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Orange Bicycle
Orange Bicycle was an English psychedelic pop band, which existed between 1967 and 1971. The band played a style influenced by The Beach Boys, The Beatles, The Rolling Stones, and the hippie counter culture. Previously, they acted as support, and backing band for the duo Paul and Barry Ryan as well as completing sessions for other vocalists, recording over 100 BBC Radio One sessions and appearing on UK TV. Line-up * Robert F Scales lead singer (under his stage name Robb Storme) * John Bachini (bass, guitar, vocals) * Kevin Currie (drums) * Bernie Lee (guitar, vocals) * Wilson Malone (keyboards, drums, vocals) Career Starting life as a skiffle group from Crouch End, North London in 1959, the start of the rock 'n' roll movement at the 2 I's and other coffee bars in Soho, convinced the group to move to electric guitars and drums becoming 'Robb Storme and the Whispers' in the transition. In 1960 the group won a recording contract with Decca having impressed at a competition calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Here Today (The Beach Boys Song)
"Here Today" is a song by the American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20- bar length instrumental break. One of the last songs recorded for ''Pet Sounds'', Wilson produced the track in March 1966 with the aid of his bandmates, who provided additional backing vocals, and 12 studio musicians, who played guitars, organ, upright bass, trombones, saxophones, tack piano, drums, and other percussion. Mike Love sang the lead vocal. "Here Today" proved influential to musicians such as Al Kooper, Paul McCartney, and Lemmy. Acts who have covered the song include Bobby Vee, R. Stevie Moore, Mathilde Santing, and Thurston Moore. Background and lyrics "H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take Me To The Pilot
"Take Me to the Pilot" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was originally released on John's eponymous second album in 1970. It was recorded at Trident Studios in London in January 1970 and released in the United States in October 1970 as the A-side of a single, with "Your Song" as the B-side. Both songs received airplay, but "Your Song" was preferred by disc jockeys, becoming the singer's first hit (on both sides of the Atlantic) and rendering "Take Me To The Pilot" as the B-side. The country duo Brothers Osborne recorded a remake of the song for the 2018 tribute album '' Restoration: Reimagining the Songs of Elton John and Bernie Taupin''. Composition and inspiration Many—including Elton John himself—find the song's lyrics cryptic and incomprehensible. John once quoted, in The Red Piano Tour in 2005, that "in the early days, there were a lot of inquiries about 'What does this song mean? What does that s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Say You Don't Mind
"Say You Don't Mind" is a song written and originally recorded by English musician Denny Laine. It was a top 20 hit for Colin Blunstone in 1972. History Laine wrote the song in 1967 after he had quit The Moody Blues and was forming the Electric String Band. He recorded the song as a solo single, with a string arrangement by John Paul Jones, but it failed to chart. Episode Six (featuring future Deep Purple singer Ian Gillan and bassist Roger Glover) recorded the song at a BBC session in January 1968, with keyboardist Sheila Carter singing lead. The song was also recorded in 1970 by British psychedelic pop group Orange Bicycle, for their eponymous first album. The song was revisited by former Zombies frontman Colin Blunstone in 1971 as the closing track on his first solo album, ''One Year''. He had suggested recording the song while the Zombies were still active, but this never happened. The recording featured a string arrangement by Christopher Gunning, which has only vocals an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonight I'll Be Staying Here With You
"Tonight I'll Be Staying Here with You" is a song written by Bob Dylan from his 1969 album ''Nashville Skyline''. It was the closing song of the album. The song was the third single released from the album, after "I Threw It All Away" and "Lay Lady Lay", reaching #50 on the US ''Billboard'' Hot 100 chart, and reaching the top 20 in other countries. It was anthologized on the compilation albums ''Bob Dylan's Greatest Hits Vol. II'' and ''Playlist: The Very Best of Bob Dylan '60s''. Background and composition Dylan arrived at the ''Nashville Skyline'' recording sessions having written just four songs, including "I Threw It All Away" and "Lay Lady Lay". Having recorded these and three other new songs on February 13 and 14, 1969, he needed a few more songs to fill out the album. "Tonight I'll Be Staying Here with You" was written over two days at the Ramada Inn where Dylan was staying, and recorded over 11 takes on February 17. The song is reminiscent of the last two songs from D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carry That Weight
"Carry That Weight" is a song by the English rock band the Beatles from their 1969 album ''Abbey Road''. Written by Paul McCartney and credited to Lennon–McCartney, it is the seventh and penultimate song in the album's climactic side-two medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by "Golden Slumbers" and segues into "The End". The middle bridge—featuring brass instruments, electric guitar, and vocals—reprises the beginning of "You Never Give Me Your Money", but with different lyrics. The ending also reprises the arpeggiated guitar motif from the end of that track, which is itself reminiscent of the figure featured prominently in the George Harrison–written track "Here Comes the Sun", which opens side two of ''Abbey Road''. Interpretation Music critic Ian MacDonald interpreted the lyrics as an acknowledgement by the group that nothing they would do as individual artists would equal what they had achieve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colour Me Pop
''Colour Me Pop'' was a British music TV programme broadcast on BBC2 from 1968–1969. It was a spin-off from the BBC 2 arts magazine show '' Late Night Line-Up''. Designed to celebrate the new introduction of colour to British television, it was directed by Steve Turner, and showcased half-hour sets by pop and rock groups of the period. The programme was a pioneering precursor to the better-remembered BBC music programme ''The Old Grey Whistle Test'' (1971–87). Unlike its successor, most of the editions of ''Colour Me Pop'' are missing, due to the BBC's archival policy of the time. Complete list of performances 14 June 1968 Manfred Mann 21 June 1968 The Small Faces 28 June 1968 Eclection 12 July 1968 Salena Jones with The Brian Lemon Trio 19 July 1968 Fleetwood Mac 26 July 1968 The Kinks 9 August 1968 The Peddlers 16 August 1968 The Tremeloes 23 August 1968 Barry Noble 30 August 1968 Spooky Tooth 7 September 1968 The Hollies 14 September 1968 The Moody Blues 21 Septem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Two
BBC Two is a British free-to-air public broadcast television network owned and operated by the BBC. It covers a wide range of subject matter, with a remit "to broadcast programmes of depth and substance" in contrast to the more mainstream and popular BBC One. Like the BBC's other domestic TV and radio channels, it is funded by the television licence, and is therefore free of commercial advertising. It is a comparatively well-funded public-service network, regularly attaining a much higher audience share than most public-service networks worldwide. Originally styled BBC2, it was the third British television station to be launched (starting on 21 April 1964), and from 1 July 1967, Europe's first television channel to broadcast regularly in colour. It was envisaged as a home for less mainstream and more ambitious programming, and while this tendency has continued to date, most special-interest programmes of a kind previously broadcast on BBC Two, for example the BBC Proms, no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pretty Things
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crazy World Of Arthur Brown
The Crazy World of Arthur Brown are an English rock band formed by singer Arthur Brown in 1967. The original band included Vincent Crane (Hammond organ and piano), Drachen Theaker (drums), and Nick Greenwood (bass). This early incarnation were noted for Crane's organ and brass arrangements and Brown's powerful, wide ranging operatic voice. Brown was also notable for his unique stage persona such as extreme facepaint and burning helmet. Their song "Fire" (released in 1968 as a single) sold over one million copies, and was awarded a gold disc reaching number one in the UK Singles Chart and Canada, and number two on the US ''Billboard'' Hot 100 as well as its parent album ''The Crazy World of Arthur Brown'' which reached number 2 on the UK album charts and number 7 in the US. In the late 1960s, the Crazy World of Arthur Brown's popularity was such that the group shared bills with the Who, Jimi Hendrix, the Mothers of Invention, the Doors, the Small Faces, and Joe Cocker, among o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairport Convention
Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater (with Frater replaced by Martin Lamble after their first gig.) They started out heavily influenced by American folk rock, with a setlist dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album. Denny began steering the group towards traditional British music for their next two albums, ''What We Did on Our Holidays'' and ''Unhalfbricking'' (both 1969); the latter featured fiddler Dave "Swarb" Swarbrick, most notably on the song "A Sailor's Life", which laid the groundwork for British folk rock by being the first time a trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Move
The Move were a British rock band of the late 1960s and the early 1970s. They scored nine top 20 UK singles in five years, but were among the most popular British bands not to find any real success in the United States. For most of their career the Move were led by guitarist, singer and songwriter Roy Wood. He wrote all the group's UK singles and, from 1968, also sang lead vocals on many songs. Initially, the band had four main vocalists (Wood, Carl Wayne, Trevor Burton and Chris "Ace" Kefford) who divided amongst themselves the lead vocal duties. The Move evolved from several mid-1960s Birmingham-based groups, including Carl Wayne & the Vikings, the Nightriders and the Mayfair Set. Their name referred to the move various members of these bands made to form the group. Besides Wood, the Move's original five-piece line-up in 1965 was drummer Bev Bevan, bassist Ace Kefford, vocalist Carl Wayne and guitarist Trevor Burton. By 1972, the Move had been reduced to a trio consisting of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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