Os Maiores Sucessos
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Os Maiores Sucessos
''Os Maiores Sucessos (Greatest Hits)'' is a collection of the former Banda Calypsohttp://www.portaldocalypso.com.br/2012/05/coletanea-os-maiores-sucessos-banda.html It is the first collection of the band that contains the successes of the first three albums: ''Volume 1 Volume One, Volume 1, Volume I or Vol. 1 may refer to: Albums * ''Volume One'' (The West Coast Pop Art Experimental Band album), 1966 * ''Volume One'' (Sleep album) * ''Volume One'' (Fluff album) * ''Volume One'' (She & Him album), 2008 * ''Volum ...'', '' Ao Vivo'' e '' O Ritmo Que Conquistou o Brasil!''. Tracks like "Temporal", "Dançando Calypso", "Cúmbia do Amor", "Estrela Dourada" and "Disse Adeus" They make up the album, which also features the tracks "Mil e Uma Noites" e "Sem Medo de Falar". Tracks # "Dançando Calypso" # "Príncipe Encantando" # "Estrela Dourada" # "Odalisca" # "Vendaval" # "Cúmbia do Amor" # "Esperando por Você" # "Dudu" # "Só Vai Dar Eu e Você" # "Senhorita" # "Sem Medo de Falar" ...
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Os Maiores Sucessos
''Os Maiores Sucessos (Greatest Hits)'' is a collection of the former Banda Calypsohttp://www.portaldocalypso.com.br/2012/05/coletanea-os-maiores-sucessos-banda.html It is the first collection of the band that contains the successes of the first three albums: ''Volume 1 Volume One, Volume 1, Volume I or Vol. 1 may refer to: Albums * ''Volume One'' (The West Coast Pop Art Experimental Band album), 1966 * ''Volume One'' (Sleep album) * ''Volume One'' (Fluff album) * ''Volume One'' (She & Him album), 2008 * ''Volum ...'', '' Ao Vivo'' e '' O Ritmo Que Conquistou o Brasil!''. Tracks like "Temporal", "Dançando Calypso", "Cúmbia do Amor", "Estrela Dourada" and "Disse Adeus" They make up the album, which also features the tracks "Mil e Uma Noites" e "Sem Medo de Falar". Tracks # "Dançando Calypso" # "Príncipe Encantando" # "Estrela Dourada" # "Odalisca" # "Vendaval" # "Cúmbia do Amor" # "Esperando por Você" # "Dudu" # "Só Vai Dar Eu e Você" # "Senhorita" # "Sem Medo de Falar" ...
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Brega Pop
Calypso, Brega Calypso or just Brega-pop, is a Brazilian musical genre that emerged in the Brazilian city of Belém (state of Pará), by mixing elements of Pará's regional genres such as '' lambada, carimbó'', ''guitarrada'', ''siriá'', with international music from Caribbean countries, such as calypso, ska, reggae. It developed in the 1990s at concerts and dances in nightclubs on the outskirts of town and through street vendors promoting the production of small local/independent musicians. It was created by musicians from the state of Pará in the city of Belém, who decided to combine the traditional regional brega with other rhythms from Caribbean music such as calypso, from which point the name of this fusion also became calypso. History Background Brega was a term used pejoratively to designate popular romantic music of low quality and with dramatic exaggerations (love disappointments) or naivety; with samba-canção, bolero and jovem-guarda linked to it. The music ...
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Acoustic Music
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. While all music was once acoustic, the retronym "acoustic music" appeared after the advent of electric instruments, such as the electric guitar, electric violin, electric organ and synthesizer. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era. Music reviewer Craig Conley suggests, "When music is labeled acoustic, unplugged, or unwired, the assumption seems to be that other types of music are ''cluttered'' by technology and overproduction and therefore aren't as ''pure''." Types of acoustic instruments Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instruments, ensemble i ...
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Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, enslaved Africans during colonial times, and Europeans. Examples include: * Colombian cumbia, is a musical rhythm and traditional folk dance from Colombia. It has elements of three different cultures, American Indigenous, African, and Spanish, being the result of the long and intense meeting of these cultures during the Conquest and the Colony. * Panamanian cumbia, Panamanian folk dance and musical genre, developed by enslaved people of African descent during colonial times and later syncretized with American Indigenous and European cultural elements. Regional adaptations of Colombian cumbia Argentina * Argentine cumbia * Cumbia villera, a subgenre of Argentine cumbia born in the slums * Fantasma, a 2001 group formed by Martín Roisi and Pablo Antico * Cumbia santafesina, a musical genre emerged in Santa Fe, ...
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Lambada
Lambada () is a dance from State of Pará, Brazil. The dance became internationally popular in the 1980s, especially in the Philippines, Latin America and Caribbean countries. It has adopted aspects of dances such as forró, salsa, merengue, maxixe, carimbó and Bolivian saya. Lambada is generally a partner dance. The dancers generally dance with arched legs, with the steps being from side to side, turning or even swaying, and in its original form never front to back, with a pronounced movement of the hips. At the time when the dance became popular, short skirts for women were in fashion and men wore long trousers, and the dance has become associated with such clothing, especially for women wearing short skirts that swirl up when the woman spins around, typically revealing 90s-style thong underwear. Origins ''Carimbó'' Also known as the forbidden dance, from the time that Brazil was a Portuguese colony, Carimbó was a common dance in the northern part of the country. Carim ...
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Chimbinha
Banda Calypso was a Brazilian brega pop band, with influences of regional rhythms of the state of Pará. The band was formed in Belém, the state capital, in 1999 by singer/dancer Joelma da Silva Mendes and guitarist/producer Cledivan Almeida Farias, better known as Mestre Ximbinha. Early exposure of their work was restricted to only the North and Northeast regions of Brazil. The band now enjoys success throughout Brazil and has begun to establish its career abroad with tours to the United States, Europe and Angola. Despite initial resistance by music distributors because of its genre and origins, the band became a leader in CD and DVD sales in the 2000s, with approximately 15 million albums and over 5 million DVDs distributed in Brazil, making it one of the record-breaking bands of the country in sales. The band plays an engaging rhythm known as Brega pop and Calypso. Banda Calypso also plays a mixture of several Pará rhythms as well as Cumbia, Merengtheue and Carimbó. In ...
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Os 20 Super Sucessos
''20 Supersucessos'' (''20 Super Hits'' in English) is a compilation album from Banda Calypso released in 2005, recalling the achievements of his first 3 albums. Track listing # Príncipe Encantado # Chamo Por Você # Me Telefona # Love You Mon'Amour # Fórmula Mágica # Desfaz As Malas # Estrela Dourada # Odalisca # Como Uma Virgem # Senhorita # Solidão Solidão is a city in the state of Pernambuco, Brazil. The population in 2020 was 6,021 inhabitants according to the IBGE, and the total area is . Geography * State - Pernambuco * Region - Sertão Pernambucano * Boundaries - Paraíba state (Nort ... # Amor Nas Estrelas # Dois Corações # Disse Adeus # Sem Você # Zouk Love # Tia Mariquinha / Vai Buscar A Flor # Só Vai Dar Eu E Você # Dudu # Cúmbia do Amor References {{Authority control 2005 compilation albums Banda Calypso albums ...
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Banda Calypso
Banda Calypso was a Brazilian Brega (music), brega pop band, with influences of regional rhythms of the state of Pará. The band was formed in Belém, the state capital, in 1999 by singer/dancer Joelma (singer), Joelma da Silva Mendes and guitarist/producer Cledivan Almeida Farias, better known as Mestre Ximbinha. Early exposure of their work was restricted to only the North and Northeast regions of Brazil. The band now enjoys success throughout Brazil and has begun to establish its career abroad with tours to the United States, Europe and Angola. Despite initial resistance by music distributors because of its genre and origins, the band became a leader in CD and DVD sales in the 2000s, with approximately 15 million albums and over 5 million DVDs distributed in Brazil, making it one of the record-breaking bands of the country in sales. The band plays an engaging rhythm known as Brega (music), Brega pop and Calypso music, Calypso. Banda Calypso also plays a mixture of several Pará ...
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Banda Calypso (album)
''Volume 1'' is the debut album of the band of Pará Banda Calypso. The album was produced by guitarist and husband of singer Joelma, Chimbinha, and released in mid-June 1999 by Calypso Productions. Having reached more than five hundred thousand copies in Pará, Banda Calypso was invited to perform the song "Vendaval" in Programa Carlos Santos (being the first live performance of the band). Development At the very beginning with good reputation as a producer and several contacts, Chimbinha had trouble getting sponsorship for the release of the first album of the band, there were those who believed in the band's work. Finally, they managed a partnership that allowed a limited 1000 disc sales, which were sold out within a week. With this result, there were contracts for concerts and the band was expanding by Pará. Singles The album's first single was ''Vendaval'', which had a very good acceptance by the public and Para in some regions of Northeast. Even with the success of ' ...
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Banda Calypso Ao Vivo
''Ao Vivo'' (Live in English) is the second album of Banda Calypso. It was recorded live on October 18, 2000, in the Lamb's Exhibition Park in Recife, and being released in February 2001. On this album are hits from his first album, like '' Dançando Calypso'', ''Amor nas Estrelas'', '' Disse Adeus'' (which was the first song of the disclosed band in town ), among others. This album marks the exit of the band Belém to Brazilian Northeast. The album sold over 1.2 million copies and established the band on the national scene. Content In this disc the band out of rhythm Calipso stronger in their previous songs and in his new rhythms repertoire as Cúmbia, lambada, carimbó that are present the new songs brought to disk as '' Cúmbia do Amor'', ''Dudu'', ''Odalisca'', ''Lambada Complicada'' (music where there is only instrumental sound, played by Chimbinha Banda Calypso was a Brazilian brega pop band, with influences of regional rhythms of the state of Pará. The band was form ...
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Banda Calypso Volume 3
''O Ritmo Que Conquistou o Brasil!'' (The Rhythm what won the Brazil! in English) is the third album of Banda Calypso, released in 2002, in place of the famous "stolen CD". Production and rhythms With arrangements and production Chimbinha the band returns with different rhythms on his album that brings calypso, carimbó, lambada, zouk, among others genres. The album also features the participation of several composers, among them the singer Beto Barbosa, who composed the music, ''Só Vai Dar Eu e Você'' and ''Zouk Love'', both sung by singer Dinho. The band brings a very romantic side with ballads like ''Desaz as Malas'', ''Não faz Sentido'' and '' Maridos e Esposas''. Still have a block with songs of carimbó Carimbó is a Brazilian dance. The dance was common in the north part of Brazil, from the time that Brazil was still a Portuguese colony, originally from the Brazilian region of Pará, around Marajó island and the capital city of Belém. Carimb ... sung by Dinho, ...
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2003 Compilation Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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