Opus IV (film)
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Opus IV (film)
''Opus IV'' is a 1925 German absolute film directed by Walter Ruttmann. The film is approximately 3m 55s in length. It uses abstract animation. The film is the final installment in the “Lichtspiel” (German for “light show”). The Opus films are famous for using geometric shapes, basic lines, and abstraction to create optical images, then taking the optical art, along with rhythm and editing, to imply movement. Along with the Film Ist Rhythm series, the Lichtspiel film series is one of the earliest examples of absolute film. Those films contain a stronger resemblance to paintings than their other Absolute counterparts. Release On 3 May 1925 the Sunday matinee program ''Der absolute Film'' took place in the UFA-Palast theater at the Kurfurstendamm in Berlin. Its 900 seats soon sold out and the program was repeated a week later. Viking Eggeling's '' Symphonie diagonale'', Hans Richter's ''Rhythmus 21'' and ''Rhythmus 23'', Walter Ruttmann's ''Opus II'', ''Opus III'' a ...
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Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi- documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated "high school" in 1905, then began in 1907, architectural studies in Zürich, later, in 1909, painting in Munich (later in Marburg) where he befriended Paul Klee and Lyonel Feininger. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of the World War I was he sent to the Eastern Front, where he served as an artillery lieutena ...
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Ballet Mécanique
''Ballet Mécanique'' (1923–24) is a Dadaist post-Cubist art film conceived, written, and co-directed by the artist Fernand Léger in collaboration with the filmmaker Dudley Murphy (with cinematographic input from Man Ray).Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford: Oxford University Press, 2009. p. 400 It has a musical score by the American composer George Antheil. However, the film premiered in a silent version on 24 September 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique) in Vienna presented by Frederick Kiesler. It is considered one of the masterpieces of early experimental filmmaking. Film credit and history In her book ''Dudley Murphy: Hollywood Wild Card'', film historian Susan Delson argues that Murphy was the film's driving force but that Léger was more successful at promoting the film as his own creation. However, after fighting at the front in World War ...
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Films Directed By Walter Ruttmann
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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1920s Avant-garde And Experimental Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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1920s Animated Short Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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1925 Short Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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1925 Animated Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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1925 Films
The following is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1925 released films by box office gross in North America are as follows: Events *June 26: Charlie Chaplin's ''The Gold Rush'' premieres. It is voted the best film of the year by critics in The Film Daily annual poll *September 25: Ufa-Palast am Zoo in Berlin rebuilt as Germany's largest cinema reopens. *November 5: MGM's war drama film ''The Big Parade'' is released. It is a massive commercial success, becoming the highest-grossing picture of the 1920s in the United States. *December 30: MGM's biblical epic '' Ben-Hur: A Tale of the Christ'' premieres in New York City. It is the most expensive silent film ever made, costing $4 million (around $ million when adjusted for inflation) *Hong Shen publishes the film script ''Mrs. Shentu'' in the Shanghai magazine ''Eastern Miscellany''. It is never filmed, but is con ...
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Ludwig Hirschfeld-Mack
Ludwig Hirschfeld Mack (11 July 1893, in Frankfurt-am-Main – 7 January 1965, in Allambie Heights, in Sydney) was a German-born Australian artist. His formative education was 1912–1914 at Debschitz art school in Munich. He studied at the Bauhaus from 1919–24 and remained working there until 1926 where, along with Kurt Schwerdtfeger, he further developed the ''Farblichtspiele'' ('coloured-light-plays'), which used a projection device to produced moving colours on a transparent screen accompanied by music composed by Hirschfeld Mack. It is now regarded as an early form of multimedia. He was a participant, along with the former Bauhaus master Gertrud Grunow, in ''den II. Kongreß für Farbe-Ton-Forschung (Hamburg 1. - 5. Oktober 1930)'' (English: Second Congress for Colour-Sound Research, Hamburg). In 1923 he participated in the prestigious film festival "Der Absolute Film in Berlin with other film producers such as Hans Richter Viking Eggeling, Walter Ruttmann, Fernand ...
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Entr'acte (film)
''Entr'acte'' is a silent French Dada short film directed by René Clair. It premiered on 4 December 1924 at the Théâtre des Champs-Élysées in Paris as a prologue and entr'acte for the Ballets Suédois production of '' Relâche'', based on a book by Francis Picabia, which had settings by Picabia, was produced by Rolf de Maré, and was choreographed by Jean Börlin. The music for both the ballet and the film was composed by Erik Satie. Summary Prologue On a rooftop, a cannon, via stop motion photography, rolls itself back and forth. In slow motion, two men (Francis Picabia and Eric Satie), jump into the frame and jump up and down. They discuss the cannon and, after smelling a projectile, load it before jumping up and down and jumping out of frame in reverse. The projectile slowly comes out of the cannon toward the camera lens. Entr'acte Images are intercut of Parisian rooftops filmed with the camera tilted at various angles, three dolls with balloons-heads that are inflate ...
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René Clair
René Clair (11 November 1898 – 15 March 1981), born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960. Clair's best known films include '' Un chapeau de paille d'Italie'' (''The Italian Straw Hat'', 1928), '' Sous les toits de Paris'' (''Under the Roofs of Paris'', 1930), ''Le Million'' (1931), ''À nous la liberté'' (1931), ''I Married a Witch'' (1942), and ''And Then There Were None'' (1945). Early life René Clair was born and grew up in Paris in the district of Les ...
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Rhythmus 21
''Rhythmus 21'' is a 1921 German absolute film directed by Hans Richter. ''Rhythmus 21'' was made in black and white, and spans for approximately 3 minutes. The film is the first installment of Richter's Film Ist Rhythm series and is considered, by experts, an early and influential film to the abstract film movement. Many absolute films were described as a mixture of art, film, and music because they present on the screen many musical elements such as dynamics, rhythm, and motion. The films in this series get their name from their visual rhythmic element that closely resembles music. Production Hans Richter finished his first film ''Rhythmus 21'' (a.k.a. ''Film ist Rhythmus'') in 1921, but kept changing elements until he first presented the work on 7 July 1923 in Paris at the dadaist ''Soirée du coeur à barbe'' program in ''Théâtre Michel''. It was an abstract animation of rectangular shapes, partly inspired by his connections with De Stijl. Founder Theo van Doesburg The ...
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