Oasis Of Fear
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Oasis Of Fear
''Oasis of Fear'' ( it, Un posto ideale per uccidere, lit=An Ideal Place to Kill) is an Italian ''giallo'' film directed by Umberto Lenzi and starring Irene Papas, Ornella Muti and Ray Lovelock. It was produced by Carlo Ponti. The film was released in the United States in 1974, and is available on video as both ''Oasis of Fear'' and ''Dirty Pictures''. Synopsis Two pornography-peddling hippies from Italy (Richard and Ingrid) run out of material to sell, so they start taking "dirty pictures" of each other to add to their stock of smut. While on the run from the authorities in Sweden, the pair get invited to the home of a middle-aged woman named Barbara, the wife of a NATO colonel. She involves them first in sexual games, then later in a convoluted murder plot. It seems Barbara has murdered her husband and hidden the body in the trunk of her car, and she gets the idea to frame the two hippies for the crime. Cast Production The film was developed under the title ''Stress''. ...
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Umberto Lenzi
Umberto Lenzi (6 August 1931 – 19 October 2017) was an Italian film director, screenwriter, and novelist. A fan of film since young age, Lenzi studied at the Centro Sperimentale di Cinematografia and made his first film in 1958 which went unreleased, while his official debut happened in 1961 with ''Queen of the Seas''. Lenzi's films of the 1960s followed popular trends of the era, which led to him directing several spy and erotic thriller films. He followed in suit in the 1970s making ''giallo'' films, crime films and making the first Italian cannibal film with ''Man from the Deep River''. He continued making films up until the 1990s and later worked as a novelist writing a series of murder mysteries. Biography Early life Umberto Lenzi was born on 6 August 1931 in the Massa Marittima province of Italy. Lenzi was a film enthusiast as early as grade school. While studying law, Lenzi also created film fan clubs. Lenzi eventually put off studying law and began pursuing the technic ...
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Franco Ressel
Franco Ressel (8 February 1925 – 30 April 1985) was an Italian film actor. He appeared in more than 120 films between 1961 and 1985. He was born in Naples, Italy and died in Rome, Italy. Selected filmography * ''La cento chilometri'' (1959) - The Gay Race Walker (uncredited) * '' The Assassin'' (1961) - Dottore Francesconi * '' Rome 1585'' (1961) - Grillo * '' Maciste alla corte del Gran Khan'' (1961) - Captain of the Khan's Guards * ''The Wonders of Aladdin'' (1961) - Vizier's Lieutenant * ''Erik the Conqueror'' (1961) - King Lotar * ''Caccia all'uomo'' (1961) - Capo Cameriere (uncredited) * '' His Women'' (1961) - René * '' Marco Polo'' (1962) * ''Damon and Pythias'' (1962) * ''Lo smemorato di Collegno'' (1962) - Agente Pubblicitario * ''The Four Monks'' (1962) - Il Barone Cimino * '' The Girl Who Knew Too Much'' (1963) - Arresting Officer at Airport (uncredited) * ''The Monk of Monza'' (1963) - Ufficiale del balzello * ''Toto and Cleopatra'' (1963) - (uncredited) * ''S ...
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Giallo Films
In Italian cinema, ''Giallo'' (; plural ''gialli'', from ''giallo'', Italian for yellow) is a genre of mystery fiction and thrillers that often contains slasher, crime fiction, psychological thriller, psychological horror, sexploitation, and, less frequently, supernatural horror elements. This particular style of Italian-produced murder mystery horror-thriller film usually blends the atmosphere and suspense of thriller fiction with elements of horror fiction (such as slasher violence) and eroticism (similar to the French ''fantastique'' genre), and often involves a mysterious killer whose identity is not revealed until the final act of the film. The genre developed in the mid-to-late 1960s, peaked in popularity during the 1970s, and subsequently declined in commercial mainstream filmmaking over the next few decades, though examples continue to be produced. It was a predecessor to, and had significant influence on, the later American slasher film genre. Literature In the I ...
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1970s Crime Thriller Films
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an ...
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1971 Films
The year 1971 in film involved some significant events. Highest-grossing films (U.S.) The top ten 1971 released films by box office gross in North America are as follows: Events *February 8 - Bob Dylan's hour-long documentary film, ''Eat the Document'', premieres at New York's Academy of Music. The film includes footage from Dylan's 1966 UK tour. *April 23 - Melvin Van Peebles film ''Sweet Sweetback's Baadasssss Song'' becomes the highest-grossing independent film of 1971. *May - The first permanent IMAX projection system begins showing at Ontario Place's "Cinesphere" in Toronto. *May 10 - Frank Yablans becomes President of Paramount Pictures. *Britain's National Film School begins operation at Beaconsfield Film Studios. Awards Palme d'Or (Cannes Film Festival): :''The Go-Between'', directed by Joseph Losey, United Kingdom Golden Bear (Berlin Film Festival): :''The Garden of the Finzi-Continis'' (''Il Giardino dei Finzi-Contini''), directed by Vittorio De Sica, Italy ...
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List Of Italian Films Of 1971
A list of films produced in Italy in 1971 (see 1971 in film): References Footnotes Sources * * * * * External linksItalian films of 1971at the Internet Movie Database {{DEFAULTSORT:Italian Films Of 1971 1971 Films A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ... Lists of 1971 films by country or language ...
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Italian Lira
The lira (; plural lire) was the currency of Italy between 1861 and 2002. It was first introduced by the Napoleonic Kingdom of Italy in 1807 at par with the French franc, and was subsequently adopted by the different states that would eventually form the Kingdom of Italy in 1861. It was subdivided into 100 ''centesimi'' (singular: ''centesimo''), which means "hundredths" or "cents". The lira was also the currency of the Albanian Kingdom from 1941 to 1943. The term originates from ''libra'', the largest unit of the Carolingian monetary system used in Western Europe and elsewhere from the 8th to the 20th century. The Carolingian system is the origin of the French ''livre tournois'' (predecessor of the franc), the Italian lira, and the pound unit of sterling and related currencies. In 1999 the euro became Italy's unit of account and the lira became a national subunit of the euro at a rate of €1 = Lit. 1,936.27, before being replaced as cash in 2002. History Etymology ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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1960s Counterculture
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of Bo ...
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Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ...
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Anna Moffo
Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric- coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima". Winning a Fulbright to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo's earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles. In t ...
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Carrol Baker
Carroll Baker (born May 28, 1931) is an American former actress. After studying under Lee Strasberg at the Actors Studio, Baker began performing on Broadway in 1954. From there, she was recruited by director Elia Kazan to play the lead in the adaptation of two Tennessee Williams plays into the film ''Baby Doll'' in 1956. Her role in the film as a coquettish but sexually naïve Southern bride earned her a nomination for the Academy Award for Best Actress. Baker had other early film roles in ''Giant'' (1956) and the romantic comedy '' But Not for Me'' (1959). In 1961, she appeared in the controversial independent film '' Something Wild'', directed by her then husband Jack Garfein, playing a traumatized rape victim. She went on to star in several critically acclaimed Westerns in the 1950s and 1960s such as ''The Big Country'' (1958), '' How the West Was Won'' (1962), and ''Cheyenne Autumn'' (1964). In the mid-1960s, as a contract player for Paramount Pictures, Baker became a sex ...
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