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Oopjen Coppit
The pendant ''portraits of Marten Soolmans and Oopjen Coppit'' are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Marten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt. History The portraits were painted by Rembrandt upon the occasion of the wedding of Marten Soolmans and Oopjen Coppit in 1634. Although the subjects were painted individually, the portraits have been kept together since their inception. Unlike many 17th-century portrait pairs, these two have always hung side by side in various collections based in Amsterdam or Paris. They are also unusual in Rembrandt's oeuvre for their size and the fact that they show the subjects at full length. Appearing in period inventories at regular interva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Marten Soolmans
The pendant ''portraits of Marten Soolmans and Oopjen Coppit'' are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Marten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt. History The portraits were painted by Rembrandt upon the occasion of the wedding of Marten Soolmans and Oopjen Coppit in 1634. Although the subjects were painted individually, the portraits have been kept together since their inception. Unlike many 17th-century portrait pairs, these two have always hung side by side in various collections based in Amsterdam or Paris. They are also unusual in Rembrandt's oeuvre for their size and the fact that they show the subjects at full length. Appearing in period inventories at regular interva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendant Portraits Of Maerten Soolmans And Oopjen Coppit
The pendant ''portraits of Marten Soolmans and Oopjen Coppit'' are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Marten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt. History The portraits were painted by Rembrandt upon the occasion of the wedding of Marten Soolmans and Oopjen Coppit in 1634. Although the subjects were painted individually, the portraits have been kept together since their inception. Unlike many 17th-century portrait pairs, these two have always hung side by side in various collections based in Amsterdam or Paris. They are also unusual in Rembrandt's oeuvre for their size and the fact that they show the subjects at full length. Appearing in period inventories at regular interva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Oopjen Coppit
The pendant ''portraits of Marten Soolmans and Oopjen Coppit'' are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Marten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt. History The portraits were painted by Rembrandt upon the occasion of the wedding of Marten Soolmans and Oopjen Coppit in 1634. Although the subjects were painted individually, the portraits have been kept together since their inception. Unlike many 17th-century portrait pairs, these two have always hung side by side in various collections based in Amsterdam or Paris. They are also unusual in Rembrandt's oeuvre for their size and the fact that they show the subjects at full length. Appearing in period inventories at regular interva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gazette Des Beaux-Arts
The ''Gazette des Beaux-Arts'' was a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editorial secretary under the direction of George Wildenstein from 1936 until 1960. Her papers, which include all editions of the ''Gazette'' from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny university campus, Dorigny. The ''Gazette'' was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The magazine was published monthly and was headquartered in Paris. The review closed in 2002. List of directors *1859-1863: Édouard Houssaye *1863-1872: Émile Galichon *1872-1875: Maurice Cottier, Édouard André (art collector), Édouard André and Ernest Hosche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatomy Lesson Of Dr
Anatomy () is the branch of biology concerned with the study of the structure of organisms and their parts. Anatomy is a branch of natural science that deals with the structural organization of living things. It is an old science, having its beginnings in prehistoric times. Anatomy is inherently tied to developmental biology, embryology, comparative anatomy, evolutionary biology, and phylogeny, as these are the processes by which anatomy is generated, both over immediate and long-term timescales. Anatomy and physiology, which study the structure and function of organisms and their parts respectively, make a natural pair of related disciplines, and are often studied together. Human anatomy is one of the essential basic sciences that are applied in medicine. The discipline of anatomy is divided into macroscopic and microscopic. Macroscopic anatomy, or gross anatomy, is the examination of an animal's body parts using unaided eyesight. Gross anatomy also includes the br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Fromentin
Eugène Fromentin (24 October 182027 August 1876) was a French painter and writer, now better remembered for his writings. Life He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849, he was awarded a medal of the second class. In 1852, he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. His books include ' ("The Masters of Past Time", 1876), an influential appreciation of Early Netherl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Samuel De Rothschild
Gustave Samuel James de Rothschild, Baron de Rothschild (17 February 1829 in Paris – 28 November 1911 in Paris) was a French banker and scion of the French branch of the Rothschild family. He was the second son of James Mayer de Rothschild and Betty Salomon von Rothschild (of the German branch of the same family). In accordance with Rothschild tradition, Gustave was expected to marry a cousin, and his family hoped that he would propose to one of his cousins Mathilde von Rothschild or Evelina de Rothschild. Instead, in 1859 Gustave married Cécile Anspach, the daughter of a high official in the Court of Cassation, and they had six children: # Octave de Rothschild (1860–1860); # Zoé Lucie Betty de Rothschild (1863–1916), married in 1882 the Belgian banker Léon Lambert; # Aline Caroline de Rothschild (1867–1909), married in 1887 Sir Edward Albert Sassoon (1856–1912); # Bertha Juliette de Rothschild (1870–1896); # André de Rothschild (1874–1877); # Robert de Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montias Database
John Michael Montias (3 October 1928 – 26 July 2005) was a French-born American economist and art historian, known for his contributions to cultural economics, particularly related to Dutch Golden Age painting. Montias was part of the Annales School of historians. He was Professor of Economics Emeritus at Yale University. Career Born in Paris to Jewish parents, Montias was sent alone to the United States at a young age in 1940, in order to escape the Battle of France during World War II. He settled in Buffalo, New York, and attended the Nichols School there. He is known to have volunteered at the Albright–Knox Art Gallery around that time. Montias studied at Columbia University, where he received a Bachelor of Arts in 1947, a Master of Arts in 1950, and Doctor of Philosophy in Economics in 1958. He focused particularly on economics in the Soviet bloc. In the same year as graduation, Montias began teaching at Yale University as an Assistant Professor of Ec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horst Gerson
Horst Gerson (2 March 1907 – 10 June 1978) was a German-Dutch art historian. Biography Gerson was born in Berlin on 2 March 1907, and after studying art history in Vienna, he became a pupil and assistant of Cornelis Hofstede de Groot and worked for Hofstede de Groot's RKD ( Netherlands Institute for Art History) during the years 1934–1966, becoming a Dutch citizen in 1940 and becoming director of the RKD on 1 January 1954.Horst Gerson in the RKD He was the nephew of Karl Lilienfeld, who had assisted Hofstede de Groot before him. In 1966 he became professor of art history at the Rijksuniversiteit Groningen, and during the years 1966–1975 he was head of the Kunsthistorisch Instituut Groningen. He is known for his publications, starting with his 'Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts' published in 1942. He assisted Abraham Bredius with his Rembrandt catalogue raisonné, and later wrote his own version in 1968 which reduced the number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emile Michel
Emil or Emile may refer to: Literature *''Emile, or On Education'' (1762), a treatise on education by Jean-Jacques Rousseau * ''Émile'' (novel) (1827), an autobiographical novel based on Émile de Girardin's early life *''Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *''Emil i Lönneberga'', a series of children's novels by Astrid Lindgren Military *Emil (tank), a Swedish tank developed in the 1950s * Sturer Emil, a German tank destroyer People *Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' *Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other * ''Emile'' (film), a Canadian film made in 2003 by Carl Bessai *Emil (river), in China and Kazakhstan See also * * *Aemilius (other) * Emilio (other) * Emílio (other) *Emilios (other) Emilios, or Aimilios, (Greek: Αιμίλιος) is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carel Vosmaer
Carel Vosmaer (20 March 1826 – 12 June 1888) was a Dutch poet and art critic, born at The Hague. He wrote under the pseudonym Flanor. Life He studied law at the University of Leiden, obtaining a degree in 1851, and was for many years Deputy Recorder to the High Court of Justice in his native town, "an office he resigned in 1873, in order to devote himself wholly to art and letters." His first volume of poems, 1860, did not contain much that was remarkable. His temperament was starved in the very thin air of the intellectual the Netherlands of those days, and it was not until after the sensational appearance of Multatuli (pen name of Edward Douwes-Dekker) that Vosmaer, at the age of forty, woke up to a consciousness of his own talent. In 1869 he produced an exhaustive monograph on Rembrandt, which was issued in French. Vosmaer became a contributor to, and then the leading spirit and editor of, a journal which played an immense part in the awakening of Dutch literature; this w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Von Wurzbach
Alfred Wurzbach Ritter von Tannenberg (born 22 July 1846 in Lemberg; died 18 May 1915 in Vienna) was an Austrian art critic. Biography He was the son of Constantin von Wurzbach. He studied jurisprudence in Vienna and entered the civil service, but resigned in 1876 and devoted himself entirely to the study of art history. He was art critic for the ''Wiener Allgemeine Zeitung'' from 1881 to 1886. Works Under the title ''Zeitgenossen'' he published a series of biographical sketches (1871–72), and afterwards the monograph '' Martin Schongauer'' (1881), a ''Geschichte der holländischen Malerei'' (History of Dutch painting, 1885), besides biographies of Dutch and Flemish painters in Dohme's ''Kunst und Künstler'' (Art and artists, 1876). He also edited dictionaries of artist biographies, and compiled ''Rembrandt-Galerie'' (1885), and translated Houbraken Houbraken is a Dutch-language surname. People with this surname include: *Antonina Houbraken Antonina Houbraken (30 May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
