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Oratory Of San Colombano, Bologna
The Oratory of the Madonna of San Colombano, also called the ''Chiese di San Colombano e Santa Maria dell'Orazione'' is a religious site in central Bologna, found on Via Parigi #5, near the Bologna Cathedral. History The oratory was built in 1591, atop the site of a chapel or small church that sheltered the painting of the ''Madonna dell’Orazione'' by Lippo di Dalmasio. The church, called San Colombano, at the site had been founded in the 7th century by Peter I, the bishop of Bologna and pupil of the Irish monk Columbanus. Columbanus had died in nearby Bobbio. The annexed oratory contained a revered icon of the Virgin by Lippo Dalmasio as a main altarpiece. Starting about the year 1600, it was decorated by an impressive series of pupils of Ludovico Carracci, among them some of the titans of early Italian Baroque painting: Francesco Albani, Francesco Brizio, Domenichino, Lorenzo Garbieri, Lucio Massari, Guido Reni, and Baldassare Aloisi (il Balanino). The frescoes include scenes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Music Museums
This worldwide list of music museums encompasses past and present museums that focus on musicians, musical instruments or other musical subjects. Argentina * – Mina Clavero * Academia Nacional del Tango de la República Argentina – Buenos Aires * – La Plata * , dedicated to The Beatles – Buenos Aires Armenia * House-Museum of Aram Khachaturian, dedicated to Aram Khachaturian – Yerevan * Charles Aznavour Museum, dedicated to Charles Aznavour – Yerevan Australia * National Film and Sound Archive – Acton, Australian Capital Territory * Tandanya National Aboriginal Cultural Institute – Adelaide, South Australia * National Library of Australia – Canberra, Australian Capital Territory * Australian Country Music Hall of Fame – Tamworth, New South Wales * Slim Dusty Centre – Kempsey, New South Wales * Grainger Museum, dedicated to Percy Grainger – University of Melbourne, Victoria * Australian Performing Arts Collection – Melbourne * Arts Centre Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Mischiati
Oscar, OSCAR, or The Oscar may refer to: People * Oscar (given name), an Irish- and English-language name also used in other languages; the article includes the names Oskar, Oskari, Oszkár, Óscar, and other forms. * Oscar (Irish mythology), legendary figure, son of Oisín and grandson of Finn mac Cumhall Places * Oscar, Kentucky, an unincorporated community * Oscar, Louisiana, an unincorporated community * Oscar, Missouri, an unincorporated community * Oscar, Oklahoma, an unincorporated community * Oscar, Pennsylvania, an unincorporated community * Oscar, Texas, an unincorporated community * Oscar, West Virginia, an unincorporated community * Lake Oscar (other) * Oscar Township, Otter Tail County, Minnesota, a civil township Animals * Oscar (bionic cat), a cat that had implants after losing both hind paws * Oscar (bull), #16, (d. 1983) a ProRodeo Hall of Fame bucking bull * Oscar (fish), ''Astronotus ocellatus'' * Oscar (therapy cat), cat purported to predict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavichords
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pianofortes
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinets
A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ. Harpsichords When the term ''spinet'' is used to designate a harpsichord, typically what is meant is the ''bentside spinet'', described in this section. For other uses, see below. The bentside spinet shares most of its characteristics with the full-size instrument, including action, soundboard, and case construction. What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going toward the right. The case of a bentside spinet is approximately triangular. The side on the right is usually bent concavely (hence the name of the instrument), curving away from the player toward the right rear corner. The longes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichords
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Ferdinando Tagliavini
Luigi Ferdinando Tagliavini (7 October 1929 in Bologna – 11 July 2017 in Bologna), was an Italian organist, harpsichordist, musicologist and composer. Biography Luigi Ferdinando Tagliavini studied organ, piano and composition with Riccardo Nielsen at the Conservatorio Giovanni Battista Martini in Bologna and at the Conservatory in Paris with Marcel Dupré. He graduated at the University of Padua in 1951 with a dissertation on the texts of the sacred cantatas of Johann Sebastian Bach; he taught organ at Bologna Conservatory where he also held the post of librarian; he became lecturer and later professor of organ at the Monteverdi Conservatory in Bolzano. He was appointed to teach music history at the University of Parma and in 1971 he was appointed as Professor and as Director of the Institute of Musicology at the University of Fribourg (Switzerland). He was guest professor at various universities in the U.S.A.; he was widely active as a concert organist in Italy and abroad. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Caracci
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora (1617– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonello Spada
Leonello Spada (also called ''Lionello Spada'') (1576 – 17 May 1622) was an Italian painter of the Baroque period, active in Rome and his native city of Bologna, where he became known as one of the followers of Caravaggio. Biography He first apprenticed with painter Cesare Baglioni. By the early 17th century, Spada was active, together with Girolamo Curti, as a member of a team specializing in decorative quadratura painting in Bologna. His early independent canvases reflect a mannerist style akin to the Flemish Denis Calvaert who resided in Bologna. In 1604 he made an unsuccessful bid for the commission to decorate the sacristy of the Basilica of Santa Maria di Loreto. By then he had already gravitated to the Carracci Academy, having contributed to the decorations for the funeral of Agostino Carracci in 1603. His earliest surviving major painting, the altarpiece of the ''Virgin and Saints Dominic & Francis Interceding with Christ'' (1604), shows that he had modeled his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Marziale Carracci
Antonio Marziale Carracci (1583 – 8 April 1618) was an Italian painter. He was the natural son of Agostino Carracci. Life Carracci was born in the parish of Sta Lucia in Venice, probably in 1583, the product of an affair with a courtesan called Isabella, occurring on his father's first visit to Venice. Giovanni Battista Agucchi, a friend and protégé of Cardinal Odoardo Farnese tells us in a 1609 letter, raised along with Sisto Badalocchio and a near contemporary to Domenichino and Lanfranco. The main Baroque artist biographers of his time, Baglione, Bellori and Malvasia, make some note of him. He first apprenticed with his father. Malvasia recalls his father admired a ‘’Madonna and Child’’ that completed at the age of seventeen. Annibale’s 1590s portrait of a boy resembles those in Malvasia’s woodcut with 1678 ‘’’Felsina Pittrice’’’. He may also be the boy in the Brera portrait group, including Annibale’s father Mastro Antonio. When his fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
