-on-panel by the Flemish Renaissance artist Pieter Bruegel the Elder, painted in 1566. It is signed and measures about 1155 × 1645 mm. It is currently held and exhibited at the Royal Museums of Fine Arts of Belgium in Brussels, which acquired it in 1902. It is one of the first paintings in Western art to feature a significant snow landscape and was painted in the aftermath of the winter of 1565, which was one of the harshest winters on record. Description The painting shows Bethlehem as a Flemish village in winter at sundown. A group of people is gathered at a building on the left, having their details taken down by a scribe. A sign bearing the Habsburg double-headed eagle is visible on the building. Other people are making their way to the same building, including the figures of Joseph and the pregnant Virgin Mary on a donkey. A pig is being slaughtered, though of course such an eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of Affligem
The Master of Affligem or Master of the Joseph Sequence (working c. 1470–1500) was an accomplished painter of the South Netherlandish school, apparently working in Brussels, whose name is not known, but whose hand can be detected in a number of surviving paintings on panel. The pseudonym ''Master of the Joseph Sequence'' was given him as a name of convenience in 1923 by Walter Friedländer, who identified a series of tondi illustrating the Legend of St Joseph, which had become scattered among several museums, as all coming from the same painter. Subsequently Friedländer attributed to the same workshop eight further panels with scenes from two other sequences, the Life of Christ and the Life of the Virgin (c. 1493–1508; Brussels, Musée d'Art Ancien) These came from the abbey of Affligem in Brabant, providing the alternate name for the artist. The portraits of Philip the Handsome and Joanna the Mad on the wings of the ''Last Judgement'' triptych from Zierikzee (c. 1500, Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joanna Of Castile
Joanna (6 November 1479 – 12 April 1555), historically known as Joanna the Mad ( es, link=no, Juana la Loca), was the nominal Queen of Castile from 1504 and Queen of Aragon from 1516 to her death in 1555. She was married by arrangement to Philip the Handsome, Archduke of Austria, of the House of Habsburg, on 20 October 1496.Bethany Aram, ''Juana the Mad: Sovereignty and Dynasty in Renaissance Europe'' (Baltimore, Johns Hopkins UP, 2005), p. 37 Following the deaths of her brother, John, Prince of Asturias, in 1497, her elder sister Isabella in 1498, and her nephew Miguel in 1500, Joanna became the heir presumptive to the crowns of Castile and Aragon. When her mother, Queen Isabella I of Castile, died in 1504, Joanna became Queen of Castile. Her father, King Ferdinand II of Aragon, proclaimed himself Governor and Administrator of Castile.Bergenroth, G A, Introduction. Letters, Despatches, and State Papers to the Negotiations between England and Spain. Suppl. to vols 1 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip I Of Castile
Philip the Handsome, es, Felipe, french: Philippe, nl, Filips (22 July 1478 – 25 September 1506), also called the Fair, was ruler of the Burgundian Netherlands and titular Duke of Burgundy from 1482 to 1506, as well as the first Habsburg King of Castile (as Philip I) for a brief time in 1506. The son of Maximilian I, Holy Roman Emperor and Mary of Burgundy, Philip was less than four years old when his mother died, and upon her death, he inherited the Burgundian Netherlands. Despite his young age, Philip quickly proved himself an effective ruler beloved by his people in the Low Countries, pursuing policies that favoured peace and economic development, while maintaining a steady course of government building. In 1496, Philip's father arranged for him to marry Joanna, the second daughter of Queen Isabella I of Castile and King Ferdinand II of Aragon. Around the same time, Philip's sister, Margaret, was given in marriage to Joanna's brother John, Prince of Asturias. After th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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