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Our Mann Flute
''Our Mann Flute'' is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1966. accessed August 26, 2015 The album features tracks from sessions that produced the albums '' The Common Ground'' (1960), '' My Kinda Groove'' (1964) along with more recent recordings. Reception awarded the album 3 stars.[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Bock
Jerrold Lewis Bock (November 23, 1928November 3, 2010) was an American musical theater composer. He received the Tony Award for Best Musical and the Pulitzer Prize for Drama with Sheldon Harnick for their 1959 musical ''Fiorello!'' and the Tony Award for Best Composer and Lyricist for the 1964 musical ''Fiddler on the Roof'' with Sheldon Harnick. Biography Born in New Haven, Connecticut, and raised in Flushing, Queens, New York, Bock studied the piano as a child. While a student at the University of Wisconsin–Madison, he wrote the musical ''Big As Life'', which toured the state and enjoyed a run in Chicago. After graduation, he spent three summers at the Tamiment Playhouse in the Poconos and wrote for early television revues with lyricist Larry Holofcener. One of their songs, the three-part "The Story of Alice," was performed by the Chad Mitchell Trio on their ''Blowin' in the Wind'' album of 1962. Career Bock made his Broadway debut in 1955 when he and Lawrence Holofcener co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Owens (musician)
Jimmy Owens (born December 9, 1943) is an American jazz trumpeter, composer, arranger, lecturer, and educator. He has played with Lionel Hampton, Charles Mingus, Hank Crawford, Dizzy Gillespie, Count Basie, Herbie Mann, among many others. Since 1969, he has led his own group, Jimmy Owens Plus. Biography Jimmy Owens was born in New York City, New York, United States. He is a jazz trumpeter and, in addition, plays the flugelhorn. He is also a composer, lecturer, arranger and music education consultant, harnessing more than 45 years of musical experience. Owens does not have an enormous number of recordings as a leader; however, his career was instead nourished through session work with groups and band leaders.“Jimmy Owens.” AllMusic. Accessed on April 23, 2012. His encounter with music encompasses a vast ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Newman (trumpeter)
Joseph Dwight Newman (September 7, 1922 – July 4, 1992) was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods. Early life and education Newman was born in New Orleans, Louisiana, to Dwight, (pianist) and Louise Newman, a musical family, having his first music lessons from David Jones. He attended Alabama State College, where he joined the college band (the Bama State Collegians), became its leader, and took it on tour. Career In 1941, he joined Lionel Hampton for two years, before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years, he made a number of small-group recordings as the leader. He also played on Benny Goodman's 1962 tour of the Soviet Union. In 1961, Newman l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marky Markowitz
Irvin "Marky" Markowitz (aka Irwin Markowitz, Irving Markowitz; December 11, 1923 - November 18, 1986) was an American jazz trumpeter. Born the youngest of seven children of Russian-Jewish immigrants who disembarked in Baltimore, and settled on 4 1/2 Street, Southwest, in Washington, D.C., Markowitz learned the trumpet at the local Police Boys' Club. He played early in his career in a number of big bands, including those of Charlie Spivak (1941–42), Jimmy Dorsey, Boyd Raeburn, and Woody Herman (1946). He played in Buddy Rich's orchestra in 1946–47, then returned to service under Herman in 1947–48. Moving his family from Washington, D.C. to New York in 1958, and eventually settling in Nyack, he worked primarily as a studio musician in the 1960s, 1970s, and 1980s. Some live appearances included work with Herman, Gene Krupa (1958), Lee Konitz (1959), Ralph Burns, George Russell (composer), George Russell, Al Cohn (1962), Paul Desmond (1969), and Bill Evans (1974). Marky was a " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doc Cheatham
Adolphus Anthony Cheatham, better known as Doc Cheatham (June 13, 1905 – June 2, 1997), was an American jazz trumpeter, singer, and bandleader. He is also the Grandfather of musician Theo Croker. Early life Doc Cheatham was born in Nashville, Tennessee, United States, of African, Cherokee and Choctaw heritage. He noted there was no jazz music there in his youth; like many in the United States he was introduced to the style by early recordings and touring groups at the end of the 1910s. He abandoned his family's plans for him to be a pharmacist (although retaining the medically inspired nickname "Doc") to play music, initially playing soprano and tenor saxophone in addition to trumpet, in Nashville's African American Vaudeville theater. Cheatham later toured in band accompanying blues singers on the Theater Owners Booking Association circuit. His early jazz influences included Henry Busse and Johnny Dunn, but when he moved to Chicago in 1924, he heard King Oliver. Oliver's p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skip To My Lou
"Skip to My (The) Lou" is a popular American partner-stealing dance from the 1840s. Poet and Abraham Lincoln biographer Carl Sandburg writes that "Skip-to-my-Lou" was a popular party game in US President Abraham Lincoln's youth in southern Indiana, with verses such as "Hurry up slow poke, do oh do", "I'll get her back in spite of you", "Gone again, what shall I do", and "I'll get another girl sweeter than you". John A. and Alan Lomax wrote that "Skip to My Lou" was a simple game of stealing partners (or swapping partners as in square dancing). It begins with any number of couples skipping hand in hand around in a ring. A lone boy in the center of the moving circle of couples sings, "Lost my partner, what'll I do?" as the girls whirl past him. The young man in the center hesitates while he decides which girl to choose, singing, "I'll get another one just like you." When he grasps the hand of his chosen one, the latter's partner moves to the center of the ring. It is an ice-br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Phillips (musician)
John Edmund Andrew Phillips (August 30, 1935 – March 18, 2001) was an American singer, songwriter, and guitarist. He was the leader of the vocal group the Mamas & the Papas and remains frequently referred to as Papa John Phillips. In addition to writing the majority of the group's compositions, he also wrote "San Francisco (Be Sure to Wear Flowers in Your Hair)" in 1967 for former Journeymen bandmate Scott McKenzie, as well as the oft-covered " Me and My Uncle", which was a favorite in the repertoire of the Grateful Dead. Phillips was one of the chief organizers of the 1967 Monterey Pop Festival. Early life Phillips was born August 30, 1935, in Parris Island, South Carolina. His father, Claude Andrew Phillips, was a retired United States Marine Corps officer. On his way home from France following World War I, Claude Phillips managed to win a tavern located in Oklahoma from another Marine during a poker game. His mother, Edna Gertrude (née Gaines), who had English ancestry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monday, Monday
"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas, using background instruments played by members of the Wrecking Crew for their 1966 album ''If You Can Believe Your Eyes and Ears''. It was the group's only #1 hit on the U.S. ''Billboard'' Hot 100,. Phillips said that he wrote the song quickly, in about 20 minutes. The song includes a pregnant pause before the coda, which modulates up a semitone. Succeeding ''Good Lovin''' by the Young Rascals in the number one position, the event marked the first time in the history of the Billboard Hot 100 two songs with pregnant pauses were consecutive number one hits. On March 2, 1967, the Mamas & the Papas won a Grammy Award for this song, in the category Best Pop Performance by a Duo or Group with Vocal. The song was performed at the Monterey Pop Festival (California) in 1967. The performance was filmed for the movie of the festival, but not included in the final print. The song appears o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
