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Oviri (Gauguin)
''Oviri'' ( Tahitian for savage or wild) is an 1894 ceramic sculpture by the French artist Paul Gauguin. In Tahitian mythology, Oviri was the goddess of mourning and is shown with long pale hair and wild eyes, smothering a wolf with her feet while clutching a cub in her arms. Art historians have presented multiple interpretations—usually that Gauguin intended it as an epithet to reinforce his self-image as a "civilised savage". Tahitian goddesses of her era had passed from folk memory by 1894, yet Gauguin romanticises the island's past as he reaches towards more ancient sources, including an Assyrian relief of a " master of animals" type, and Majapahit mummies. Other possible influences include preserved skulls from the Marquesas Islands, figures found at Borobudur, and a 9th-century Mahayana Buddhist temple in central Java. Gauguin made three casts, each in partially glazed stoneware, and while several copies exist in plaster or bronze, the original cast is in the Musée ...
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Paul Gauguin, 1894, Oviri (Sauvage), Partially Glazed Stoneware, 75 X 19 X 27 Cm, Musée D'Orsay, Paris
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity * Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals * Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people * Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, By ...
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Honoré De Balzac
Honoré de Balzac ( , more commonly , ; born Honoré Balzac;Jean-Louis Dega, La vie prodigieuse de Bernard-François Balssa, père d'Honoré de Balzac : Aux sources historiques de La Comédie humaine, Rodez, Subervie, 1998, 665 p. 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence ''La Comédie humaine'', which presents a panorama of post-Napoleonic French life, is generally viewed as his '' magnum opus''. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, ...
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Le Soir
''Le Soir'' (, "The Evening") is a French-language Belgian daily newspaper. Founded in 1887 by Emile Rossel, it was intended as a politically independent source of news. It is one of the most popular Francophone newspapers in Belgium, competing with ''La Libre Belgique'', and since 2005 has appeared in Berliner format. It is owned by Rossel & Cie, which also owns several Belgian news outlets and the French paper '' La Voix du Nord''. History and profile ''Le Soir'' was founded as a free advertising newspaper in 1887. Later it became a paying paper. When Belgium was occupied during the Second World War, ''Le Soir'' continued to be published under German censorship, unlike many Belgian newspapers which went underground. The paper, which became known as "Le Soir Volé" (or "Stolen Le Soir"), was parodied by the resistance group, the ''Front de l'Indépendance'' which in 1943 published a satirical pro-Allied edition of the paper, dubbed the "Faux Soir" (or "Fake Soir"), which wa ...
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Bengt Danielsson
Bengt Emmerik Danielsson (6 July 1921 – 4 July 1997) was a Swedish anthropologist, writer, and a crew member on the ''Kon-Tiki'' raft expedition from South America to French Polynesia in 1947. In 1991, he was awarded the Right Livelihood Award for "exposing the tragic results of and advocating an end to French nuclear colonialism." Biography Danielsson was born in Krokek, Sweden and was the son of chief physician Emmerik Danielsson (1875–1927) and Greta, née Källgren (1889–1990). His father died in a traffic accident when he was six years old, and after that Danielsson grew up in Norrköping with his mother and aunt, who both encouraged his adventuring ambitions. He obtained a Doctor of Licentiate from Uppsala University in 1954 and a Doctor of Philosophy in anthropology in 1955. Danielsson was intendant at the Bishop Museum in Honolulu, Hawaii from 1952 to 1966. Danielsson was Swedish consul in French Polynesia from 1961 to 1978 and extra museum director of Sweden's Nati ...
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Société Nationale Des Beaux-Arts
Société Nationale des Beaux-Arts (SNBA; ; en, National Society of Fine Arts) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions. 1862 Established in 1862 by the painter and gallery owner Louis Martinet and the writer Théophile Gautier, the Société Nationale des Beaux-Arts was first chaired by Gautier, with the painter Aimé Millet as deputy chairman. The committee was composed of the painters Eugène Delacroix, Carrier-Belleuse, and Puvis de Chavannes, and among the exhibitors were Léon Bonnat, Jean-Baptiste Carpeaux, Charles-François Daubigny, Gustave Doré, and Édouard Manet. In 1864, just after the death of Delacroix, the society organized a retrospective exhibition of 248 paintings and lithographs of this famous painter and step-uncle of the emperor – and ceased to mount further exhibitions. The 19th century in French art is characterised by a continuous str ...
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Guava
Guava () is a common tropical fruit cultivated in many tropical and subtropical regions. The common guava ''Psidium guajava'' (lemon guava, apple guava) is a small tree in the myrtle family ( Myrtaceae), native to Mexico, Central America, the Caribbean and northern South America. The name guava is also given to some other species in the genus ''Psidium'' such as strawberry guava (''Psidium cattleyanum'') and to the pineapple guava, '' Feijoa sellowiana''. In 2019, 55 million tonnes of guavas were produced worldwide, led by India with 45% of the total. Botanically, guavas are berries. Types The most frequently eaten species, and the one often simply referred to as "the guava", is the apple guava ('' Psidium guayava''). Guavas are typical Myrtoideae, with tough dark heavy leaves that are opposite, simple, elliptic to ovate, and long. The flowers are white, with five petals and numerous stamens. The fruits are many-seeded berries. Etymology The term ''guava'' appears ...
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Wood Carving
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery. The making of sculpture in wood has been extremely widely practised, but doesn't survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and ...
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Agostini - Tahiti, Plate Page 0080
Agostini is an Italian surname. Notable people with the surname include: * Angelo Agostini Mazzinghi, Blessed (1385-1438), Italian Roman Catholic priest and a professed member of the Carmelite order * Agostino Agostini (died 1569), Italian singer, composer and priest of Ferrara mostly active in the 1540s * Paolo Agostini (1583-1629), Italian composer and organist of the early Baroque era * Lodovico Agostini (1534–1590), Italian composer * Leonardo Agostini (1593–1669), Italian antiquary *Stefano Agostini (cardinal) (1614–1683), Italian Roman Catholic cardinal *Domenico Agostini (1825—1891), Italian Roman Catholic Cardinal and Patriarch of Venice * Zefirino Agostini, Blessed (1813-1896), Italian Roman Catholic priest * Angelo Agostini (1843–1910), Italian-Brazilian journalist and cartoonist * Angela Agostini (1880-?), Italian botanist and mycologist *Carlo Agostini (1888–1952), Italian Roman Catholic Patriarch of Venice * Agostini Lanfranchi (1892-1963), Italian bobsled ...
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Rue De Vaugirard
The Rue de Vaugirard (Street of Vaugirard) is the longest street inside Paris's former city walls, at . It spans the 6th arrondissement of Paris, 6th and 15th arrondissement of Paris, 15th arrondissements. The Senate (France), Senate, housed in the Luxembourg Palace, Palais du Luxembourg, is at 15 Rue de Vaugirard. Location The Rue de Vaugirard is mostly a one-way street from the southwest edge of Paris (at the Porte de Versailles) towards the Latin Quarter, Paris, Latin Quarter at the junction of Boulevard Victor and Boulevard Lefebvre. Traffic flows in both directions between the Rue de Rennes and the Place de l'Odéon. Numbering starts in the Latin Quarter, reaching the 400s by Porte de Versailles. It the longest street in Paris. History The road, which appeared in the 15th century, led from Philip II of France, Philip II's city walls towards the village of Vaugirard. This route was itself based on an old Roman roads, Roman road. Origin of the name "Vaugirard" came from an old ...
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Félix Bracquemond
Félix Henri Bracquemond (22 May 1833 – 29 October 1914) was a French painter, etcher, and printmaker. He played a key role in the revival of printmaking, encouraging artists such as Édouard Manet, Edgar Degas and Camille Pissarro to use this technique. Unusually for a prominent artist of this period, he also designed pottery for a number of French factories, in an innovative style that marks the beginning of Japonisme in France. He was the husband of the Impressionist painter Marie Bracquemond. Biography Early life Félix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Joseph Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted Théophile Gautier's attention at the Salon. Engraver His work in painting is rather limited. It includes mostly portraits (including that of Dr. Horace Montegre, and of Paul Meurice). Painting interested him less than e ...
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Ernest Chaplet
Ernest Chaplet (1835 in Sèvres – 1909 in Choisy-le-Roi) was a French designer, sculptor and ceramist. He was a key figure in the French art pottery movement, and his works are held in international public collections such as the Musée d'Orsay, Paris. Having worked in industry for over 30 years, he opened an atelier with the sculptor Albert-Louis Dammouse in 1882, producing stoneware often influenced by Japanese designs and Chinese prototypes. From 1875 he worked with Félix Bracquemond.Ernest Chaplet
. . Retrieved 10 October 2015
Chaplet became head of the Parisian workshops of
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Les Demoiselles D'Avignon
''Les Demoiselles d'Avignon'' (''The Young Ladies of Avignon'', originally titled ''The Brothel of Avignon'') is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. The work, part of the permanent collection of the Museum of Modern Art, portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. Each figure is depicted in a disconcerting confrontational manner and none is conventionally feminine. The women appear slightly menacing and are rendered with angular and disjointed body shapes. The figure on the left exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are shown in the Iberian style of Picasso's native Spain, while the two on the right are shown with African mask-like features. The ethnic primitivism evoked in these masks, according to Picasso, moved him to "liberate an utterly original artistic style of compelling, even savage force." In this adaptation of pr ...
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