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Oswaldo De Andrade
José Oswald de Souza Andrade (January 11, 1890 – October 22, 1954) was a Brazilian poet, novelist and cultural critic. He was born, spent most of his life and died in São Paulo. Andrade was one of the founders of Brazilian modernism and a member of the Group of Five, along with Mário de Andrade, Anita Malfatti, Tarsila do Amaral and Menotti del Picchia. He participated in the Modern Art Week (''Semana de Arte Moderna''). Biography Born into a wealthy bourgeois family in São Paulo, Andrade used his money and connections to support numerous modernist artists and projects. He sponsored the publication of several major novels of the period, produced a number of experimental plays, and supported several painters, including Tarsila do Amaral, with whom he had a long affair, and Lasar Segall. Andrade joined the Communist Party in 1931, but left it, disillusioned, in 1945. He remained controversial for his radical political views and his often belligerent outspokenness. His r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist Manifesto
Four Surrealist Manifestos are known to exist. The first two manifesto A manifesto is a published declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party or government. A manifesto usually accepts a previously published opinion or public consensus or promotes a ...s, published in October 1924, were written by Yvan Goll and André Breton, the leaders of rival Surrealism, Surrealist groups. Breton published his second manifesto for the Surrealists in 1929, and wrote his third manifesto that was not issued during his lifetime. First manifestos Leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Guillaume Apollinaire. One group, led by Yvan Goll, consisted of Pierre Albert-Birot, Paul Dermée, Céline Arnauld, Francis Picabia, Tristan Tzara, Giuseppe Ungaretti, Pierre Reverdy, Marcel Arland, Joseph Delteil, Jean Painlevé and Robert Delaunay, among others ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pau-brasil
''Paubrasilia echinata'' is a species of flowering plant in the legume family, Fabaceae, that is endemic to the Atlantic Forest of Brazil. It is a Brazilian timber tree commonly known as Pernambuco wood or brazilwood ( pt, pau-de-pernambuco, ; Tupi: ) and is the national tree of Brazil. This plant has a dense, orange-red heartwood that takes a high shine, and it is the premier wood used for making bows for stringed instruments. The wood also yields a historically important red dye called brazilin, which oxidizes to brazilein. The name ''pau-brasil'' was applied to certain species of the genus ''Caesalpinia'' in the medieval period, and was given its original scientific name ''Caesalpinia echinata'' in 1785 by Jean-Baptiste Lamarck. More recent taxonomic studies have suggested that it merits recognition as a separate genus, and it was thus renamed ''Paubrasilia echinata'' in 2016. The Latin specific epithet of ''echinata'' refers to hedgehog, from ''echinus'', and describes the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto Pau-Brasil
'' Manifesto of Pau-Brasil Poetry'' (also translated as Manifesto of Brazilwood Poetry) is a Portuguese language article by Brazilian author, Oswald de Andrade. It was first published in the ''Correio da Manha'' on March 18, 1924 with the Portuguese title "Manifesto da poesia pau-brasil." An English language translation by Stella m. de sa Rego was published in the ''Latin American Literary Review The Latin American Literary Review/Press, affiliated with the Department of Comparative Literature in Cornell University, Ithaca, New York, is a non-profit organization. The founding editor-in-chief was Yvette E. Miller.; she has been succeeded ...'', vol. XIV, no. 27, Jan – June 1986, pg 184 - 187. References Brazilian poetry Portuguese-language literature 1924 documents Novels by Oswald de Andrade {{Brazil-lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alma (Oswald De Andrade Novel)
Alma or ALMA may refer to: Arts and entertainment * ''Alma'' (film), a 2009 Spanish short animated film * ''Alma'' (Oswald de Andrade novel), 1922 * ''Alma'' (Le Clézio novel), 2017 * ''Alma'' (play), a 1996 drama by Joshua Sobol about Alma Mahler-Werfel * ''Alma'' (album), by Carminho, 2012 * "Alma" (song), by Fonseca, 2008 * "Alma", a song by Tom Lehrer from the 1965 album ''That Was the Year That Was'' * ALMA Award, or American Latino Media Arts Award * Astrid Lindgren Memorial Award, an international children's literary award established by the Swedish government Businesses * Alma Books, a British publishing house * Alma Media, a Finnish digital service business * ALMA de México, a low-cost airline Military * Battle of the Alma, an 1854 Crimean War battle * ''Alma''-class ironclad, French Navy corvettes built in the 1860s ** French ironclad ''Alma'' People and fictional characters * Alma (given name), including a list of people, fictional characters and Mormon re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Viveiros De Castro
Eduardo Batalha Viveiros de Castro (born 1951) is a Brazilian anthropologist and a professor at the National Museum of the Federal University of Rio de Janeiro. He has published many books and articles which are considered important in anthropology and in Americanist ethnology, among them: ''Cannibal Metaphysics'', ''From the enemy's point of view: humanity and divinity in an Amazonian society'', ''Amazônia: etnologia e história indígena'' ("The Amazon: Ethnology and Indigenous History" - coeditor with Manuela Carneiro da Cunha), and ''A inconstância da alma selvagem e outros ensaios de antropologia'' ("The Inconstancy of the Indian Soul and other essays on Anthropology"). Born in Rio de Janeiro, Viveiros de Castro taught at the ''École des Hautes Études en Sciences Sociales'', the University of Chicago, and at the University of Cambridge. Among his principal contributions is the understanding of Amerindian perspectivism. His works are among the key influences for the emerg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augusto De Campos
Augusto de Campos (born 14 February 1931, São Paulo) is a Brazilian writer who (with his brother Haroldo de Campos) was a founder of the Concrete poetry movement in Brazil. He is also a translator, music critic and visual artist. Work In 1952 he founded the literary magazine '' Noigandres'' with his brother. Then in 1956 he and his associates declared the beginning of a movement. Since then he has had a number of collections and honors. From the 1950s to 1970s his main works were directed towards visual poetry but from 1980 on, he intensified his experiments with new media, presenting his poems on electric billboard, videotext, neon, hologram and laser, computer graphics, and multimedia events, involving sound and music, as the plurivocal reading of CIDADECITYCITÉ with his son Cid Campos (1987–91). Four of his holographic poems in cooperation with the holographer Moysés Baumstein were included in the exhibitions TRILUZ (1986) and IDEHOLOGIA (1987). A "videoclippoem", O PU ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Novo
Cinema Novo (), "New Cinema" in English, is a genre and movement of film noted for its emphasis on social equality and intellectualism that rose to prominence in Brazil during the 1960s and 1970s.Dixon & Foster, 293. Cinema Novo formed in response to class and racial unrest both in Brazil and the United States. Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musicals, comedies and Hollywood-style epics.Johnson & Stam, 33. Glauber Rocha is widely regarded as Cinema Novo's most influential filmmaker.Gazetas, 308.Dixon & Foster, 292. Today, the movement is often divided into three sequential phases that differ in tone, style and content. Origins Background In the 1950s, Brazilian cinema was dominated by ''chanchada'' (musicals, often comedic and "cheap"),Viany, 141. big-budget epics that imitated the style of Hollywood, and "'serious' cinema" that Cinema Novo f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tropicália
Tropicália (), also known as Tropicalismo (), was a Brazilian artistic movement that arose in the late 1960s. It was characterized by the amalgamation of Brazilian genres—notably the union of the pop culture, popular and the avant-garde, as well as the melding of Brazilian tradition and foreign traditions and styles. Today, Tropicália is chiefly associated with the musical faction of the movement, which merged Music of Brazil, Brazilian and Music of Africa, African rhythms with British and American psychedelic music, psychedelia and pop rock. The movement also included works of film, theatre, and poetry. The term Tropicália (Tropicalismo) has multiple connotations in that it played on images of Brazil being that of a "tropical paradise".Veloso, Caetano, Barbara Einzig, and Isabel de Sena. 2003. Tropical truth: a story of music and revolution in Brazil. Tropicalia was presented as a "field for reflection on social history". The movement was begun by a group of musicians fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
