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Our Thickness
''Our Thickness'' is the third album by The Russian Futurists The Russian Futurists are a Canadians, Canadian indie pop band based in Toronto. Their music can be described as lo-fi, Independent music, indie-electronica fused with a twee-pop temperament. The band started as a solo project of Matthew Adam Har .... Track listing All songs were written by Matthew Adam Hart. # "Paul Simon" # "Sentiments vs. Syllables" # "Our Pen's Out of Ink" # "Still Life" # "Hurtin' 4 Certain" # "Why You Gotta Do That Thang?" # "It's Over, It's Nothing" # "Incandescent Hearts" # "These Seven Notes" # "2 Dots on a Map" {{Authority control 2005 albums The Russian Futurists albums Upper Class Recordings albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Russian Futurists
The Russian Futurists are a Canadians, Canadian indie pop band based in Toronto. Their music can be described as lo-fi, Independent music, indie-electronica fused with a twee-pop temperament. The band started as a solo project of Matthew Adam Hart (born 1978), and later expanded into a band for live performances. History Hart was born and raised in Cornwall, Ontario. Influenced by songwriters like Stephin Merritt of The Magnetic Fields, he spent his early career creating indie hip hop music tracks, using improvised gear, in Cornwall and in Peterborough, Ontario. Hart's first album under the name The Russian Futurists was released by Upper Class Recordings in 2000, and titled ''The Method of Modern Love''. The album was praised by Graham Coxon of Blur (band), Blur and Peter Buck of R.E.M. ''Uncut (magazine), Uncut'' magazine called it "one of the most melodically seductive and exhilarating records of recent times". The band also received positive reviews in Pitchfork Media, ''Spi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indietronica
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U. Vol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upper Class Recordings
Upper Class Recordings is a Canadian independent record label founded in 2000 in Toronto, Ontario. The electronic music-based Upper Class roster includes The Russian Futurists, Cadence Weapon, DVAS, Christien Summers and The Cansecos. History Upper Class Records was born at the turn of the millennium; its first album release was the debut LP by The Russian Futurists - The Method Of Modern Love. Since 2000, Upper Class formalized as Upper Class Recordings and has released four albums by The Russian Futurists, two albums each by The Cansecos and Cadence Weapon and single albums by girlsareshort (Al-P from MSTRKRFT) and Food For Animals. UC Artists became known for making albums in their bedrooms and ending up not just in the underground music media. but into the mainstream eyes of massive publications like The New York Times and The Guardian. In 2006 Upper Class began a distribution partnership with EMI Music Canada In 2010, Nettwerk One Music, the publishing arm of Vancouve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Get Ready To Crumble
The imperative mood is a grammatical mood that forms a command or request. The imperative mood is used to demand or require that an action be performed. It is usually found only in the present tense, second person. To form the imperative mood, use the base form of the verb. They are sometimes called ''directives'', as they include a feature that encodes directive force, and another feature that encodes modality of unrealized interpretation. An example of a verb used in the imperative mood is the English phrase "Go." Such imperatives imply a second-person subject (''you''), but some other languages also have first- and third-person imperatives, with the meaning of "let's (do something)" or "let them (do something)" (the forms may alternatively be called cohortative and jussive). Imperative mood can be denoted by the glossing abbreviation . It is one of the irrealis moods. Formation Imperative mood is often expressed using special conjugated verb forms. Like other finit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Weight's On The Wheels
The Weight's on the Wheels is the fourth studio album by Canadian indie pop band The Russian Futurists, released on November 16, 2010 on Upper Class Recordings. Reception According to Metacritic, ''The Weight's on the Wheels'' has a score of 63 out of 100, indicating "generally favorable reviews". One of the most positive reviews came from Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and ..., who gave the album an A− grade. In contrast, Matthew Cole of Slant Magazine awarded the album a mere half-star out of five, calling it "a candygram from the heart of a giddy, geeky romantic who has somehow had his rose-tinted frames surgically grafted to his face." Track listing References The Russian Futurists albums 2010 albums Upper Class Recordings albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Mix Tapes
''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, as well as a podcast and its mixtape generator. History Originally called ''Tiny Mixtapes Gone to Heaven'' and hosted on GeoCities, the webzine moved to its current domain in 2001. ''Tiny Mix Tapes'' is a featured reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names (such as "Wolfman," "Mango Starr," "Chizzly St. Claw," and "Filmore Mescalito Holmes"). Some contributors, like Rebecca Armendariz and Alex Brown, go by their real names. Its cofounder and editor-in-chief is Minneapolis-resident Marvin Lin (who writes as "Mr. P"). The music reviews, features, news, film, comics, and the "DeLorean", "Cerberus", and "Automatic Mix Tapes" columns are edited by "Jay," "Gumshoe," "Dan Smart," Benjamin Pearson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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