Otis Williams And The Charms
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Otis Williams And The Charms
Otis Williams and the Charms were an American doo-wop vocal group in the 1950s, who were originally billed as The Charms. Williams is not related to Otis Williams of The Temptations. Career Otis Williams (born June 2, 1936, in Cincinnati, Ohio, United States) attended Withrow High School in Cincinnati, and in 1952 joined an existing singing group in the school when one of its members was sick. The other original members were Bob Smith (tenor) (later replaced by Donald Peak), Rolland Bradley (tenor), Joe Penn (baritone/tenor), and Richard Parker (bass; December 31, 1936 – September 24, 2018). The group, which Williams named The Charms, performed "Rags to Riches" in the Withrow Minstrels in May 1954, where they were seen in the opening show by Syd Nathan of King Records. Nathan only wanted to sign Williams, but Williams insisted on taking the rest of the group along. They signed immediately to a subsidiary label, Rockin' Records, based in Florida and owned by Henry Stone ( ...
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The Temptations
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single " Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit under the name ''the Elgins''. The founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams of the Primes. In 1964, Bryant was replaced by David Ruffin, w ...
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TK Records
TK Records was an American independent record label founded by record distributor Henry Stone and Steve Alaimo in 1972. and based in Hialeah, Florida. The record label went bankrupt in 1981. "TK" was inspired by the initials of sound engineer Terry Kane, who built a recording studio in the attic of Stone's office in Hialeah. TK Records is closely associated with the early rise of disco music, having in 1974 been the label that released the second bona fide disco song (after The Hues Corporation's " Rock The Boat") to reach No. 1 on the pop music charts, namely "Rock Your Baby" by George McCrae. A little more than a year after McCrae's hit, the record label struck gold with KC & The Sunshine Band, releasing five singles that reached No. 1 on the ''Billboard'' Hot 100: including "Get Down Tonight", "That's the Way (I Like It)", "(Shake, Shake, Shake) Shake Your Booty", "I'm Your Boogie Man", and " Please Don't Go". The KC & The Sunshine Band single "Keep It Comin' Love" reached N ...
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Big Joe Turner
Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s. Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as "the brawny voiced 'Boss of the Blues. Career Early days Turner was born May 18, 1911, in Kansas City, Missouri, United States. His father was killed in a train accident when Turner was four years old. He sang in his church, and on street corners for money. He left school at age fourteen to work in Kansas City's nightclubs, first as a cook and later as a singing bartender. He became known as "The Singing Barman", and worked in such venues as the Kingfish Club and the Sunset, where he and his par ...
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The Clovers
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s.The Guinness Who's Who of Fifties Music. General Editor: Colin Larkin. First published 1993 (UK). . The Clovers p77. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9 (song), Love Potion No. 9". History 1946 to 1960 The group was formed at Armstrong High School, Washington, D.C., in 1946 by Harold Lucas (baritone), Billy Shelton and Thomas Woods. Initially a trio, they expanded to a quartet with the addition of John "Buddy" Bailey (lead) and began calling themselves The Four Clovers. Billy Shelton was replaced by Matthew McQuater (tenor) in 1948. As The Four Clovers, the group started to appear at local amateur music shows including the WWDC amateur hour show hosted by Jack Lowe Endler at the Republic Theatre. This brought them to the attention of a wider audience including Harold Winley (bass) who, after hearing them on WWDC, ...
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The Fontane Sisters
The Fontane Sisters were a trio (Bea, Geri and Marge Rosse) from New Milford, New Jersey. Early years Born to an Italian family, their mother, Louise Rosse, was both a soloist and the leader of the St. Joseph's Church choir in New Milford. Bea and Marge started out singing for local functions, doing so well that they were urged to audition in New York City. Originally they performed as a trio with their guitarist brother Frank, under the name the Ross Trio (Rosse with the "e" omitted). The group auditioned for NBC and was soon sent off to work in Cleveland. When they returned to New York in 1944, Frank was drafted into the Army; he went to France and was mortally wounded by a German sniper. Geri, who had just finished school, took her brother's place, making it an all-girl trio. The sisters first performed together as The Three Sisters. Sheet music of two of their songs, "I'm Gonna See My Baby", and "Pretty Kitty Blue Eyes", was published by Santly-Joy in 1944. Success The n ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Music Recording Sales Certification
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achi ...
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Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of Sound recording and reproduction, recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of music download, downloads, and the amount of streaming media, streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclu ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ...
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Hearts Of Stone
"Hearts of Stone" is an American R&B song. It became a List of Billboard number-one singles of 1955, #1 hit on two of the Billboard (magazine), Billboard three Billboard_Hot_100#History, lists, ''Best Sellers in Stores'' and ''Most Played in Jukeboxes'' in 1955 for The Fontane Sisters. It was written by Eddie Ray and Rudy Jackson, members of the San Bernardino, California-based rhythm and blues vocal group the Jewels (no relation to the female group The Jewels from Washington, DC) which first recorded it for the R&B label in 1954. The Jewels began as a gospel group, then became the Marbles, recording for the Lucky label out of Los Angeles. According to Johnny Torrence, leader of the Marbles/Jewels, it was taken from a song they recorded in their gospel days. "Hearts of Stone" was covered and taken to the charts in 1954 by East Coast R&B vocal group Otis Williams and the Charms, the Charms, causing the story of the Jewels' involvement to be ignored by various writers and DJs wh ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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