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Ougenweide
Ougenweide was a German progressive rock band. They are notable for being pioneers of the medieval folk rock subgenre. (In German) The name comes from Middle High German ''ougenweide'' (Augenweide - ''feast for the eyes''). Band history The beginning The predecessor band was formed in 1969; it was composed of Frank Wulff, Michael Steinbeck, Jürgen Isenbart, and Brigitte Blunck. Ougenweide was founded in spring 1970 in Hamburg as a folk rock band. The band is named after a song by Neidhart von Reuental, the first joint composition by Ougenweide. From the beginning the band wanted to set to music old poems and songs, but they never completely restricted themselves to the Medieval. The band was influenced by the Rock music scene of Hamburg of the 1960s. Successful years The second album of Ougenweide ''All die weil ich mag'' from 1974 used texts from the Merseburg Incantations. This sound recording of the ''Merseburger Zaubersprüche'' was covered later by many bands, includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Folk Rock
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Folk Rock
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Von Mügeln
Heinrich may refer to: People * Heinrich (given name), a given name (including a list of people with the name) * Heinrich (surname), a surname (including a list of people with the name) *Hetty (given name), a given name (including a list of people with the name) Places * Heinrich (crater), a lunar crater * Heinrich-Hertz-Turm, a telecommunication tower and landmark of Hamburg, Germany Other uses * Heinrich event, a climatic event during the last ice age * Heinrich (card game), a north German card game * Heinrich (farmer), participant in the German TV show a ''Farmer Wants a Wife'' * Heinrich Greif Prize, an award of the former East German government * Heinrich Heine Prize, the name of two different awards * Heinrich Mann Prize, a literary award given by the Berlin Academy of Art * Heinrich Tessenow Medal, an architecture prize established in 1963 * Heinrich Wieland Prize, an annual award in the fields of chemistry, biochemistry and physiology * Heinrich, known as Haida in Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Rühmkorf
Peter Rühmkorf (25 October 1929 – 8 June 2008) was a German writer who significantly influenced German post-war literature. Rühmkorf's literary career started in 1952 in Hamburg with the magazine ''Zwischen den Kriegen'' ("Between the Wars"), which the poet and essayist and he edited and mainly wrote, until Riegel's early death in 1956. Both of them belonged to the initiators of the ''Studentenkurier'', an influential monthly for young German intellectuals and students. Rühmkorf was awarded every important German award, including the Georg Büchner Prize, the Heinrich Heine Prize and the Erich Kästner Prize. Rühmkorf was also among the four who were ever awarded with the Arno Schmidt Prize. His pseudonyms were Leo Doletzki, Leslie Maier, Johannes Fontara, Lyng, John Frieder, Hans-Werner Weber, Harry Flieder, and Hans Hingst. His voice can be heard on: Früher, als wir die großen Ströme noch ... (suite for speaker and ensemble) with Dietmar Bonnen and Andreas Schilling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Wecker
Konstantin Alexander Wecker (born 1 June 1947, Munich) is a German singer-songwriter; he also works as a composer, author, and actor. Life and work Classically educated at the Wilhelmsgymnasium, Wecker got one of his first jobs as a songwriter at Munich's cabaret "Münchner Lach- und Schießgesellschaft" in 1973. His breakthrough as a singer came in 1977 with the record ''Genug ist nicht genug'' ("Enough Is Not Enough"), which includes the popular talking blues "Willy," about a presumably close friend of Wecker's who was slain by drunken Nazis. Wecker has released more than forty albums, and has also composed music for film, theater, and children's musicals. In 2003, Wecker became a public opponent of the Iraq War, joining his leftist Liedermacher colleagues Hannes Wader and Reinhard Mey. In March 2006, Wecker was forced to cancel a scheduled performance in the small town of Halberstadt, Saxony-Anhalt. This came after the far-right National Democratic Party (NPD) pressured loc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Stivell
Alan Stivell (; born Alan Cochevelou on 6 January 1944) is a French, Breton and Celtic musician and singer, songwriter, recording artist, and master of the Celtic harp. From the early 1970s, he revived global interest in the Celtic (specifically Breton) harp and Celtic music as part of world music. As a bagpiper and bombard player, he modernized traditional Breton music and singing in the Breton language. A precursor of Celtic rock, he is inspired by the union of the Celtic cultures and is a keeper of the Breton culture. Musical career Early life and career beginnings Alan Stivell was born in the Auvergnat town of Riom. His father, Georges (Jord in Breton) Cochevelou, was a civil servant in the French Ministry of Finance who achieved his dream of recreating a Celtic or Breton harp in the small town of Gourin, BrittanyJT Koch (ed). ''Celtic Culture. A Historical Encyclopaedia'' ABC-CLIO 2006 pp. 1627–1628 and his mother Fanny-Julienne Dobroushkess was of Lithuanian-Jewis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amazing Blondel
Amazing Blondel are an England, English acoustic progressive folk band, containing Eddie Baird, John Gladwin, and Terry Wincott. They released a number of LPs for Island Records in the early 1970s. They are sometimes categorised as psychedelic folk or as medieval folk rock, but their music was much more a reinvention of Renaissance music, based around the use of period instruments such as lutes and Recorder (musical instrument), recorders. History John Gladwin (guitar and vocals) and Terrance (Terry) Wincott (guitar and vocals) formed a band called The Dimples along with Stuart Smith (drums) and Johnny Jackson (bass guitar). Signed to the Decca label they recorded a single, the "A" side "Love of a Lifetime" and the "B" side written by John Gladwin titled "My Heart is Tied to You". The record did not chart, although more recently the A-side and B-side, B-side has become popular on the Northern soul scene. Following the break up of The Dimples John and Terry formed a loud "elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planxty
Planxty were an Irish folk music band formed in January 1972, consisting initially of Christy Moore (vocals, acoustic guitar, bodhrán), Andy Irvine (vocals, mandolin, mandola, bouzouki, hurdy-gurdy, harmonica), Dónal Lunny (bouzouki, guitars, bodhrán, keyboards), and Liam O'Flynn (uilleann pipes, tin whistle). They transformed and popularized Irish folk music, touring and recording to great acclaim. Subsequently, Johnny Moynihan, Paul Brady, Matt Molloy (flute), Bill Whelan (keyboards), Nollaig Casey (fiddle) and, briefly, Noel Hill (concertina) and Tony Linnane (fiddle) were also temporary members. Planxty broke up twice, first in December 1975 and again in April 1983. The original quartet reunited in October 2003 and their final performance was on 31 January 2005. History Formation and first run (1972–1975) Christy Moore and Dónal Lunny had been friends since school days in Newbridge, County Kildare, Lunny having taught Moore how to play both guitar and bodhrán. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steeleye Span
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat (song), All Around My Hat". Steeleye Span have seen many personnel changes; Maddy Prior being the only remaining original member of the band. Their musical repertoire consists of mostly traditional songs with one or two instrumental tracks of jigs and/or reel (dance), reels added; the traditional songs often include some of the Child Ballads. In their later albums there has been an increased tendency to include music written by the band members, but they have never moved completely away from traditional music, which draws upon pan-British traditions. History Early years Steeleye Span began in late 1969, when London-born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairport Convention
Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater (with Frater replaced by Martin Lamble after their first gig.) They started out heavily influenced by American folk rock, with a setlist dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album. Denny began steering the group towards traditional British music for their next two albums, ''What We Did on Our Holidays'' and ''Unhalfbricking'' (both 1969); the latter featured fiddler Dave "Swarb" Swarbrick, most notably on the song "A Sailor's Life", which laid the groundwork for British folk rock by being the first time a trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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