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Ottaviano Nelli
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him. Biography He was born in Gubbio in Umbria to the painter Martino Nelli, and was active there and in Perugia (1400), Urbino, Assisi, and Foligno. Among his pupils was his brother Tommaso, Domenico Di Cecco di Baldi, Giovanni Pintali, Giacomo Di Bedo, and Ubaldo Di Matteo. Nelli was "consul" (a local government representative) for the Sant'Andrea district of Gubbio in 1440 and during the same year, the priors of Perugia had him paint the coat of arms of the duke Gian Galeazzo Visconti with the help of Francesco d'Antonio and Christoforo di Nicoluccio from Perugia. In 1403, he painted ''Madonna del Belvedere'' at Gubbio and the ''Polyptych of Pietralunga''. Nelli painted the frescoes of the Trinci Palace in Foligno in 1424. From 1428 to 1432, he was a part of the brotherhood of Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottaviano Nelli E Aiuti, Storie Di Sant'agostino, 1430-40 Circa, Liberazionei Di Prigionieri 01
Ottaviano ( nap, Uttajano) is a ''comune'' (municipality) in the Metropolitan City of Naples in the Italian region Campania, located about east of Naples and is located in the Vesuvian Area. Ottaviano was in Roman times a hamlet of houses within a vast estate (praedium Octaviorum) belonging to the gens Octavia, Augustus's family. The territory of the country includes most of the crater of Vesuvius. The Medici Castle in Ottaviano houses the headquarters of the National Park of Vesuvius. Ottaviano suffered significant destruction during the 1944 eruption of neighboring Mount Vesuvius. Now the city is home to the center office of Vesuvius National Park. History Ottaviano was in Roman times a hamlet of houses within a vast estate (''praedium Octaviorum)'' belonging to the gens Octavia, Augustus's family. The territory was the scene of a battle between Lucius Cornelius Sulla and Lucius Cluentius in 90 BC, during the Social War (91–88 BC), Social War. On the territory of Ottavian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Galeazzo Visconti
Gian Galeazzo Visconti (16 October 1351 – 3 September 1402), was the first duke of Milan (1395) and ruled the late-medieval city just before the dawn of the Renaissance. He also ruled Lombardy jointly with his uncle Bernabò. He was the founding patron of the Certosa di Pavia, completing the Visconti Castle at Pavia begun by his father and furthering work on the Duomo of Milan. He captured a large territory of Northern Italy and the Po valley. He threatened war with France in relation to the transfer of Genoa to French control as well as issues with his beloved daughter Valentina. When he died of fever in the castello of Melegnano, his children fought with each other and fragmented the territories that he had ruled. Biography During his patronage of the Visconti Castle, he contributed to the growth of the collection of scientific treatises and richly illuminated manuscripts in the Visconti Library. Gian Galeazzo was the son of Galeazzo II Visconti and Bianca of Savoy. His fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montefalco
Montefalco is a historic small hill town in Umbria, Italy, with a population of 5,581 in August 2017. It has been settled since pre-Roman times, and retains many of its historic buildings. From 1446 to 1861 it was part of the Papal States. Montefalco DOC is a regulated geographical area for its wine, the reds usually including the highly localized Sagrantino grape variety. The town's museum is in a former church, which has a fresco cycle on the life of St. Francis by the Florentine artist Benozzo Gozzoli (1450–1452). History The town has been actively settled since the times of the Umbri. It has been under the successive domination of the Romans, Lombards, being called Coccorone in the Middle Ages. In 1249 it was sacked by Frederick II, but was soon rebuilt with the modern name. from the 13th century it had been a free ''comune ''under the domination of local nobles and merchants, but later, as with many other Umbrian locales, the comune gave way to government by a ''Signoria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easel Painting
An easel is an upright support used for displaying and/or fixing something resting upon it, at an angle of about 20° to the vertical. In particular, easels are traditionally used by painters to support a painting while they work on it, normally standing up, and are also sometimes used to display finished paintings. Artists' easels are still typically made of wood, in functional designs that have changed little for centuries, or even millennia, though new materials and designs are available. Easels are typically made from wood, aluminum or steel. Easel painting is a term in art history for the type of midsize painting that would have been painted on an easel, as opposed to a fresco wall painting, a large altarpiece or other piece that would have been painted resting on the floor, a small cabinet painting, or a miniature created sitting at a desk, though perhaps also on an angled support. It does not refer to the way the painting is meant to be displayed; most easel paintings ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Agostino, Gubbio
Sant'Agostino is a Gothic- Romanesque style Roman Catholic church in Gubbio, region of Umbria, Italy. A church at the site was built in the second half of the 13th century. Among the works inside are Tourism entry. *''Jesus and the Samaritan'' (1580), by (first chapel on left) *''Madonna del Soccorso'', 15th century (5th chapel on left) *''Madonna di Grazia'', fresco attributed to (3rd chapel right) *''Baptism of St Augustine'' (1594), di |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Sanzio
Giovanni Santi (c. 1435 – 1 August 1494) was an Italian painter, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was court painter to the Duke of Urbino and painted several altarpieces. He died in Urbino. Life and painting Santi was born in 1435 at Colbordolo in the Duchy of Urbino. He was a petty merchant for a time; he then studied under Piero della Francesca. He was influenced by Fiorenzo di Lorenzo, and seems to have been an assistant and friend of Melozzo da Forlì. He was court painter to Duke of Urbino Federico da Montefeltro and painted several altarpieces, two now in the Berlin Museum, a Madonna in the church of San Francesco in Urbino, one at the church of Santa Croce in Fano, one in the National Gallery at London, and another in the gallery at Urbino; an Annunciation at the Brera in Milan; a resurrected Christ in the Museum of Fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Da Fabriano
Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi'' from the ''Strozzi Altarpiece'' (1423), and the ''Flight into Egypt''. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world. Bibliography Early life in Fabriano (c. 1370-1400) Gentile (di Niccolò di Massio) da Fabriano was born around 1370 in or near Fabriano, in the Marche. Despite having several family members who took part in different civic and religious organizations in the city, much of Gentile's early life remains undocumented. His mother died some point before 1380, and his father, Niccol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottaviano Nelli-Saint Jérôme Et Le Lion
Ottaviano ( nap, Uttajano) is a ''comune'' (municipality) in the Metropolitan City of Naples in the Italian region Campania, located about east of Naples and is located in the Vesuvian Area. Ottaviano was in Roman times a hamlet of houses within a vast estate (praedium Octaviorum) belonging to the gens Octavia, Augustus's family. The territory of the country includes most of the crater of Vesuvius. The Medici Castle in Ottaviano houses the headquarters of the National Park of Vesuvius. Ottaviano suffered significant destruction during the 1944 eruption of neighboring Mount Vesuvius. Now the city is home to the center office of Vesuvius National Park. History Ottaviano was in Roman times a hamlet of houses within a vast estate (''praedium Octaviorum)'' belonging to the gens Octavia, Augustus's family. The territory was the scene of a battle between Lucius Cornelius Sulla and Lucius Cluentius in 90 BC, during the Social War (91–88 BC), Social War. On the territory of Ottavian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Di Cecco
Domenico di Cecco, also known by Domenico di Cecco di Baldi (active mid-15th century) was an Italian painter of the Quattrocento. Biography He was born in Gubbio, and active there, where he was a pupil of Ottaviano Nelli Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him. Biography He was born in Gubbio in Umbr .... Volume 3, page 34. In 1444, he painted a ''Grieving Madonna and St Peter'' for the church of Santa Maria della Piaggiola in Gubbio. References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Croce, Florence
The (Italian for 'Basilica of the Holy Cross') is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (). Building The basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinci Palace
The Trinci Palace is a patrician residence in the center of Foligno, central Italy. It houses an archaeological museum, the city's picture gallery, a multimedia museum of Tournaments and Jousts and the Civic Museum. History Palazzo Trinci was the residence of the Trinci family who ruled over the city from 1305 to 1439. The palace was built (attested by archival documents) over a medieval building by Ugolino III Trinci between 1389 and 1407. An adapted Roman burial stele states the date 1407, which may be the actual year the construction started. It was completed in 1411. After the defeat and death of Corrado III Trinci (June 1441), the palace became the seat of the ''Priori del Popolo'' and the papal government of Foligno. From that moment on, the building began to decline slowly. Already in 1458 Pope Pius II had to provide 200 guilders for its restoration. A similar episode occurred in 1475 with pope Sixtus IV and in 1546 with pope Paul III Farnese. The south-west part o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
