Oengus I Of The Picts
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Oengus I Of The Picts
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love,Ó hÓgáin, Dáithí. ''Myth, Legend & Romance: An encyclopedia of the Irish folk tradition''. Prentice-Hall Press, 1991. pp.38–40 summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. He plays a central role in five Irish myths. Name In Old Irish his name is ''Óengus'' or ''Oíngus'' , a name attested in Adomnán's ''Life of St Columba'' as ''Oinogus(s)ius''. This is believed to come from a Proto-Celtic name meaning "true vigour". The medieval ''Dindsenchas'' derives it from "one desire", explaining that Boann gave him the name because her union with the Dagda had been her only desire. In Middle Irish this became ''Áengus'', and in Modern Irish ''Aonghus'' , . He is also known as ''Óengus ...
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Beatrice Elvery
Beatrice Moss Elvery, RHA (1883, Dublin – 1970, Rockall, Sandycove) was a painter, Irish stained-glass artist and sculptor. Early life Beatrice Moss Elvery was born in 1883, the second daughter of the Dublin businessman, William Elvery, whose family had originated from Spain where they were silk merchants. Her family owned the original Elverys Sports store in Wicklow Street, Dublin. Beatrice's mother, Theresa Moss, had attended the Dublin Metropolitan School of Art along with her sister, Annie Moss. Following in their mother's footsteps, Beatrice and her sister, Dorothy Elvery attended the Dublin Metropolitan School of Art (now the National College of Art and Design) where William Orpen (1878–1931) taught painting and later used Beatrice as a model. Of his pupil, Orpen wrote that she had "many gifts, much temperament and great ability. Her only fault was that the transmission of her thoughts from her brain to paper or canvas, clay or stained glass became so easy to ...
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