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Okumura Masanobu
Okumura Masanobu ( ja, 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). Life and career While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when it was Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoki2
Shoki or Shōki may refer to: * the Japanese pronunciation of Zhong Kui, a figure in Chinese mythology, traditionally regarded as a vanquisher of ghosts and evil beings * Nakajima Ki-44 Shōki, a single-engine fighter aircraft used by the Imperial Japanese Army Air Force in World War II * Nihon Shoki, sometimes translated as The Chronicles of Japan, the second oldest book of classical Japanese history * Kamen Rider Shōki, a fictional character from ''Kamen Rider Hibiki'' People with the given name * Shoki Coe, Taiwanese-British theologian *, Japanese footballer *, Japanese former professional baseball *Shoki Mokgapa (1984–2018), South African actress *, Japanese footballer *, Japanese footballer *Shoki Sebotsane Shoki Mmola (born August 10, 1977) is a South African actress. She is known for her acting role of Celia Kunutu the mother and stepmother of Rachel Kunutu and Nimrod Kunutu respectively in the soap, ''Skeem Saam. Personal life Shoki was born i ... (born 1977), S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless ''kami'' (Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the ''Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese deities from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
born then was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. He is quoted as saying, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickly became we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku
is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a ''kireji'', or "cutting word", 17 '' on'' (phonetic units similar to syllables) in a 5, 7, 5 pattern, and a ''kigo'', or seasonal reference. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese poem called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pillar Prints
Hashira-e (柱絵) or Pillar prints are Japanese woodblock prints usually measuring about 13cm x 73cm (4.5 in. by 28 in.). They were originally intended to be hung upon, or pasted onto, wooden pillars inside Japanese houses. They probably served as cheap alternatives to hanging scrolls (kakemono) which were typically made of silk. Okumura Masanobu (1686–1764) is credited with popularizing this format of print. They were popular during the second half of the eighteenth century. Surviving examples are rare, and often faded, worn, or stained from exposure to soot and smoke. Ukiyo-e artist Koryūsai (1735–1790) designed many hashira-e depicting a wide variety of subjects, particularly gods and beautiful women (bijin-ga). The popularity of hashira format prints began to wane around 1800 and they were superseded by replaced by vertical diptychs of the larger ''Oban tate-e'' format – ''tate,'' meaning 'portrait', ''e'' meaning 'picture') the most frequent size for Japanese woodbl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uki-e
refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid-nineteenth century.Hockley, p. 79 Around 1739, Okumura Masanobu studied European engravings to learn the rules of perspective. His engravings found their way to Japan either through Dejima or China. Masanobu was the first to apply the term Uki-e to perspective images, and Utagawa Toyoharu fully developed the form in the late 1750s when he produced colored woodblock copies of engravings after Canaletto and Guardi. Toyoharu was also the first to adapt these techniques to Japanese subjects. The interior of Kabuki theaters was a common subject in Uki-e prints. Interior scenes tend to be favored as it is easier to accurately apply one point perspective to architecture than to landscape. See also *Ranga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tan-e
This is a list of terms frequently encountered in the description of -style Japanese woodblock prints and paintings. For a list of print sizes, see below. * ; "blue picture" * ; "red picture" * ; "examined" character found in many censor seals * ; a tool used to rub the back of a sheet of paper to pick up ink from the block * ; primitive ukiyo-e style prints, usually printed in pink * ; primitive ukiyo-e style prints, usually printed in pink and green * ; pictures of beautiful women * ; technique of applying a gradation of ink to a moistened block to vary lightness and darkness (value) of a single colour * Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals * ; a print size about * ; a print size about * ; dating from 1603 to 1868, the period when Japanese society was under the rule of the Tokugawa shogunate * ; "picture book" * ; colouring with a paintbrush * ; powdered minerals or metals sprinkled onto a prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of Japanese woodblock art print. Most European uses of the technique for printing images on paper are covered by the art term woodcut, except for the bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of ''Toxicodendron vernicifluum'' or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look. Asian lacquer is sometimes painted with pictures, inlaid with shell and other materials, or carved, as well as dusted with gold and given other further decorative treatments. In modern techniques, lacquer means a range of clear or pigmented coatings that dry by solvent evaporation to produce a hard, durable finish. The finish can be of any sheen level from ultra matte to high gloss, and it can be further polished as required. Lacquer finishes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urushi-e
''Urushi-e'' (漆絵 "lacquer picture[s]") refers to three different techniques in Japanese art. Though urushi-e is most associated with woodblock, the term urushi-e is not exclusive to that medium. It can also refer to pictures using lacquer as a paint on three-dimensional lacquered objects; and paintings using actual lacquer on paper or occasionally silk. Technique In Japanese woodblock printing, urushi-e generally refers to a hand-painted technique. Instead of printing with Toxicodendron vernicifluum, ''urushi'' (natural lacquer) it was painted on by hand. This meant that urushi-e pictures could be more colorful than most block prints of the time. Five colors were available when the technique was first developed; brown, yellow, green, red, and black. Urushi-e was sometimes used as a term to describe all hand-painted woodblock prints in Japan, not only those painted with lacquer, however, only urushi-e used ''iro-urushi'', meaning colored lacquer, made from mixing clear lacqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosoban
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
