Outline Of The Beatles
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Outline Of The Beatles
The following outline is provided as an overview of and topical guide to the Wikipedia articles available about the Beatles from their formation through their breakup; it does not include information about members' solo careers. Overview main articles * The Beatles ** George Harrison ** John Lennon ** Paul McCartney ** Ringo Starr * George Martin History * The Beatles timeline * The Beatles in Bangor * Break-up of the Beatles * The Beatles in Hamburg * The Beatles' North American releases * The Beatles at the Cavern Club * The Beatles' Decca audition * The Beatles in India * Lennon–McCartney * More popular than Jesus * Paul is dead * Religious views of the Beatles * Recording practices of the Beatles Background * British Invasion * The Quarrymen Performances * The Beatles' rooftop concert * The Beatles on The Ed Sullivan Show * The Beatles at Shea Stadium Production, management, distribution * Geoff Emerick * Brian Epstein * Terry Doran * Mal Evans * Derek Tay ...
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Outline (list)
An outline, also called a hierarchical outline, is a list arranged to show hierarchical relationships and is a type of tree structure. An outline is used to present the main points (in sentences) or topics (terms) of a given subject. Each item in an outline may be divided into additional sub-items. If an organizational level in an outline is to be sub-divided, it shall have at least two subcategories, as advised by major style manuals in current use. An outline may be used as a drafting tool of a document, or as a summary of the content of a document or of the knowledge in an entire field. It is not to be confused with the general context of the term "outline", which a summary or overview of a subject, presented verbally or written in prose (for example, ''The Outline of History'' is not an outline of the type presented below). The outlines described in this article are lists, and come in several varieties. A sentence outline is a tool for composing a document, such as an essay, ...
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More Popular Than Jesus
"More popular than Jesus" is part of a remark made by John Lennon of the Beatles in a March 1966 interview in which he argued that the public were more infatuated with the band than with Jesus and that Christian faith was declining to the extent that it might be outlasted by rock music. His opinions drew no controversy when originally published in the London newspaper ''The Evening Standard'', but drew angry reactions from Christian communities when republished in the United States that July. Lennon's comments incited protests and threats, particularly throughout the Bible Belt in the Southern United States. Some radio stations stopped playing Beatles songs, records were publicly burned, press conferences were cancelled, and the Ku Klux Klan picketed concerts. The controversy coincided with the band's 1966 US tour and overshadowed press coverage of their newest album ''Revolver''. Lennon apologised at a series of press conferences and explained that he was not comparing himsel ...
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Derek Taylor
Derek Taylor (7 May 1932 – 8 September 1997) was an English journalist, writer, publicist and record producer. He is best known for his role as press officer to the Beatles, with whom he worked in 1964 and then from 1968 to 1970, and was one of several associates to earn the moniker " the Fifth Beatle". Before returning to London to head the publicity for the Beatles' Apple Corps organisation in 1968, he worked as the publicist for California-based bands such as the Byrds, the Beach Boys and the Mamas and the Papas. Taylor was known for his forward-thinking and extravagant promotional campaigns, exemplified in taglines such as "The Beatles Are Coming" and "Brian Wilson Is a Genius". He was equally dedicated to the 1967 Summer of Love ethos and helped stage that year's Monterey Pop Festival. Taylor started his career as a local journalist on the Wirral, now part of Merseyside, aged 17 working for the Hoylake and West Kirby Advertiser followed by the ''Liverpool Daily Post and ...
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Mal Evans
Malcolm Frederick Evans (27 May 1935 – 5 January 1976) was an English road manager and personal assistant employed by the Beatles from 1963 until their break-up in 1970. In the early 1960s, Evans was employed as a telephone engineer, and also worked part-time as a bouncer at the Cavern Club. The Beatles' manager, Brian Epstein, later hired Evans as the group's assistant roadie, in tandem with Neil Aspinall. Evans contributed to recordings, and appeared in some of the films the group made. After the Beatles stopped touring in 1966, Evans carried on assisting them until their break-up in 1970. From 1969, Evans also found work as a record producer (most notably with Badfinger's top 10 hit " No Matter What"). At age 40, Evans was shot and killed by police at his home in Los Angeles, when he threatened officers with what turned out to be an air rifle. Early life Malcolm Frederick Evans was born in Liverpool to Frederick and Joan Evans and grew up in Waldgrave Road, Wavertre ...
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Terry Doran
Terence James Doran (14 December 1939 – 18 April 2020) was an English luxury car dealer, pop music manager and music publishing executive, best known for his association with the Beatles. With Beatles manager Brian Epstein, he co-owned Brydor Cars in the 1960s, supplying sportscars to many figures in the Swinging London era, including the Beatles and members of the Rolling Stones and the Moody Blues. In 1967, he became the manager of Apple Publishing, the first appointment in the Beatles' Apple Corps business organisation. He also managed the Apple artists Grapefruit and Mary Hopkin. He was a personal assistant to John Lennon and then George Harrison. Throughout the 1970s, he worked as Harrison's estate manager at Friar Park in Oxfordshire and assisted in restoring the property. Doran first met the Beatles in Liverpool, through Epstein, and sold the band their first car, as well as the van in which they travelled to gigs around the North of England. He relocated to London in ...
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Brian Epstein
Brian Samuel Epstein (; 19 September 1934 – 27 August 1967) was a British music entrepreneur who managed the Beatles from 1962 until his death in 1967. Epstein was born into a family of successful retailers in Liverpool, who put him in charge of their music shop, where he displayed a gift for talent-spotting. He first met the Beatles in 1961 at a lunchtime concert at Liverpool's Cavern Club. Although he had no experience of artist management, Epstein put them under contract and insisted that they abandon their scruff-image in favour of a new clean-cut style. He also attempted to get the Beatles a recording contract, eventually securing a deal with EMI's Parlophone label. Within months, the Beatles were international stars. Some of Epstein's other young discoveries had also prospered under his management. They included Gerry and the Pacemakers, Billy J. Kramer and the Dakotas, Tommy Quickly, Cilla Black and The Big Three. In 1967, he died of a barbiturate overdos ...
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Geoff Emerick
Geoffrey Ernest Emerick (5 December 1945 – 2 October 2018) was an English sound engineer and record producer who worked with the Beatles on their albums '' Revolver'' (1966), '' Sgt. Pepper's Lonely Hearts Club Band'' (1967) and ''Abbey Road'' (1969). Beatles producer George Martin credited him with bringing "a new kind of mind to the recordings, always suggesting sonic ideas, different kinds of reverb, what we could do with the voices". Emerick also engineered the Zombies' ''Odessey and Oracle'' (1968), Paul McCartney and Wings' '' Band on the Run'' (1973) and produced Elvis Costello's ''Imperial Bedroom'' (1982), among many others. He won four Grammy Awards for his work in the music recording field. His 2006 memoir ''Here, There and Everywhere: My Life Recording the Music of the Beatles'' caused controversy for its factual errors. In 2018, Emerick died from a heart attack at the age of 72 in Los Angeles, California. Early career at EMI Geoff Emerick was brought up in Crou ...
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The Beatles At Shea Stadium
''The Beatles at Shea Stadium'' is a fifty-minute-long documentary of the Beatles' concert at Shea Stadium in New York City on 15 August 1965, the highlight of the group's 1965 tour. The documentary was directed and produced by Bob Precht (under the Sullivan Productions banner), NEMS Enterprises (which owns the 1965 copyright), and the Beatles company Subafilms. The project, placed under the direction of manager of production operations M. Clay Adams, was filmed by a large crew led by cinematographer Andrew Laszlo. Fourteen cameras were used to capture the euphoria and mass hysteria that was Beatlemania in America in 1965. The documentary first aired on BBC1 on 1 March 1966. In West Germany, it aired on 2 August that year. It aired in the United States on ABC on 10 January 1967. History The film captures not only the concert, the attendance of which was 55,600, the largest Beatles concert up to that time, but also the events leading up to the concert, including the Beatles' ...
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The Beatles On The Ed Sullivan Show
The Beatles made several appearances on ''The Ed Sullivan Show'', including three in February 1964 that were among their first appearances in front of an American audience. Their first appearance, on February 9, was seen by a then-record 73 million viewers and came to be regarded as a cultural watershed that launched American Beatlemania—as well as the wider British Invasion of American pop music—and inspired many young viewers to become rock musicians. The band also made another appearance during their 1965 U.S. tour. Background ''Ed Sullivan Show'' talent booker Jack Babb saw the Beatles twice in concert in the UK in 1963, after being invited by Peter Prichard, a London talent agent who was also friend of Beatles manager Brian Epstein. Babb was initially uninterested in booking the group for the show, as British musical acts at that time experienced little commercial success in the U.S. Then, on October 31, Ed Sullivan was at London's Heathrow Airport and saw a crowd of 1, ...
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The Beatles' Rooftop Concert
On 30 January 1969, the Beatles performed an impromptu concert from the rooftop of their Apple Corps headquarters at 3 Savile Row, in central London's office and fashion district. Joined by guest keyboardist Billy Preston, the band played a 42-minute set before the Metropolitan Police arrived and ordered them to reduce the volume. It was the final public performance of their career. Although the concert had been conceived only a few days previously, the Beatles had been planning to return to live performance since they began the recording sessions for their album ''Let It Be'' (1970). They performed nine takes of five new songs as crowds of onlookers, many on lunch breaks, congregated in the streets and on the rooftops of nearby buildings to listen. The concert ended with "Get Back", with John Lennon joking, "I'd like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition." The entire performance was filmed and recorded, and footage was ...
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The Quarrymen
The Quarrymen (also written as "the Quarry Men") are a British skiffle/rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several schoolfriends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs. Lennon founded a skiffle group that was briefly called the Blackjacks, but they changed the name before any public performances. Some accounts credit Lennon with choosing the new name; other accounts credit his close friend Pete Shotton with suggesting the name. The Quarrymen played at parties, school dances, cinemas and amateur skiffle contests before Paul McCartney joined in October 1957. George Harrison joined in early 1958 at McCartney's recommendation ...
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British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ...
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