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Opera In Canada
As an old form of art in a new country, opera came to Canada relatively late. Although the first composition can be traced back to the seventeenth century it was not until 150 years later that Canadian opera caught up. Canadian opera became especially fashionable on Canada's 1967 centennial year. These celebrations set off an interest in operas among Canadian composers that was never seen before. This interest in opera, among composers and audience alike, is noticeable until today. However, most Canadian operatic works are not known internationally since many of them specifically concern Canadian themes and are small in scale. Canadian operas are typically influenced by the history of the country. Many deal with First Nations and immigration themes or concern specific historical events and figures. Canada's diversity is thus very much reflected by the operatic works of its composers. Early Canadian opera The first opera written on Canadian soil was Joseph Quesnel's ''Colas et Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Geddes-Harvey
Anne Catherine Roberta Geddes-Harvey (née Geddes; 25 December 1849 – 22 April 1930) was a Canadian organist, choirmaster and composer. Early life and education Roberta Geddes was born in Hamilton, Ontario, Hamilton, Ontario, and studied music with Arthur Elwell Fisher, Arthur E. Fisher, Humfrey Anger and Edward Fisher (musician), Edward Fisher, graduating with a Bachelor of Music degree from University of Trinity College, Trinity College, Toronto, in 1899."Domestic Harmonies: Musical Activity in Southwestern Ontario, 1880-1920" by Madelaine Morrison, Carleton University Ottawa, Ontario, 2013. Career After completing ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southern Ontario
Southern Ontario is a primary region of the province of Ontario, Canada, the other primary region being Northern Ontario. It is the most densely populated and southernmost region in Canada. The exact northern boundary of Southern Ontario is disputed; however, the core region is situated south of Algonquin Park, the latter being in an area of transition between coniferous forest north of the French and Mattawa Rivers and southern deciduous forest. It covers between 14 and 15% of the province, depending on the inclusion of the Parry Sound and Muskoka districts which also lie in the transitional area between northern and southern forest regions. With approximately 13.5 million people, the region is home to approximately 36% of Canada's population of 37.0 million. Southern Ontario differs greatly from Northern Ontario, in that it has a much higher population density, a different climate, and a different culture than its northern counterpart. It is broken into smaller subregions, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ground Bass
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an osti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Somers
Harry Stewart Somers, CC (September 11, 1925 – March 9, 1999) was a contemporary Canadian composer. Possessing a charismatic attitude and rather dashing good looks, as well as a genuine talent for his art, Somers earned the unofficial title of "Darling of Canadian Composition." A truly patriotic artist, Somers was engaged in many national projects over the course his lifetime. He was a founding member of the Canadian League of Composers (CLC) and involved in the formation of other Canadian music organizations, including the Canada Council for the Arts and the Canadian Music Centre. He frequently received commissions from the Canadian Broadcasting Corporation and the Canada Council for the Arts. Biography Early life Somers was born in Toronto, Ontario, Canada, on September 11, 1925. Unlike most composers, Somers did not become involved in formal musical study until he reached his teenage years in 1939 when he met his wife, a doctor who was also an accomplished amateur pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingston, Ontario
Kingston is a city in Ontario, Canada. It is located on the north-eastern end of Lake Ontario, at the beginning of the St. Lawrence River and at the mouth of the Cataraqui River (south end of the Rideau Canal). The city is midway between Toronto, Ontario and Montreal, Quebec. Kingston is also located nearby the Thousand Islands, a tourist region to the east, and the Prince Edward County tourist region to the west. Kingston is nicknamed the "Limestone City" because of the many heritage buildings constructed using local limestone. Growing European exploration in the 17th century, and the desire for the Europeans to establish a presence close to local Native occupants to control trade, led to the founding of a French trading post and military fort at a site known as "Cataraqui" (generally pronounced /kætə'ɹɑkweɪ/, "kah-tah-ROCK-way") in 1673. This outpost, called Fort Cataraqui, and later Fort Frontenac, became a focus for settlement. Since 1760, the site of Kingston, Ont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham George
Graham Elias George (11 April 1912 – 9 December 1993) was a Canadian composer, music theorist, organist, choir conductor, and music educator of English birth. An associate of the Canadian Music Centre, his compositional output consists largely of choral works, many written for Anglican liturgical use. He also wrote three ballets, four operas, and some symphonic music. In 1938 he won the Jean Lallemand Prize for his '' Variations on an Original Theme''. At first he employed traditional tertial harmony, but the influence of Hindemith led him to introduce quartal-quintal harmony as integral to his style. Successful completion of RCCO/RCO diplomas and external degrees had demanded he attain very considerable expertise in counterpoint, and so his neoclassic deployment of contrapuntal devices such as imitation, canon and fugue is hardly accidental. His archives are part of the collection at the Library and Archives Canada. Early life and education Born in Norwich, he moved to Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Lapierre
Eugène Lapierre (8 June 1899 – 21 October 1970) was a Canadian organist, composer, journalist, writer on music, arts administrator, and music educator. He was awarded the King George V Silver Jubilee Medal in 1935 and the King George VI Coronation Medal in 1937. In 1963 he was named Chevalier of the Order of Malta and in 1966 he received the Bene merenti de patria from the Saint-Jean-Baptiste Society. He is the great uncle of composer Yves Lapierre. Life and career Born in Montreal, Lapierre received his earliest musical education at Saint Brigid's Church in his native city where he was a pupil of choirmaster Lucien Perreault. He then studied the organ with Étienne Guillet and worked as an accompanist at the Royal Military College Saint-Jean. He entered the École des Hautes Études Commerciales where he earned a degree in 1922. From 1924–1928 Lapierre studied in Paris through a grant from the Canadian government, first at the Institut Grégorien where he earned a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Healey Willan
James Healey Willan (12 October 1880 – 16 February 1968) was an Anglo-Canadian organist and composer. He composed more than 800 works including operas, symphonies, chamber music, a concerto, and pieces for band, orchestra, organ, and piano. He is best known for his church music. Biography Willan was born in England on 12 October 1880 and began musical training at age eight, with studies at St. Saviour's Choir School in Eastbourne. He continued at St. Saviour's until 1895, when he began working as organist and choirmaster at several London-area churches. He earned, by examination in organ playing, harmony, counterpoint, history and orchestration, the ARCO in 1897 and fellowship in 1899. From 1903 to 1913, he was organist and choirmaster of St. John the Baptist Church on Holland Road in London. The Anglo-Catholic Tractarian movement had led to an Anglican revival of plainsong, and in 1910 Willan joined the London Gregorian Association (which strove to preserve and re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
