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Outertimeinnerspace
''Outertimeinnerspace'' is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Montreux Jazz Festival in 1971 for the Impulse! label.Impulse! Records discography accessed April 14, 2011 Additional performances from this concert were released as '' Freeflight'' in 1971. Critical reception The review by Jason Ankeny awarded the album four stars, calling it "a challenging but deeply rewarding effort that captures the pianist at his most profoundly spiritual, exploring otherworldly dimensions of space a ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freeflight (album)
''Freeflight'' is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Montreux Jazz Festival in 1971 for the Impulse! label.Impulse! Records discography accessed April 14, 2011 Additional performances from this concert were released as '' Outertimeinnerspace'' in 1972. It was also the first album to have Jamal play electric piano. The Rhodes Piano was given to him by somebody living in Switzerland, and Jamal said he would continue to play the instrument in the future as well as his standard acoustic piano. Critical reception The |
Ahmad Jamal
Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader and educator. For six decades, he has been one of the most successful small-group leaders in jazz. Biography Early life Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he describes as greatly influencing him. His Pittsburgh roots have remained an important part of his identity ("Pittsburgh meant everything to me and it still does," he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamil Sulieman
Jamil Nasser (born George Joyner, June 21, 1932 – February 13, 2010) at and also credited on some of 's recordings as Jamil Sulieman, was an American musician. He played , , and |
Ahmad Jamal '73
''Ahmad Jamal '73'' is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1973 and released on the 20th Century label.Ahmad Jamal discography accessed May 24, 2012 Critical reception The review awarded the album 2 stars, stating: "''Ahmad Jamal '73'' is an early instance of him playing an instrument besides acoustic piano, but it is a few tracks away from being a necessity."Elias, JAllmusic Review accessed May 24, 2012 Track listing # " |
Frank Gant
Frank Gant (born May 26, 1931- July 19, 2021) was an american jazz drummer. Born in Detroit, Michigan, Gant recorded with Donald Byrd, Sonny Stitt, and extensively with Yusef Lateef in the late 1950s and then Red Garland before becoming a member of Ahmad Jamal's trio (1966-1976). His first gigs were with Billy Mitchell and Pepper Adams, and after working with Little John Wilson and his Merry Men at the Madison Ballroom, including four days backing Billie Holiday, he went on to join Alvin Jackson's house band at the Blue Bird. As the house drummer at Detroit's Club 12, with Jackson's band, he backed Thelonious Monk and Charlie Rouse in September 1959. In the 1970s, he accompanied Jamil Nasser and Harold Mabern as the rhythm section for workshops run by Cobi Narita. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Jamal Live Albums
Ahmad ( ar, أحمد, ʾAḥmad) is an Arabic male given name common in most parts of the Muslim world. Other spellings of the name include Ahmed and Ahmet. Etymology The word derives from the root (ḥ-m-d), from the Arabic (), from the verb (''ḥameda'', "to thank or to praise"), non-past participle (). Lexicology As an Arabic name, it has its origins in a Quranic prophecy attributed to Jesus in the Quran which most Islamic scholars concede is about Muhammad. It also shares the same roots as Mahmud, Muhammad and Hamed. In its transliteration, the name has one of the highest number of spelling variations in the world. Though Islamic scholars attribute the name Ahmed to Muhammed, the verse itself is about a Messenger named Ahmed, whilst Muhammed was a Messenger-Prophet. Some Islamic traditions view the name Ahmad as another given name of Muhammad at birth by his mother, considered by Muslims to be the more esoteric name of Muhammad and central to understanding his nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impulse! Records Live Albums
Impulse! Records (occasionally styled as "¡mpulse! Records" and "¡!") is an American jazz record company and label established by Creed Taylor in 1960. John Coltrane was among Impulse!'s earliest signings. Thanks to consistent sales and positive critiques of his recordings, the label came to be known as "the house that Trane built". History Impulse!'s parent company, ABC-Paramount Records, was established in 1955 as the recording division of the American Broadcasting Company (ABC). In the 1940s and 1950s, ABC benefitted from the U.S. government's antitrust actions against broadcasters and film studios who were forced to divest parts of their companies. In the early 1950s, ABC acquired the Blue Network of radio stations from NBC and later merged with the newly independent Paramount Theaters chain, formerly owned by Paramount Pictures. The new recording division was located at 1501 Broadway, above the Paramount Theatre in Times Square. Under the leadership of Leonard Goldenson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
