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Oh, Whistle And I'll Come To You, My Lad
"Oh, whistle and I'll come to you, my lad" is the title and refrain of a poem and song by Robert Burns, first written in 1787, and then expanded in 1793. Development The air called "Oh, whistle and I'll come to you, my lad" was composed around the middle of the eighteenth century by John Bruce, a famous fiddler of Dumfries. John O'Keeffe added it to his pasticcio opera ''The Poor Soldier'' (1783) for the song "Since love is the plan, I'll love if I can". Robert Burns wrote two sets of words to the tune, using the existing title as the first line for both versions. The first was written for James Johnson's ''Scots Musical Museum'' (volume 2, 1788), and consists of only two verses. The second version was written for George Thomson's '' A Select Collection of Original Scottish Airs for the Voice'' (1793), and consists of a chorus and three verses. Text First version (1787) O, whistle, and I'll come to you, my lad, O, whistle, and I'll come to you, my lad, Tho' father a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Burns
Robert Burns (25 January 175921 July 1796), also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (music)
An air ( it, aria; also ''ayr'', ''ayre'' in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French ''air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include " Come again", "Flow, my tears", " I saw my Lady weepe", and " In darkness let me dwell". The gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighteenth Century
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumfries
Dumfries ( ; sco, Dumfries; from gd, Dùn Phris ) is a market town and former royal burgh within the Dumfries and Galloway council area of Scotland. It is located near the mouth of the River Nith into the Solway Firth about by road from the Anglo-Scottish border and just away from Cumbria by air. Dumfries is the county town of the historic county of Dumfriesshire. Before becoming King of Scots, Robert the Bruce killed his rival the Red Comyn at Greyfriars Kirk in the town on 10 February 1306. The Young Pretender had his headquarters here during a 3-day sojourn in Dumfries towards the end of 1745. During the Second World War, the bulk of the Norwegian Army during their years in exile in Britain consisted of a brigade in Dumfries. Dumfries is nicknamed ''Queen of the South''. This is also the name of the town's professional football club. People from Dumfries are known colloquially in Scots language as ''Doonhamers''. Toponymy There are a number of theories on the etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John O'Keeffe (writer)
John O'Keeffe (24 June 1747 – 4 February 1833) was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are '' Tony Lumpkin in Town'' (1778), ''Love in a Camp'' (1786), and ''Omai'' (1785), an account of the voyages of the Tahitian explorer Omai, and '' Wild Oats'' (1791). Early life O'Keeffe was born in Abbey Street, Dublin in 1747 to Roman Catholic parents and was educated by the Jesuits. His father was from King's County and his mother (née O'Connor) from County Wexford. After showing a talent for drawing he studied art at an academy in Dublin, but grew increasingly more interested in the theatre. After a two-year period in London, where he became an admirer of David Garrick, he settled on a career as an actor and playwright. O'Keeffe wrote his first play ''The She Gallant'' when he was twenty, and it was performed in Dublin at the Smock Alley Theatre. In Cork, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Poor Soldier
''The Poor Soldier'' is a 1783 British pasticcio opera with music by William Shield and a text by John O'Keeffe. It was a comedy set around Irish soldiers returning home after fighting in the British army in the American War of Independence, which formally ended that year with the Peace of Paris. One of the redcoats must fight for the love of Norah with the urbane Captain Fitzroy. The events are set entirely in a small Irish village called Carton, a few miles from Dublin, although several versions refer to it only as "a country village". ''The Poor Soldier'' was an altered version, as an afterpiece, of the earlier '' The Shamrock, or The Anniversary of St Patrick'', first performed as a comic opera on 16 April 1777 at Crow Street Theatre, Dublin, followed by a London performance on 7 April 1783 at Covent Garden. The first performance of ''The Poor Soldier'' took place on 4 November 1783 at Covent Garden. The work enjoyed widespread popularity in the newly independent United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Johnson (engraver)
James Johnson (1753? – 26 February 1811) was a Scottish engraver, publisher and music seller known for his connection with the songbook ''The Scots Musical Museum'' and the poet Robert Burns. Life Johnson was born in the Ettrick Valley, the third of four children to Bessie Bleck and James Johnstan, a herdsman. He may have been trained to become an engraver under James Reed of Edinburgh. He was a prolific engraver of music and made the plates for over half the music printed in Scotland from 1772 to 1790. His early engravings were done on copper and included ''Six Canzones for Two Voices'' (1772), ''A Collection of Favourite Scots Tunes … by the Late Mr Chs McLean and other Eminent Masters'' (c1772) and ''Twenty Minuets'' (1773) by Daniel Dow. In 1786 he became burgess of Edinburgh. On 2 July 1791 he married Charlotte Grant, daughter of the writer Lauchlan Grant. They had a son, James, baptised on 13 September 1792, who appears not to have survived to his majority. He opened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scots Musical Museum
The ''Scots Musical Museum'' was an influential collection of traditional folk music of Scotland published from 1787 to 1803. While it was not the first collection of Scottish folk songs and music, the six volumes with 100 songs in each collected many pieces, introduced new songs, and brought many of them into the classical music repertoire. The project started with James Johnson, a struggling music engraver / music seller, with a love of old Scots songs and a determination to preserve them. In the winter of 1786 he met Robert Burns who was visiting Edinburgh for the first time, and found that Burns shared this interest and would become an enthusiastic contributor. The first volume was published in 1787 and included three songs by Burns. He contributed 40 songs to volume 2, and would end up responsible for about a third of the 600 songs in the whole collection as well as making a considerable editorial contribution. The final volume was published in 1803 and contained the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Thomson (musician)
George Thomson (1757–1851), born at Limekilns, Fife, Scotland, was a noted collector of the music of Scotland, a music publisher, and a friend of Robert Burns. He was clerk to the board of trustees in Edinburgh for 60 years. His '' A Select Collection of Original Scottish Airs for the Voice'' came out in six volumes between 1793 and 1841, and included contributions from Burns, Walter Scott and Thomas Campbell. Thomson published folksong arrangements by Joseph Haydn, Ludwig van Beethoven, Ignaz Pleyel, Leopold Kozeluch, Johann Nepomuk Hummel,J. Sachs. (1970). Hummel and George Thomson of Edinburgh. ''The Musical Quarterly'', 56(2): 270–287. Carl Maria von Weber, Henry Rowley Bishop, and Robert Archibald Smith. Early life His father was the schoolmaster at Limekilns, Dunfermline, and he had some legal training. In 1780 he gained a clerical appointment with the '' Board of Trustees for the Encouragement of Art and Manufactures in Scotland'' on the recommendation of John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Select Collection Of Original Scottish Airs For The Voice
''A Select Collection of Original Scottish Airs for the Voice'' is a multi-volume collection of Scottish song edited and published by the entrepreneurial musician, publisher and Clerk to the Board of Trustees for Encouragement of Art and Manufacture in Scotland, George Thomson. For the first volume, which appeared in 1793, Thomson commissioned the composer Ignaz Pleyel to provide musical settings. He subsequently expanded his scheme throughout his life in further volumes and editions. Contents Between 1792 and his death in 1796, the poet Robert Burns contributed (for little or no remuneration) over 100 songs to the work, including hallmark productions such as ' My Luve is like a Red Red Rose' and ' Is There for Honest Poverty'. Other 'librettists' in the original first volume include Allan Ramsay, Peter Pindar, Andrew Erskine, Earl Kellie, Richard Brinsley Sheridan, as well as traditional song. The first 'set' of the first volume of ''Original Scottish Airs'' begins with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Oh, Whistle, And I'll Come To You, My Lad'
"Oh, Whistle, and I'll Come to You, My Lad" is a ghost story by British writer M. R. James, included in his collection ''Ghost Stories of an Antiquary'' (1904). The story is named after a 1793 poem of the same name penned by Robert Burns. Plot Parkins, the protagonist, is a young "Professor of Ontography" at Cambridge University, who when the story opens is about to embark on a golfing holiday at the town of Burnstow (a fictionalized version of Felixstowe, Suffolk), on the east coast of England. He has secured a room at The Globe Inn for the duration of his stay, though he is somewhat uncomfortable that the room will contain a second bed. At dinner in his College, an archaeological colleague asks him to investigate the grounds of a ruined Templar preceptory near the Globe, with a view to its suitability for a dig. On his first day at Burnstow, after a round of Golf with Colonel Wilson, another guest at the Globe, Parkins proceeds to find and examine the site of the preceptory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
