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Oramics Machine - Details 2-2
__NOTOC__ Oramics is a drawn sound technique designed in 1957 by musician Daphne Oram. The machine was further developed in 1962 after receiving a grant from the Gulbenkian Foundation. The technique involves drawing on 35mm film strips to control the sound produced. Oramics was also the name used by Oram to refer to her studio and business interests generally. Oram's composition machine consisted of a large rectangular metal frame, providing a table-like surface traversed by ten synchronised strips of clear, sprocketed 35mm film. The musician drew shapes on the film to create a mask, which modulated the light received by photocells. Although the output from the machine was monophonic, the sounds could be added to multitrack tapes to provide more texture and create polyphony. The original machine was exhibited at the Science Museum in London between 2011 and 2015. Related techniques The Oramics machine, which creates music from graphic elements uses similar principles to ...
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Oramics Machine - Details 2-2
__NOTOC__ Oramics is a drawn sound technique designed in 1957 by musician Daphne Oram. The machine was further developed in 1962 after receiving a grant from the Gulbenkian Foundation. The technique involves drawing on 35mm film strips to control the sound produced. Oramics was also the name used by Oram to refer to her studio and business interests generally. Oram's composition machine consisted of a large rectangular metal frame, providing a table-like surface traversed by ten synchronised strips of clear, sprocketed 35mm film. The musician drew shapes on the film to create a mask, which modulated the light received by photocells. Although the output from the machine was monophonic, the sounds could be added to multitrack tapes to provide more texture and create polyphony. The original machine was exhibited at the Science Museum in London between 2011 and 2015. Related techniques The Oramics machine, which creates music from graphic elements uses similar principles to ...
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Variophone
The Variophone was developed by Evgeny Sholpo in 1930 at Lenfilm Studio Productions, in Leningrad, the Soviet Union, during his experiments with graphical sound techniques, also known as ''ornamental'', ''drawn'', ''paper'', ''artificial'' or ''synthetic'' sound. In his research Sholpo was assisted by the composer Georgy Rimsky‐Korsakov. The Variophone was an optical synthesizer that utilized sound waves cut onto cardboard disks rotating synchronously with a moving 35mm movie film while being photographed onto it to produce a continuous soundtrack. Afterwards this filmstrip is played as a normal movie by means of a film projector. Being read by photocell, amplified and monitored by a loudspeaker, it functions as a musical recording process. Although with the first version of the Variophone, polyphonic soundtracks of up to 6 voices could be produced by shooting of several monophonic parts and combining them later, by the late 1930s and 1940s, some soundtracks contained up to twe ...
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RCA Synthesizer
The RCA Mark II Sound Synthesizer (nicknamed ''Victor'') was the first programmable electronic synthesizer and the flagship piece of equipment at the Columbia-Princeton Electronic Music Center. Designed by Herbert Belar and Harry Olson at RCA, with contributions by Vladimir Ussachevsky Vladimir Alexeevich Ussachevsky (November 3, 1911 in Hailar, China – January 2, 1990 in New York, New York) was a composer, particularly known for his work in electronic music. Biography Vladimir Ussachevsky was born in the Hailar Distric ... and Peter Mauzey, it was installed at Columbia University in 1957. Consisting of a room-sized array of interconnected sound synthesis components, the Mark II gave the user more flexibility and had twice the number of tone oscillators as its predecessor, the Mark I. The synthesizer was funded by a large grant from the Rockefeller Foundation. Earlier 20th century electronic instruments such as the Telharmonium or the theremin were manually operated. Th ...
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ANS Synthesizer
The ANS synthesizer is a photoelectronic musical instrument created by Russian engineer Evgeny Murzin from 1937 to 1957. The technological basis of his invention was the method of graphical sound recording used in cinematography (developed in Russia concurrently with USA), which made it possible to obtain a visible image of a sound wave, as well as to realize the opposite goal— synthesizing a sound from an artificially drawn sound spectrogram. In this case the sine waves generated by the ANS are printed onto five glass discs using a process that Murzin (an optical engineer) had to develop himself. Each disc has 144 individual tracks printed onto it, for a total of 720 microtones (discrete pitches), spanning 10 octaves. This yields a resolution of 1/72 octave (16.67 cents). The modulated light from these wheels is then projected onto the back of the synthesizer's interface. These are arranged in a continuous swath vertically, with low frequencies at the bottom and high fr ...
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Oramics Machine - Front Right-
__NOTOC__ Oramics is a drawn sound technique designed in 1957 by musician Daphne Oram. The machine was further developed in 1962 after receiving a grant from the Gulbenkian Foundation. The technique involves drawing on 35mm film strips to control the sound produced. Oramics was also the name used by Oram to refer to her studio and business interests generally. Oram's composition machine consisted of a large rectangular metal frame, providing a table-like surface traversed by ten synchronised strips of clear, sprocketed 35mm film. The musician drew shapes on the film to create a mask, which modulated the light received by photocells. Although the output from the machine was monophonic, the sounds could be added to multitrack tapes to provide more texture and create polyphony. The original machine was exhibited at the Science Museum (London), Science Museum in London between 2011 and 2015. Related techniques The Oramics machine, which creates music from graphic elements use ...
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Goldsmiths, University Of London
Goldsmiths, University of London, officially the Goldsmiths' College, is a constituent research university of the University of London in England. It was originally founded in 1891 as The Goldsmiths' Technical and Recreative Institute by the Worshipful Company of Goldsmiths in New Cross, London. It was renamed Goldsmiths' College after being acquired by the University of London in 1904 and specialises in the arts, design, humanities and social sciences. The main building on campus, known as the Richard Hoggart Building, was originally opened in 1792 and is the site of the former Royal Naval School. According to Quacquarelli Symonds (2021), Goldsmiths ranks 12th in Communication and Media Studies, 15th in Art & Design and is ranked in the top 50 in the areas of Anthropology, Sociology and the Performing Arts. In 2020, the university enrolled over 10,000 students at undergraduate and postgraduate levels. 37% of students come from outside the United Kingdom and 52% of all undergradu ...
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Evelyn Lambart
Evelyn Lambart (23 July 1914 – 3 April 1999) was a Canadian animator and technical director with the National Film Board of Canada, known for her early collaborations with Norman McLaren as well as her later films, as sole director. In 1978, she was the subject of a biographical documentary entitled ''Eve Lambart'' directed by Margaret Wescott. Early years Born in Ottawa, she was hearing impaired from an early age, which she later credited with focusing her attention on the visual world as a means of communication. After attending Lisgar Collegiate Institute in Ottawa, Lambart studied at the Ontario College of Art for five years, graduating in 1937. Her plan had been to continue her art studies in the U.K., however, the outbreak of Second World War made that impossible. Instead, Lambart spent a year and a half working on illuminations and lettering for the first Book of Remembrance, commemorating Canadian war dead in the First World War. NFB career In 1949, Lambart and M ...
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Norman McLaren
William Norman McLaren, LL. D. (11 April 1914 – 27 January 1987) was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB).Rosenthal, Alan. ''The new documentary in action: a casebook in film making''. University of California Press, 1972. 267-8. Print. He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films. His awards included an Academy Award for Best Documentary Short Subject in 1952 for ''Neighbours'', a Silver Bear for best short documentary at the 1956 Berlin International Film Festival for '' Rythmetic'' and a 1969 BAFTA Award for Best Animated Film for ''Pas de deux''. Early life Norman McLaren was born in Stirling, Scotland, on 11 April 1914. He had two older siblings, one brother, Jack ...
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Yevgeny Sholpo
Yevgeni, Yevgeny, Yevgenii or Yevgeniy (russian: Евгений), also transliterated as Evgeni, Evgeny, Evgenii or Evgeniy, is the Russian form of the masculine given name Eugene. People with the name include: :''Note: Occasionally, a person may be in more than one section.'' Arts and entertainment * Yevgeny Aryeh (1947–2022), Israeli theater director, playwright, scriptwriter and set designer *Yevgeni Bauer (1865–1917), Russian film director and screenwriter * Yevgeni Grishkovetz (born 1967), Russian writer, dramatist, stage director and actor *Evgeny Kissin (born 1971), Russian pianist *Yevgeny Leonov (1926–1994), Soviet and Russian actor *Yevgeni Mokhorev (born 1967), Russian photographer *Evgeny Mravinsky (1903–1988), Russian conductor *Evgeny Svetlanov (1928–2002), Russian conductor *Yevgeni Urbansky (1932–1965), Soviet Russian actor *Yevgeniy Yevstigneyev (1926–1992), Soviet and Russian actor *Yevgeny Yevtushenko (1933–2017), Soviet and Russian poet *Yevgeny Z ...
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Oramics
__NOTOC__ Oramics is a drawn sound technique designed in 1957 by musician Daphne Oram. The machine was further developed in 1962 after receiving a grant from the Gulbenkian Foundation. The technique involves drawing on 35mm film strips to control the sound produced. Oramics was also the name used by Oram to refer to her studio and business interests generally. Oram's composition machine consisted of a large rectangular metal frame, providing a table-like surface traversed by ten synchronised strips of clear, sprocketed 35mm film. The musician drew shapes on the film to create a mask, which modulated the light received by photocells. Although the output from the machine was monophonic, the sounds could be added to multitrack tapes to provide more texture and create polyphony. The original machine was exhibited at the Science Museum in London between 2011 and 2015. Related techniques The Oramics machine, which creates music from graphic elements uses similar principles to ...
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Science Museum (London)
The Science Museum is a major museum on Exhibition Road in South Kensington, London. It was founded in 1857 and is one of the city's major tourist attractions, attracting 3.3 million visitors annually in 2019. Like other publicly funded national museums in the United Kingdom, the Science Museum does not charge visitors for admission, although visitors are requested to make a donation if they are able. Temporary exhibitions may incur an admission fee. It is one of the five museums in the Science Museum Group. Founding and history The museum was founded in 1857 under Bennet Woodcroft from the collection of the Royal Society of Arts and surplus items from the Great Exhibition as part of the South Kensington Museum, together with what is now the Victoria and Albert Museum. It included a collection of machinery which became the ''Museum of Patents'' in 1858, and the ''Patent Office Museum'' in 1863. This collection contained many of the most famous exhibits of what is now t ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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