Out Of The Cool
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Out Of The Cool
''Out of the Cool'' is a jazz album by The Gil Evans Orchestra, recorded in 1960 and released on the Impulse! label the following year. The album was one of Impulse!'s first four albums, released together, and featured a gatefold design and high production values. Background Gil Evans recorded the album a short time after completing a six-week job at the Jazz Gallery club in New York City; the personnel was largely the same, with Elvin Jones being added.Stein Crease, Stephanie (2003), ''Gil Evans: Out of the Cool: His Life and Music'', Chicago Review Press. Music The first track, "La Nevada", was also recorded by Evans less than two years earlier for the album ''Great Jazz Standards''; the version for ''Out of the Cool'' is given a consistent rhythmic structure by Elvin Jones playing shakers, giving the rest of the band greater freedom and leading to a less boppish version than the earlier recording. "Where Flamingos Fly" has a melody stated by trombonist Jimmy Knepper, and uses ...
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Gil Evans
Ian Ernest Gilmore Evans (né Green; May 13, 1912 – March 20, 1988) was a Canadian–American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis. Early life Gil Evans was born in Toronto, Canada on May 13, 1912 to Margaret Julia McConnachy. Little is known about Evans' biological father, although a family friend said that he was a doctor who had died before Evans was born. Originally named Gilmore Ian Ernest Green, Evans took the last name of his step-father, John Evans, a miner. The family moved frequently, living in Saskatchewan, British Columbia, Washington, Idaho, Montana, and Oregon, migrating to wherever Evans' father could find work. Eventually, the family ended up in California, first in Berkeley, where Evans attended the ninth and t ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ...
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Sister Sadie
"Sister Sadie" is a jazz standard written in 1959 by Horace Silver, and first recorded for his 1959 Blue Note Records album, ''Blowin' the Blues Away''. Covers *1960: Hank Crawford – ''More Soul'' ( Atlantic Records) *1960: Gil Evans – '' Out of the Cool'' (Impulse!) *1961: Andy and the Bey Sisters – ''Andy and the Bey Sisters'' ( RCA Victor) *1961: Ray Charles – '' Genius + Soul = Jazz'' (Impulse!) *1961: Shirley Scott – ''Shirley Scott Plays Horace Silver'' (Prestige) *1961: James Moody – '' Cookin' the Blues'' ( Argo) *1963: Woody Herman – '' Woody Herman–1963'' Bogdanov, Vladimir ''et al'' (2002''All Music Guide to Jazz: The Definitive Guide to Jazz Music'', p. 587. Backbeat Books.At Google Books. Retrieved 9 August 2013. (Philips Records) *1966: Buddy Rich – '' Swingin' New Big Band'' (Pacific Jazz) *1975: Ray Charles – '' My Kind of Jazz Part 3'' (Crossover Records) *1975: Rahsaan Roland Kirk – '' Dog Years in the Fourth Ring'' (released 1997) (32 ...
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George Russell (composer)
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book ''Lydian Chromatic Concept of Tonal Organization'' (1953). Early life Russell was born in Cincinnati, Ohio, on June 23, 1923, to a white father and a black mother. He was adopted by a nurse and a chef on the B & O Railroad, Bessie and Joseph Russell. Young Russell sang in the choir of the African Methodist Episcopal Church and listened to the Kentucky Riverboat music of Fate Marable. He made his stage debut at age seven, singing "Moon Over Miami" with Fats Waller. Surrounded by the music of the black church and the big bands which played on the Ohio Riverboats, and with a father who was a music educator at Oberlin College, he began playing drums with the Boy Scouts and Bugle Corps, receiving a schol ...
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Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.



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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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John Benson Brooks
John Benson Brooks (February 23, 1917, Houlton, Maine – November 13, 1999, New York City) was an American jazz pianist, songwriter, arranger, and composer. Brooks worked early in his career as an arranger for Randy Brooks, Les Brown, Boyd Raeburn, and Tommy Dorsey. He worked often with lyricists Eddie DeLange and Bob Russell in the 1940s; he and DeLange wrote the song " Just as Though You Were Here," a hit for Tommy Dorsey with Frank Sinatra as vocalist. He wrote " You Came a Long Way from St. Louis" with Bob Russell for Ray McKinley, released as a single in 1948. In 1956, Brooks worked with Zoot Sims and Al Cohn on the recording, "Folk Jazz U.S.A.", and was recognized as a composer during this time. His works blend elements of folk music and dodecaphony with the idioms of modern jazz. In 1958, he composed a work entitled ''Alabama Concerto'' and assembled a cast of sidemen for a recording which included Cannonball Adderley, Art Farmer, Barry Galbraith, and Milt Hinton. The ...
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Harold Courlander
Harold Courlander (September 18, 1908 – March 15, 1996) was an American novelist, folklorist, and anthropologist and an expert in the study of Haitian life. The author of 35 books and plays and numerous scholarly articles, Courlander specialized in the study of African, Caribbean, Afro-American, and Native American cultures. He took a special interest in oral literature, cults, and Afro-American cultural connections with Africa. Life and work Courlander was born in Indianapolis, Indiana, the son of the painter David Courlander of Detroit, Michigan. Courlander received a B.A. in English from the University of Michigan in 1931. At the University of Michigan, he received three Avery Hopwood Awards (one in drama and two in literary criticism). He attended graduate school at the University of Michigan and Columbia University. He spent time in the 1930s on a farm in Romeo, Michigan. There, he built a one-room log cabin in the woods where he spent much of his time writing. With th ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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