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Oscar Peterson Plays The Cole Porter Songbook
''Oscar Peterson Plays the Cole Porter Songbook'' is a 1959 album by Oscar Peterson, of compositions by Cole Porter. Track listing # " In the Still of the Night" – 2:49 # "It's All Right With Me" – 2:51 # " Love for Sale" – 3:26 # " Just One of Those Things" – 2:21 # "I've Got You Under My Skin" – 2:47 # "Ev'ry Time We Say Goodbye" – 2:17 # " Night and Day" – 2:30 # "You'd Be So Easy to Love" – 2:34 # " Why Can't You Behave?" – 2:58 # "I Love Paris" – 2:09 # "I Concentrate on You" – 3:08 # "It's De-Lovely" – 2:28 All music written by Cole Porter. Personnel Performance * Ray Brown - double bass *Oscar Peterson - piano *Ed Thigpen - drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... References {{Authority control 1959 albums Oscar Peterson albu ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ...
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Ed Thigpen
Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959. Biography Born in Chicago, Illinois, United States, Thigpen was raised in Los Angeles, California, and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk's Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s. Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie V ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ...
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It's De-Lovely
"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, '' Red Hot and Blue''. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical ''Anything Goes'', first appearing in the 1956 film version (when it was sung by Donald O'Connor and Mitzi Gaynor); in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film '' De-Lovely'', where it was performed by Robbie Williams. The hit records in late 1936 and early 1937 included versions by Leo Reisman, Eddy Duchin, Shep Fields, and Will Osborne. The song played with words that have the prefix "de", which leads to the creation of the neologism "de-lovely": "It's de-lightful, it's de-licious, it's de-lovely." Other recordings * 1936 Kitty Brown also recorded the song with Les Brown and His Duke Blue Devils. * 1949 Dinah Shore - for her album ''Dinah Shore Sings''. * 1949 Ethel Merman - included in the album ''Songs She ...
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I Concentrate On You
"I Concentrate on You" is a song written by Cole Porter for the 1940 film ''Broadway Melody of 1940'', where it was introduced by Douglas McPhail. Notable recordings *Franck Amsallem - ''Amsallem Sings'' (2009) *Fred Astaire - ''The Astaire Story'' (1952) *Tony Bennett - '' Steppin' Out'' (1993) *Freddy Cole - ''Rio de Janeiro Blue'' (2009) *Perry Como - ''TV Favorites'' (1952), ''Easy Listening'' (1970) *Ray Conniff - ''Rhapsody in Rhythm '' (1962), ''The very best of Ray Conniff '' (2017) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Cole Porter Songbook'' (1956), ''Ella Loves Cole'' (1972) *The Four Freshmen - ''Live in the New Millennium'' (2002) *Tony Bennett and Lady Gaga recorded a version of the song for their 2021 collaborative album '' Love for Sale''. *Judy Garland - ''Judy in Love'' (1958) *Bunky Green - ''Healing the Pain'' (1990) *Grant Green – ''Nigeria'' (1962) *Johnny Hartman - '' Thank You for Everything'' (1998), rec. 1976 *Lena Horne - '' Lena...Lovely and Al ...
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I Love Paris
"I Love Paris" is a popular song written by Cole Porter and published in 1953. The song was introduced by Lilo in the musical '' Can-Can''. A line in the song's lyrics inspired the title of the 1964 movie ''Paris When It Sizzles''. Notable recordings *Les Baxter and His Orchestra had a number 13 hit in 1953. *Bing Crosby recorded this for Decca on December 31, 1953, and included it in his album ''Bing Sings the Hits'' (1954). He also sang it on his GE TV show on January 3, 1954. * Tony Martin released a version in 1953 as the A side of a RCA Victor 7" vinyl. The B side was Stranger in Paradise. *Michel Legrand released a version on his 1954 album, ''I Love Paris'', which included an orchestral arrangement of the song. * Caterina Valente released a German version of the song under the German title ''Ganz Paris träumt von der Liebe'', which sold more than 900,000 copies in 1954. *Ella Fitzgerald released a version on her 1956 album, ''Ella Fitzgerald Sings the Cole Porter Songb ...
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Why Can't You Behave?
"Why Can't You Behave?" is a 1948 popular song written by Cole Porter, for his musical ''Kiss Me, Kate'', where it was introduced by Lisa Kirk. Background The character Lois Lane sings it to her boyfriend Bill, who had just missed rehearsal because he was gambling and told her he signed a 10,000-dollar IOU in the name of the director of the show. In the 1953 film version, the song is performed by Ann Miller. Notable recordings *1948 Frank Sinatra - recorded December 15, 1948 with The Phil Moore Four. *1949 Bing Crosby - recorded January 4, 1949 with Vic Schoen and His Orchestra for Decca Records. *1956 Ella Fitzgerald included on "Ella Fitzgerald Sings the Cole Porter Song Book ''Ella Fitzgerald Sings the Cole Porter Song Book'' is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter. Backgrou ...". References {{Authority control Songs ...
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You'd Be So Easy To Love
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show ''Anything Goes''. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film ''Born to Dance'', where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of ''Anything Goes'' under the complete title "You’d Be So Easy to Love". Early hit versions were by Shep Fields, Frances Langford and Ray Noble. Other Notable recordings * Shep Fields - recorded with his Rippling Rhythm Orchestra (1936) *Billie Holiday - ''Quintessential Billie Holiday: Vol. II'' (1936) (recorded with Teddy Wilson and His Orchestra, October 21, 1936). *Josephine Baker - ''C'est si facile de vous aimer'' (1937) *Maxine Sullivan - recorded for Vocalion on October 22, 1937. *Lee Wiley - recorded April 15, 1 ...
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Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ...
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